The Inheritors and The Nature of a Crime

2022 ◽  
Author(s):  
Joseph Conrad ◽  
Max Saunders

This volume offers scholars the first authoritative text of two works produced collaboratively by two of the most important modern British novelists. Long hard to obtain and frequently neglected by critics, each can now be appreciated both in its own right and as part of the two authors' individual oeuvres. This scholarly edition situates both works in the context of the writers' meeting and ongoing collaboration, providing illuminating literary and historical references and detailing the works' composition history and reception in the UK and America. As well as establishing definitive texts of both works and of the authors' prefaces written for the 1924 republication of The Nature of a Crime, this edition also includes Ford's own 1924 account of his collaboration with Conrad on The Inheritors, as well as the text of Ford's 'The Old Story', a hitherto unpublished early draft of the basic plot of The Nature of a Crime.

2015 ◽  
Vol 24 (1) ◽  
pp. 49-56 ◽  
Author(s):  
David Tucker ◽  
Mark Nixon

This essay outlines the case for a new, scholarly edition of Beckett's critical writings, one that would be complete and with critical annotation. For the most part these texts (critical writings, tributes, in memoria and epigraphs) have been published in a range of places. As well as in the magazines, newspapers, books and special-issue publications in which pieces originally appeared, a number were collected in Disjecta (Calder 1983 & Grove 1984). This volume, however, is not exhaustive; it misses out a number of important texts (not least Proust) and contains some textual inaccuracies. Furthermore, Beckett's critical writings are currently not available from the UK publishers Faber and the Grove Press Centenary Edition of Beckett's works, the fourth volume of which contains a section entitled ‘Criticism’, presents only three works of criticism by Beckett (Proust, ‘Dante … Bruno . Vico . . Joyce’ and ‘Three Dialogues’). In this essay, we give a brief (and far from exhaustive) overview of the publication history of Beckett's non-fiction prose texts, before outlining some of the editorial challenges they pose. Although Beckett tended to be dismissive of these works, they form an integral part of his canon.


2015 ◽  
Vol 24 (1) ◽  
pp. 32-48 ◽  
Author(s):  
Mark Byron ◽  
Chris Ackerley

Beckett's 1953 novel Watt is justifiably known as the ‘white whale’ of Beckett Studies. Its wartime composition history in conditions of compound displacement, from the first tentative notes in 1941 to the first attempts at publication in 1945, traces out a process of manuscript revision, recirculation, fragmentation and recombination: a process in which art and life echoed each other's estrangements. The complicated journey into print bore its own pitfalls, where textual error combined with evidence of partial narrative excisions, serial non sequiturs, and a post-narrative midden of fragments both insinuated within and separated from the story of Watt and his master. This essay engages in a close examination of a selected range of variant types between published editions and between published text and manuscript (and partial typescript). There is no golden key, but a pattern emerges whereby an ambivalent alternation between presence and absence of textual material indicates the novel and its documents to be a kind of work-genesis. Watt's perplexing struggle with knowing and being reflects and informs the state of the novel's constituent materials. His tussle with the faculties of perception, as well as the improbable utterance of his strange quest, enjoins the reader to rethink the narrative and textual categories upon which a hermeneutics might be assayed. The material conditions of the novel's composition, transmission and post-publication career are well known. But the signal correspondence between the text's material vicissitudes, its thematic burden, and its hermeneutic challenges are positively striking. They imply a textual assemblage demanding a most supple editorial technique: the presence and absence, the ones and zeros structuring the digital scholarly edition.


The Oxford Handbook of Learning and Intellectual Disability Nursing, 2nd edition, has been comprehensively updated throughout and brings together the contributions of leading practitioners and academics from the UK, the Republic of Ireland, and further beyond, in an authoritative text that provides essential facts and information on nurses working with people with intellectual disabilities. A unique aspect to this Oxford Handbook is the continuing attention given to differences in legislation and social policy across the jurisdiction of the constituent countries of the UK, as well as the Republic of Ireland. The landscape for the practice of nursing has never been so complex, and given this complexity of context and practice, the Oxford Handbook of Learning and Intellectual Disability Nursing continues to offer students and newly qualified practitioners alike up-to-date and concise, practical applied knowledge, as well as theoretical information, about working in a person-centred way with people with intellectual disabilities and their families/carers in order to promote their physical and mental health, improve their quality of life and their active involvement in decisions about their care, and support their access to general healthcare and community services. This handbook will be of use in the very many areas where nurses for people with learning/intellectual disabilities are located. It will also be of use to a wider range of other health and/or social care professionals, who often seek an authoritative text that provides essential facts and information on working with people with intellectual disabilities.


2011 ◽  
Vol 9 ◽  
pp. 265
Author(s):  
Betsabé Navarro Romero ◽  
Toby Litt

English novelist and short story writer, Toby Litt is the author of the novels Beatniks: An English Road Movie (1997), Corpsing (2000), Deadkidsongs (2001), Finding Myself (2003), Ghost Story (2004), Hospital (2007), I Play the Drums in a Band Called Okay (2008), Journey into Space (2009), and King Death (2010). He is also known for his collections of short stories Adventures in Capitalism (1996) and Exhibitionism (2002). Toby Litt was nominated by Granta magazine as one of the 20 “Best of Young British Novelists” in 2003. He is an authorised voice among young writers deconstructing contemporary consumer society. In this interview, held at the University of Almería during the 34th AEDEAN Conference (11-13 November 2010), he provides an assessment of modern politics, shares his ideas concerning the recent political affairs in the UK, such as the ideological modernisation during the previous New Labour years or the latest social changes in Britain, and he finally examines the position of writers and intellectuals as regards to power and their political commitment.


2000 ◽  
Vol 111 (1) ◽  
pp. 78-90 ◽  
Author(s):  
C. R. M. Hay ◽  
T. P. Baglin ◽  
P. W. Collins ◽  
F. G. H. Hill ◽  
D. M. Keeling

2006 ◽  
Vol 175 (4S) ◽  
pp. 476-477
Author(s):  
Freddie C. Hamdy ◽  
Joanne Howson ◽  
Athene Lane ◽  
Jenny L. Donovan ◽  
David E. Neal

2006 ◽  
Vol 175 (4S) ◽  
pp. 210-210
Author(s):  
◽  
Freddie C. Hamdy ◽  
Athene Lane ◽  
David E. Neal ◽  
Malcolm Mason ◽  
...  
Keyword(s):  

2003 ◽  
Vol 2 (1) ◽  
pp. 131
Author(s):  
A ZAPHIRIOU ◽  
S ROBB ◽  
G MENDEZ ◽  
T MURRAYTHOMAS ◽  
S HARDMAN ◽  
...  

Crisis ◽  
2014 ◽  
Vol 35 (4) ◽  
pp. 268-272
Author(s):  
Sean Cross ◽  
Dinesh Bhugra ◽  
Paul I. Dargan ◽  
David M. Wood ◽  
Shaun L. Greene ◽  
...  

Background: Self-poisoning (overdose) is the commonest form of self-harm cases presenting to acute secondary care services in the UK, where there has been limited investigation of self-harm in black and minority ethnic communities. London has the UK’s most ethnically diverse areas but presents challenges in resident-based data collection due to the large number of hospitals. Aims: To investigate the rates and characteristics of self-poisoning presentations in two central London boroughs. Method: All incident cases of self-poisoning presentations of residents of Lambeth and Southwark were identified over a 12-month period through comprehensive acute and mental health trust data collection systems at multiple hospitals. Analysis was done using STATA 12.1. Results: A rate of 121.4/100,000 was recorded across a population of more than half a million residents. Women exceeded men in all measured ethnic groups. Black women presented 1.5 times more than white women. Gender ratios within ethnicities were marked. Among those aged younger than 24 years, black women were almost 7 times more likely to present than black men were. Conclusion: Self-poisoning is the commonest form of self-harm presentation to UK hospitals but population-based rates are rare. These results have implications for formulating and managing risk in clinical services for both minority ethnic women and men.


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