PERIOD OF DRAMATIC ACTIVITY

Dryden ◽  
2011 ◽  
pp. 38-70
Author(s):  
George Saintsbury
Keyword(s):  
Dramatic Activity

Clinical Efficacy of Lenalidomide in Patients With Relapsed or Refractory Chronic Lymphocytic Leukemia: Results of a Phase II Study

2006 ◽  
Vol 24 (34) ◽  
pp. 5343-5349 ◽  
Author(s):  
Asher Chanan-Khan ◽  
Kena C. Miller ◽  
Laurie Musial ◽  
David Lawrence ◽  
Swaminathan Padmanabhan ◽  
...  
Keyword(s):  
Chronic Lymphocytic Leukemia ◽  
Complete Remission ◽  
B Cell ◽  
Disease Progression ◽  
Phase Ii ◽  
Treatment Options ◽  
Lymphocytic Leukemia ◽  
Immune Defects ◽  
Dramatic Activity ◽  
Unacceptable Toxicity

Purpose Patients with relapsed or refractory chronic lymphocytic leukemia (CLL) have profound immune defects and limited treatment options. Given the dramatic activity of lenalidomide in other B-cell malignancies and its pleotropic immunomodulatory effects, we conducted a phase II trial of this agent in CLL. Patients and Methods Patients with relapsed or refractory B-cell CLL (B-CLL) were eligible if they required treatment as per the National Cancer Institute Working Group 1996 guidelines. Lenalidomide was administered orally at 25 mg on days 1 through 21 of a 28-day cycle. Response was assessed after each cycle. Patients were to continue treatment until disease progression, unacceptable toxicity, or complete remission. Rituximab was added to lenalidomide on disease progression. Results Forty-five patients were enrolled, with a median age of 64 years. Sixty-four percent of the patients had Rai stage III or IV disease, and 51% were refractory to fludarabine. The overall response rate was 47%, with 9% of the patients attaining a complete remission. Fatigue, thrombocytopenia, and neutropenia were the most common adverse effects noted in 83%, 78%, and 78% of the patients, respectively. Conclusion Lenalidomide is clinically active in patients with relapsed or refractory B-CLL. These findings are encouraging and warrant further investigation of this agent in the treatment of this disorder.

Moreto's Span of Dramatic Activity

1937 ◽  
Vol 5 (2) ◽  
pp. 170
Author(s):  
Ruth Lee Kennedy
Keyword(s):  
Dramatic Activity

scholarly journals Notable in situ surface transformation of Cu2O nanomaterials leads to dramatic activity enhancement for CO oxidation

RSC Advances ◽  
2017 ◽  
Vol 7 (60) ◽  
pp. 37596-37603 ◽  
Author(s):  
Dan Zhao ◽  
Chang-Man Tu ◽  
Xue-Jing Hu ◽  
Ning Zhang
Keyword(s):  
Co Oxidation ◽  
Composite Surface ◽  
Surface Transformation ◽  
Initial States ◽  
Activity Enhancement ◽  
Pure Cu ◽  
Dramatic Activity

Irrespective of the initial states, the pure Cu(i) surface of Cu2O would in situ transform into a stable Cu(i)–Cu(ii) composite surface during the first catalytic run of CO oxidation, resulting in dramatic activity enhancement.

XXV.—The Lincoln Cordwainers' Pageant

PMLA ◽  
1917 ◽  
Vol 32 (4) ◽  
pp. 605-615
Author(s):  
Hardin Craig
Keyword(s):  
Public Library ◽  
Mystery Plays ◽  
Amount Of Information ◽  
Dramatic Activity

In determining whether the Lincoln mystery plays were processional like those of York and Chester or were acted on a fixed stage, it is important to know whether the St. Anne's Day Sights, about which there is a considerable amount of information, were merely floats or real plays. They are regarded as plays by Mr. Chambers and by Mr. A. F. Leach. A recently discovered account book of the Lincoln Cordwainers' Company, preserved in the Free Public Library, indicates what part the Cordwainers took in the St. Anne's day celebration and what the nature of the spectacle was. The Cordwainers were to maintain and send forth annually in the procession of St. Anne's day a pageant, called the Pageant of Bethlehem. This was not a play, and there is no evidence to show that they were responsible for a play at any season of the year. Their entries of expenses indicate a very different form of dramatic activity from that of the Weavers of Coventry and other companies in that city where the companies maintained plays.

The Chorus in New Tragedy

2019 ◽  
pp. 51-82
Author(s):  
Lucy C. M. M. Jackson
Keyword(s):  
Final Section ◽  
Fourth Century ◽  
Classical Period ◽  
Dramatic Structure ◽  
Dramatic Activity ◽  
Poetic Composition

This chapter brings together known and possible fourth-century choral tragic texts, analysing and evaluating the chorus’ dramatic activity in the later Classical period. Beginning with the Rhesus once attributed to Euripides, it examines the innovations and dramatic potential of this tragedy’s chorus in performance. In particular it highlights the unique instances of a fragmented choral voice, a striking independence in the chorus’ character, and the use of separated strophic pairs for dramatic structure. There follows an evaluation of the possible fragments of fourth-century tragic choral speech or song, and closer consideration of three such fragments all incidentally linked to the tragedian Astydamas. In these fragments the chapter views further signs of activity, choral interaction with actors, and literary play. A final section introduces a comparison with lyric poetic composition in the fourth century, taking Philodamus’ Paean to Dionysus as an illuminating example of sophisticated and potent choral performance in the fourth century.

A Preliminary Study of the History of Sephardic Theatre in Italy

Zutot ◽  
2020 ◽  
pp. 1-15
Author(s):  
Ilaria Briata
Keyword(s):  
Case Studies ◽  
18Th Century ◽  
Dramatic Works ◽  
Sephardic Jews ◽  
History Of ◽  
Preliminary Study ◽  
Dramatic Activity

Abstract This article presents the results of a preliminary inquiry into the theatrical activity of Sephardic Jews in Italy from 1492 to the 18th century. Through archival investigation conducted on catalogues of manuscripts and published books from Italian libraries, as well as on documents produced by Sephardic communities, the study focuses on three case studies: the communities in Venice, Naples, and Tuscany. Concerning the Venetian community, literary witnesses to the dramatic activity in the Ghetto are collected and analyzed, including Ester by Salomon Usque and Leon Modena. Concerning the Neapolitan community, the reasons for the absence of Sephardic cultural traces are clarified. The only extant Judeo-Spanish plays produced in Italy come from Pisa and Livorno, testifying to the prolific activity of Iberian Jews in Tuscany. Finally, a list of Hebrew dramatic works written by Italian authors of Sephardic origin is provided in order to reflect on the very categories of ‘Sephardic’ and ‘Italian.’

Dramatic activity of a Bi2WO6@g-C3N4 photocatalyst with a core@shell structure

RSC Advances ◽  
2015 ◽  
Vol 5 (120) ◽  
pp. 99339-99346 ◽  
Author(s):  
Li Liu ◽  
Yuehong Qi ◽  
Jinrong Lu ◽  
Shuanglong Lin ◽  
Weijia An ◽  
...  
Keyword(s):  
Photocatalytic Degradation ◽  
Shell Structure ◽  
Core Shell ◽  
Core Shell Structure ◽  
Dramatic Activity

Here we report a Bi2WO6@g-C3N4 core@shell structure which was prepared by a combined ultrasonication–chemisorption method with enhanced photocatalytic degradation.

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