scholarly journals A natural-stone city walk through Maastricht, the Netherlands

2011 ◽  
Vol 90 (2-3) ◽  
pp. 197-208
Author(s):  
C.W. Dubelaar ◽  
P.J.M. Kisters ◽  
J.W. Stroucken
Keyword(s):  
The Netherlands ◽  
Physical Properties ◽  
Natural Stone ◽  
Building Stones ◽  
Historical Building ◽  
Concise Overview ◽  
Natural Stones ◽  
The City ◽  
Selection Of ◽  
The Way

AbstractHaving been inspired by the leaflet, ‘Natuursteen in Maastricht. Aardrijkskunde in een oude stad’, written by P.J. Felder and published in 1977, we here present descriptions of the main types of natural stones applied in the city of Maastricht. A concise overview of the provenance area, mineralogy and physical properties of a selection of so-called historical building stones used in Maastricht, from Roman times onwards, is given. On a walk, starting at the Natuurhistorisch Museum Maastricht and ending at the Vrijthof, the main square of the city of Maastricht, details of building stones seen on the way are highlighted.

scholarly journals París visto por Cédric Klapisch. Entre la realidad y el simbolismo

2014 ◽  
Author(s):  
Alba Navarro
Keyword(s):  
The Public ◽  
Investigation Area ◽  
Palabras Clave ◽  
The City ◽  
Selection Of ◽  
The Way

La ciudad en el cine es un ámbito de investigación que propone analizar la imagen mostrada por los cineastas sobre las diferentes urbes a nivel mundial. París representa uno de los lugares estelares para el rodaje de películas. Además, es importante destacar su vinculación con el nacimiento y la maduración del séptimo arte y con el desarrollo de movimientos artísticos ligados a él. En este artículo nos sumergimos en el estudio de la película Paris (2008) de Cédric Klapisch, poniendo nuestra atención en las localizaciones elegidas por el autor para desarrollar sus historias y tratando de indagar en los motivos que le han llevado a elegir unos u otros emplazamientos con los diferentes iconos parisinos. Además, estudiamos el carácter simbólico de los diversos lugares y emblemas y su influencia en el relato fílmico. En definitiva, intentamos desgranar la visión que el propio autor tiene de la metrópolis y la manera en que se la traslada al público.Abstract: The city on cinema is an investigation area which proposes the analysis of the image shown by filmmakers about many cities worldwide. Paris represents one of the star places of film shooting. It is important too to highlight its connection with the origin and the growth of the seventh art and with the development of artistic movements linked to it. In this paper we dive into studying the film Paris (2008) by Cédric Klapisch, aiming our attention into the different places chosen by the author in order to develop its stories and trying to inquire the reason behind the selection of those sites with the parisian icons. Moreover, we study the symbolic character of the different places and emblems and their influence in the filmic narration. In short, we try to approach to the vision that the author has from the metropolis and the way he gives it to the public. Palabras clave: Cine y ciudad; cine y París; Paris de Cédric Klapisch; iconos parisinos. Keywords: Cinema and city; Cinema and Paris; Paris by Cédric Klapisch; Parisian icons.

The Origins of Printing in Spanish in Antwerp

Quaerendo ◽  
2018 ◽  
Vol 48 (4) ◽  
pp. 317-338
Author(s):  
José Luis Gonzalo Sánchez-Molero
Keyword(s):  
The Netherlands ◽  
Modern Period ◽  
Special Place ◽  
History Of ◽  
Points Of View ◽  
The City ◽  
The Way

AbstractThe city of Antwerp occupies a special place in the history of relations between Spain and the Netherlands during the centuries of the modern period. Hispano-Netherlandish relations in the centuries of the modern period have been studied from many different points of view. On this occasion we propose to delve into the origins of the very important links created around books and to deal, in particular, with the beginnings of the production of books in Spanish in Antwerp. Our intention here, therefore, is not to make a new listing of the editions printed at that time but a quite different one: to analyse the way in which this interesting publishing phenomenon developed in its origins and within a very specific period of time: the years prior to Christophe Plantin’s great publishing success.

Provenance of the Roman basalt stone at Kotterbos (Lelystad, the Netherlands): A geoarchaeological study based on petrographic and geochemical analysis, and comparison with a synthesis of basalt stones along the northern Limes

2015 ◽  
Vol 94 (4) ◽  
pp. 387-397 ◽  
Author(s):  
K. Linthout
Keyword(s):  
Trace Elements ◽  
The Netherlands ◽  
West Bank ◽  
The Other ◽  
Geochemical Analysis ◽  
Building Stones ◽  
The West ◽  
Minor Elements ◽  
Rock Types ◽  
Selection Of

AbstractA solitary unprocessed, 26-cm basalt stone recently found at the Roman (69 AD) site at Kotterbos (Lelystad, the Netherlands), situated 40 km north of the Limes, has been examined petrographically and geochemically. The rock is similar to previously investigated Roman basalt stones and blocks from the Limes in the province of Utrecht. All are alkali olivine basalts and basanites, which are also the dominant rock types in the nearby volcanic hinterland in Germany. On the basis of 23 criteria, including all major and minor elements plus a selection of trace elements, the Kotterbos stone correlates with a distinctive subgroup of Limes basalts. This subgroup is characterised by relatively high Mg# and low TiO2 wt% values, as opposed to the other subgroup with lower Mg# and higher TiO2 wt% values. It is argued that the high Mg#–low TiO2 subgroup and the Kotterbos basalt have common geological provenance(s). Five basalt bodies in the hinterland match the criteria of this subgroup, and might be considered as locations of provenance. Of these five, only Rolandsbogen, located next to an ideal anchorage on the west bank of the Rhine, about 12 km upstream from Bonn, can also conform to sensible Roman demands concerning effective logistics and military safety. Consequently, Rolandsbogen is the most likely site of provenance for the high Mg#–low TiO2 subgroup, which includes the Kotterbos basalt. It is argued that the Kotterbos stone is not a rock that somehow got separated from a shipment of building stones to the northern Limes; rather, it is speculated that the stone was picked up as a stray cobble near the basalt body and taken onboard a Roman vessel moored at the Rolandsbogen anchorage.

scholarly journals In the ‘h200d’: Crips and the intersection between space and identity in the Netherlands

2017 ◽  
Vol 15 (1) ◽  
pp. 3-23 ◽  
Author(s):  
Robert A Roks
Keyword(s):  
Young People ◽  
The Netherlands ◽  
Spatial Practices ◽  
History Of ◽  
The Hague ◽  
The City ◽  
The Way

Since the early 1990s, there have been reports in the Netherlands of groups of youngsters calling themselves Crips and Bloods. In this article, I will focus on the case of the Dutch Rollin 200 Crips from the city of The Hague, drawing on three years of fieldwork (2011–2013) in a small neighbourhood that this Dutch ‘gang’ claims as their ‘h200d’. The history of the Rollin 200 Crips shows their deeply rooted connection to the locality, whilst the influences from global street and gang cultures simultaneously resonates in both the name of the gang and their street spatial practices. By looking at the ways these Dutch Crips engage in acts of territoriality, I want to build on Ilan’s (2013: 5–7; 2015: 75) and Fraser’s (2013, 2015) observations that there is a need to revisit some of the assumptions that underpin the understanding of street spatial practices and specifically the way young people understand and construct space and identity. This case study highlights the interconnection between space and identity, both in terms of how the gang identity of these Dutch Crips influences their usage of space, but also how space is used in the construction of personal identities.

scholarly journals WHAT REMAINS AFTER THE JUBILEE YEAR OF POLISH AVANT-GARDE?

Muzealnictwo ◽  
2018 ◽  
Vol 59 ◽  
pp. 113-122
Author(s):  
Piotr Kosiewski
Keyword(s):  
Le Corbusier ◽  
Art Museum ◽  
National Museum ◽  
Avant Garde ◽  
The Subject ◽  
Polish Culture ◽  
The City ◽  
Source Materials ◽  
Selection Of ◽  
The Way

The year 2017 – a centenary of the “1st Exhibition of Polish Expressionists” – was proclaimed as the Jubilee Year of Polish Avant-garde. To mark the occasion over 200 events were organised by nearly 100 institutions. What is the outcome of it all? Has it changed the way the avant-garde movement and its role in Polish culture and tradition were perceived? Among accomplishments the jubilee year brought about is undoubtedly a number of exhibitions, their catalogues as well as other publications devoted to the avant-garde. Unfortunately, not all the initiatives turned out to be successful. Some of them though will be well remembered, inter alia: the cycle of exhibitions prepared by the Art Museum in Łódź which were accompanied by comprehensive and well edited catalogues; exhibitions: “Urban Revolt” at the National Museum in Warsaw, and “Avant-gardes of Szczecin” at the National Museum in Szczecin. One of the achievements is bigger amount of visual and textual resources available in Poland to explore the subject of the avant-garde. The jubilee publications also contained numerous documental materials that were not well known before. Significant theoretical texts have been published as well: the extended edition of Władysław Strzemiński’s Theory of Vision, and the Athens Charter by Le Corbusier, the importance of which can not be emphasised enough. The publication of relevant source materials must also be brought to attention; they came out as a series of catalogues by the Art Museum in Łódź, inter alia an ample selection of articles written by Debora Vogel in the book that accompanied the exhibition “Montages. Debora Vogel and the New Legend of the City”. During the jubilee year a question whether the avant-garde tradition resonates today was raised on many occasions. Two exhibitions presented various attitudes towards the heritage of the avant-garde: mentioned above “Montages” exhibition in Łódź, and one in the International Cultural Centre in Kraków “Lviv, 24 June 1937. City, Architecture, Modernism”.

The adaptation of design thinking in auditing

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Linda MEIJER-WASSENAAR ◽  
Diny VAN EST
Keyword(s):  
The Netherlands ◽  
Design Thinking ◽  
Public Organizations ◽  
Design Framework ◽  
The Right ◽  
The Way

How can a supreme audit institution (SAI) use design thinking in auditing? SAIs audit the way taxpayers’ money is collected and spent. Adding design thinking to their activities is not to be taken lightly. SAIs independently check whether public organizations have done the right things in the right way, but the organizations might not be willing to act upon a SAI’s recommendations. Can you imagine the role of design in audits? In this paper we share our experiences of some design approaches in the work of one SAI: the Netherlands Court of Audit (NCA). Design thinking needs to be adapted (Dorst, 2015a) before it can be used by SAIs such as the NCA in order to reflect their independent, autonomous status. To dive deeper into design thinking, Buchanan’s design framework (2015) and different ways of reasoning (Dorst, 2015b) are used to explore how design thinking can be adapted for audits.

RELASI ULAMA DAN PENGUASA MASA KOLONIALISME

2020 ◽  
Vol 8 (2) ◽  
pp. 126-134
Author(s):  
Agung Perdana Kusuma
Keyword(s):  
The Netherlands ◽  
Private Sector ◽  
General Public ◽  
18Th Century ◽  
The Government ◽  
Colonial Government ◽  
The Way

In the 18th century, although the Dutch Company controlled most of the archipelago, the Netherlands also experienced a decline in trade. This was due to the large number of corrupt employees and the fall in the price of spices which eventually created the VOC. Under the rule of H.W. Daendels, the colonial government began to change the way of exploitation from the old conservative way which focused on trade through the VOC to exploitation managed by the government and the private sector. Ulama also strengthen their ties with the general public through judicial management, and compensation, and waqaf assets, and by leading congregational prayers and various ceremonies for celebrating birth, marriage and death. Their links with a large number of artisans, workers (workers), and the merchant elite were very influential.

Prawne aspekty eutanazji w Holandii

2016 ◽  
Vol 14 (3) ◽  
pp. 243-253
Author(s):  
Grzegorz Stefanowicz
Keyword(s):  
The Netherlands ◽  
Assisted Suicide ◽  
Public Authority ◽  
Dutch Society ◽  
On Demand ◽  
Limited Length ◽  
The Law ◽  
Death On Demand ◽  
The Way

This article undertakes to show the way that has led to the statutory decriminalization of euthanasia-related murder and assisted suicide in the Kingdom of the Netherlands. It presents the evolution of the views held by Dutch society on the euthanasia related practice, in the consequence of which death on demand has become legal after less than thirty years. Due attention is paid to the role of organs of public authority in these changes, with a particular emphasis put on the role of the Dutch Parliament – the States General. Because of scarcity of space and limited length of the article, the change in the attitudes toward euthanasia, which has taken place in the Netherlands, is presented in a synthetic way – from the first discussions on admissibility of a euthanasia-related murder carried out in the 1970s, through the practice of killing patients at their request, which was against the law at that time, but with years began more and more acceptable, up to the statutory decriminalization of euthanasia by the Dutch Parliament, made with the support of the majority of society.

A Selection of Bandung City Travel Route Using The FLOYD-WARSHALL Algorithm

2020 ◽  
Vol 12 (7) ◽  
Author(s):  
Muhammad Ghifari Arfananda ◽  
◽  
Surya Michrandi Nasution ◽  
Casi Setianingsih ◽  
◽  
...  
Keyword(s):  
Traffic Congestion ◽  
Rapid Development ◽  
Route Selection ◽  
Tourist Attractions ◽  
Tourist Destinations ◽  
A Value ◽  
Distance Data ◽  
Simple Additive Weighting ◽  
The City ◽  
Selection Of

The rapid development of information and technology, the city of Bandung tourism has also increased. However, tourists who visit the city of Bandung have problems with a limited time when visiting Bandung tourist attractions. Traffic congestion, distance, and the number of tourist destinations are the problems for tourists travel. The optimal route selection is the solution for those problems. Congestion and distance data are processed using the Simple Additive Weighting (SAW) method. Route selection uses the Floyd-Warshall Algorithm. In this study, the selection of the best route gets the smallest weight with a value of 5.127 from the Algorithm process. Based on testing, from two to five tourist attractions get an average calculation time of 3 to 5 seconds. This application is expected to provide optimal solutions for tourists in the selection of tourist travel routes.

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