Religion and Constitutional Practices in Asia: Five ‘Cs’ for Reflection

2018 ◽  
Vol 13 (2) ◽  
pp. 219-225
Author(s):  
Arif A JAMAL

AbstractIn considering the articles in this Special Issue, I am struck by the importance of a set of factors that, in my view, both run through the articles like a leitmotif, as well as shape the major ‘take away’ lesson(s) from the articles. In this short commentary, I elaborate on these factors and the lesson(s) to take from them through five ‘Cs’: context; complexity; contestation; the framework of constitutions; and the role of comparative law. The first three ‘Cs’ are lessons from the case studies of the articles themselves, while the second two ‘Cs’ are offered as lessons to help take the dialogue forward. Fundamentally, these five ‘Cs’ highlight the importance of the articles in this Special Issue and the conference from which they emerged on the one hand, while on the other hand, also making us aware of what are the limits of what we should conclude from the individual articles. In other words, taken together, the five ‘Cs’ are, one might say, lessons about lessons.

2020 ◽  
Vol 132 (4) ◽  
pp. 439-466
Author(s):  
Martin Becker

This paper examines the crucial role of verbal tenses for the text constitution and, especially, for the creation of narrative perspectives in the tale about St. Augustin's life, Sur les pas de Saint Augustin, written by the contemporary ’Maghrebian‘ author Kebir Ammi. On the one hand, it will be explored how the different tenses contribute in a substantial way to the creation of narrative perspectives, respectively, to narrative focalizations. On the other hand, the importance of the tenses in the structuring and organization of the individual episodes will be highlighted and, last but not least, their contribution to the semiotic dimension of the text. Finally, in an overarching perspective, the article casts light on the narrative potential inherent in tense categories and on the relevance of a modern tense theory for narrative research.


Author(s):  
Anna Peterson

This book examines the impact that Athenian Old Comedy had on Greek writers of the Imperial era. It is generally acknowledged that Imperial-era Greeks responded to Athenian Old Comedy in one of two ways: either as a treasure trove of Atticisms, or as a genre defined by and repudiated for its aggressive humor. Worthy of further consideration, however, is how both approaches, and particularly the latter one that relegated Old Comedy to the fringes of the literary canon, led authors to engage with the ironic and self-reflexive humor of Aristophanes, Eupolis, and Cratinus. Authors ranging from serious moralizers (Plutarch and Aelius Aristides) to comic writers in their own right (Lucian, Alciphron), to other figures not often associated with Old Comedy (Libanius) adopted aspects of the genre to negotiate power struggles, facilitate literary and sophistic rivalries, and provide a model for autobiographical writing. To varying degrees, these writers wove recognizable features of the genre (e.g., the parabasis, its agonistic language, the stage biographies of the individual poets) into their writings. The image of Old Comedy that emerges from this time is that of a genre in transition. It was, on the one hand, with the exception of Aristophanes’s extant plays, on the verge of being almost completely lost; on the other hand, its reputation and several of its most characteristic elements were being renegotiated and reinvented.


1990 ◽  
Vol 12 (3) ◽  
pp. 233-239 ◽  
Author(s):  
David K. Cohen ◽  
Deborah Loewenberg Ball

Policymakers in the U. S. have been trying to change schools and school practices for years. Though studies of such policies raise doubts about their effects, the last decade has seen an unprecedented increase in state policies designed to change instructional practice. One of the boldest and most comprehensive of these has been undertaken in California, where state policymakers have launched an ambitious effort to improve teaching and learning in schools. We offer an early report on California's reforms, focusing on mathematics. State officials have been promoting substantial changes in instruction designed to deepen students' mathematical understanding, to enhance their appreciation of mathematics and to improve their capacity to reason mathematically. If successful, these reforms would be a sharp departure from existing classroom practice, which attends chiefly to computational skills. The research reported here focuses on teachers' early responses to the state's efforts to change mathematics instruction. The case studies of five teachers highlight a key dilemma in such ambitious reforms. On the one hand, teachers are seen as the root of the problem: their instruction is mechanical, often boring, and superficial. On the other hand, teachers are cast as the key agents of improvement because students will not learn the new mathematics that policymakers intend unless teachers learn that math and teach it. But how can teachers teach a mathematics that they never learned, in ways they never experienced? That is the question explored in this special issue.


Author(s):  
Vadim Markovich Rozin

The article covers the two main topics: the characteristics of three key stages of studying art by the author, and a brief summary of the original concept of art proposed as a result of this study. Leaning on the concept of art of L. S. Vygotsky, the author offers the own approach towards studying art. Firstly, art is viewed in comparison with dreams, communication and play, analyzing the role of these processes and semiotic means played in relation to ordinary life. The article introduces the idea of artistic reality, which manifests as a continuation of ordinary life, allowing to realize in a semiotic form the desires (psychic programs) that are blocked in ordinary life; and such realization suggest living through the events set by the specific semiosis of art and conditionality. Secondly, the author describes the results of the genesis of art. In the course of analysis, emphasis is place on the three central topics:: 1) establishment of the semiosis of art based on the semiosis formed in ordinary life; 2) formation of recreation sphere, within which art is being formed; 3) philosophical “conceptualization” of art in the antique culture, which characterizes art as an independent sphere of life, unlike other spheres. Thirdly, art and artistic reality are viewed as a peculiar type of communication. The author believes that both, the artist (writer, composer) and the viewer (reader, listener), on the one hand, create and reconstruct artistic reality (and there is not always a coincidence), while on the other hand, to one or another extent, they take into account each other's communicative abilities and competencies. The conclusion is made that art is determined by conceptual space, the coordinates of which indicate the representations of artistic reality, artistic communication, life patterns in art, conceptualization of art and its development.


Author(s):  
Olena Osadcha

The article deals with the development of the model of students’ independent work under conditions of distance learning. The importance of the research into this problem is determined, on the one hand, by the growing possibilities of using various information technologies and, on the other hand by the necessity to adapt to the conditions of today’s world where independent work of students is becoming increasingly important. The advantages and disadvantages of distance learning have been explored. The author studied the role of independent work in the formation of the professional competences of students. The issue of modeling in the area of education has been tackled. The approaches to the development of the model of independent work have been identified and analyzed. The components of the model, such as the goal, the tasks, the content, the methods, the means and evaluation of results have been determined and characterized. The prospects of further development of this research are related to the exploration of models of independent work of students majoring in different areas.


2021 ◽  
Vol 17 (01) ◽  
pp. 41-74
Author(s):  
Ahmed Abdellah Ahmed Alhossany

This study deals with the Quranic treatment of extremism in terms of extremisms concept and semantics, types, causes, images,  and the Quranic approach in its treatment, and we try to link the Muslim to the Quran approach in the treatment of extremism as a problem which the individual and the old and new society suffer; Because extremism can be transformed from mere idea to apparent behavior while demonstrating that extremism in fact transcends the rules of law and divine orders, it is excessive in the commitment to religion on the one hand or negligence in adhering to it, on the other hand, it is not always concerned with bringing the matter but also enters into relinquishing. In addition to the need to be warned that extremism is a method of religiosity and not religion itself, and Islam with its centrist approach rejects such practices and seeks to address them through the curriculum of the Holy Quran


2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Gabi Reinmann

Bardone and Bauters suggest a re-conceptualization of design-based research using the classical term "phronesis" and question some methodological developments referring to the role of intervention and theory in design-based research. This discussion article is a comment on the text of Bardone and Bauters and pursues two aims: On the one hand the term “phronesis” is connected to the traditional concept of “pädagogischer Takt” (literally: “pedagogical tact”) to stimulate a joint discourse of both traditions. On the other hand, two main suggestions of Bardone und Bauters are critically examined, namely their proposal to conceptualize intervention in design-based research exclusively as an action, and their call for deriving generalizations via experiences instead of theories. The discussion article finally argues for maintaining the integrative power of design-based research by avoiding one-sided interpretations.  


Author(s):  
Elke Van Nieuwenhuyze

The aim of this article is to trace the referential value of juffrouw Lina (1888)as part of its narrative organisation by means of the narrativist historical theoryof Frank Ankersmit. This starting point demands a confrontation of thisnaturalist novel by Marcellus Emants with the contemporary medical biographyof the French writer and politician Chateaubriand by the Belgian physicianErnest Masoin on the one hand and with some case studies of hystericsby the famous French docter Jean-Martin Charcot on the other hand. lt willbe argued that the narrativity of the novel plays a key-role in the constructionof its referential value on various levels.


Author(s):  
Manuel Jiménez Sánchez ◽  
Raúl Álvarez Pérez ◽  
Gomer Betancor Nuez

El movimiento de los pensionistas en 2018 supuso la primera movilización multitudinaria basada en una identidad colectiva de personas mayores en España, y mostró una capacidad de contestación popular sin precedentes en el tema de las pensiones. Este trabajo indaga en el proceso de configuración de la identidad colectiva como estrategia analítica que permite entender la aparición y la naturaleza (exitosa) de la movilización. Siguiendo la conceptualización de Melucci, este proceso se analiza desde una doble perspectiva. Por un lado, como estrategia de actores colectivos que persiguen articular la contestación popular a la política de pensiones puestas en marcha durante la Gran Recesión. Aquí, el análisis se centra en identificar el proceso organizativo en el que se sientan las bases identitarias del movimiento, y que se extenderían con éxito en la fase posterior de contestación masiva. Por otro lado, se presta atención a la naturaleza de la identificación entre los propios pensionistas como resultado de procesos de aprendizaje durante sus experiencias de movilización. Para la primera perspectiva, el trabajo se basa en informaciones obtenidas en noticias de prensa sobre las actividades de protesta y en documentos producidos por las organizaciones del movimiento. La perspectiva individual de los participantes se fundamenta en el análisis de los discursos obtenidos en entrevistas personales focalizadas a participantes. Este doble enfoque, como estrategia organizativa intencionada y como proceso de aprendizaje durante la experiencia de la movilización, ofrece informaciones clave para comprender no solo el proceso, inédito en España, de construcción de una voz propia de los pensionistas sino también para indagar en los procesos de aprendizaje y cambio actitudinal que implican para los participantes corrientes. En un sentido más amplio, esta estrategia de análisis permite igualmente, por un lado, ubicar el proceso de movilización de los pensionistas en una trayectoria temporal más amplia de contestación popular y, en particular, vincularlo a los legados del ciclo de movilización que protagonizó el 15-M. Por otro lado, también permite destacar esos procesos de contestación como espacios de aprendizaje en los que se modelan actitudes, valores y demás elementos de la cultura de protesta. The pensioners' movement in 2018 was the first mass mobilization based on a collective identity of older people in Spain, and showed an unprecedented capacity for popular contestation on the issue of pensions. This paper inquires into the process of collective identity configuration as an analytical strategy that allows us to understand the emergence and (successful) nature of the mobilisation. Following Melucci's conceptualization, this process is analysed from a double perspective. On the one hand, as a strategy of collective actors seeking to articulate popular contestation to the pension policies implemented during the Great Recession. Here, the analysis focuses on identifying the organizational process in which the identity bases of the movement are established and, which were successfully extended in the subsequent phase of mass protest. On the other hand, attention is paid to the nature of the collective identification among pensioners themselves as result of learning processes during their protest experiences. The analysis of the organizational configuration of the movement is based on information obtained from press reports on the protest activities and documents produced by the movement's organizations. The individual perspective of the participants relies on the analysis of the discourses obtained in focused interviews with participants. This dual approach, as an intentional organizational strategy and as a learning process during the mobilization experience, provides key information to understand not only the process, unprecedented in Spain, of building a voice for pensioners, but also to investigate the learning processes and attitudinal change involved for ordinary participants. More broadly, it also allows, on the one hand, to place the process of mobilization of pensioners in a broader temporal trajectory of popular contestation and, in particular, to link it to the legacies of the cycle of mobilization in the wake of the 15-M movement. On the other hand, it also allows us to observe protest as learning spaces in which attitudes, values, and other elements of the culture of protest are modelled.


Arabica ◽  
2012 ◽  
Vol 59 (6) ◽  
pp. 709-723 ◽  
Author(s):  
Hend Gilli-Elewy

Abstract As a social and cultural study, this article is an attempt to contribute to the discussion around the end of the Ilkhanate by looking at the question of assimilation of Muslim and Mongol traditions during Abū Saʿīd’s rule (reg. 716-736/1316-1335). By studying this period through the main focus of women’s roles, it hopes to draw connections between the traditional Turco-Mongol status of elite women, the process of Islamization of the Ilkhanate, and the Ilkhanate’s inability to ensure continuity of government after the death of Abū Saʿīd. It will highlight the role of women of the ruling house during this period that on the one hand was seen as a Golden Age of the Ilkhanate, but on the other hand was marked by political fragmentation, confusing alliances, marriages, and numerous rebellions which ultimately led to its dissolution. The tension between choosing to remain loyal to traditional Turco-Mongol values and the processes of cultural exchanges, integration, and especially conversion to Islam becomes particularly interesting when studying the role of women in the late Ilkhanid court.


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