Historical images contain a variety of signs and meanings. The latter have influenced perception and response decisively, in the past as well as today. Methods and possibilities of computer-supported image analysis in context, and particularly of digital image analysis have started to support recent research-efforts considerably. The creation and organisation of digitised historical archives seem to have become particularly important for any kind of studies of the contents and messages of pictorial sources. This creation and organisation of image archives, and the analysis of the contents of such archives mainly imply digitisation and documentation, making catalogues and codebooks available, the linking and binding of images and their details, encoding, segmentation, sub-segmentation and archiving the image segments, creating and keeping up contexts. They make comparative primary and secondary analysis possible. Fruitful co-operation and exchange of skills are necessary. The ‘culture of images’has come up to other levels; history and its images are about to reach new and very promising dimensions.