FRENCH NATURALIZATION OF THE SCOTS IN THE FIFTEENTH AND SIXTEENTH CENTURIES

1997 ◽  
Vol 40 (4) ◽  
pp. 1085-1115 ◽  
Author(s):  
ELIZABETH BONNER
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Military Service ◽  
Hundred Years War ◽  
Early Form ◽  
Louis Xiv ◽  
King Of France

French naturalization of the Scots appears to have evolved from lands granted to individual Scots by Charles VII during the Hundred Years War, and it would seem that the libertas testandi associated with these grants in the fifteenth century was an early form of what were later called lettres de naturalité in the sixteenth century. French naturalization was granted not only to individual Scots but to all Scottish subjects by certain French monarchs from Charles VII to Louis XIV and had its origins in the ‘Auld Alliance’, as the Scots referred to their relationship with France, and the establishment of the garde écossaise by Charles VII in 1445. The sixteenth century saw a continuation of Scottish military service to the kings of France as well as a continuation of grants of lands, pensions, titles and privileges accorded by grateful French monarchs to Scottish soldiers in the main, but other Scots as well, many of whom were, and others who became by letters patent of naturalization, loyal subjects of the king of France.

Islamic Monuments as Christian Trophies

2017 ◽  
Author(s):  
Antonio Urquízar-Herrera
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Thirteenth Century ◽  
Medieval Chronicles ◽  
Late Fifteenth ◽  
Historical Accounts ◽  
Rodrigo Jimenez De Rada ◽  
The Way

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).

Literary Conduits for ‘Consent’

2016 ◽  
Vol 19 (2) ◽  
pp. 322-350 ◽  
Author(s):  
Pankaj Kumar Jha
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
North India ◽  
Indian Society ◽  
Historical Process ◽  
The North ◽  
Literary Cultures

The making of the imperial subjects is as much a matter of historical process as the emergence of the empire. In the case of the Mughal state, this process started much before its actual establishment in the sixteenth century. The fifteenth century in North India was a period of unusual cultural ferment. The emergence of the Mughal imperial formation in the next century was intimately related to the fast congealing tendency of the north Indian society towards greater disciplining of itself. This tendency is evident in the multilingual literary cultures and diverse knowledge formations of the long fifteenth century.

Public and Private: The Late Medieval Wall Paintings of Haddon Hall Chapel, Derbyshire

2006 ◽  
Vol 86 ◽  
pp. 179-205
Author(s):  
Mellie Naydenova
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Wall Paintings ◽  
Public And Private ◽  
Late Medieval ◽  
Public Statement ◽  
The Public ◽  
Parish Church ◽  
Public Persona ◽  
Private Devotion

This paper focuses on the mural scheme executed in Haddon Hall Chapel shortly after 1427 for Sir Richard Vernon. It argues that at that time the chapel was also being used as a parish church, and that the paintings were therefore both an expression of private devotion and a public statement. This is reflected in their subject matter, which combines themes associated with popular beliefs, the public persona of the Hall's owner and the Vernon family's personal devotions. The remarkable inventiveness and complexity of the iconography is matched by the exceptionally sophisticated style of the paintings. Attention is also given to part of the decoration previously thought to be contemporary with this fifteenth-century scheme but for which an early sixteenth-century date is now proposed on the basis of stylistic and other evidence.

Tekstoverlevering van een Middelnederlands ridderdicht

Quaerendo ◽  
1984 ◽  
Vol 14 (4) ◽  
pp. 273-303
Author(s):  
Segheliin van Iherusalem
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Present Author ◽  
Preliminary Investigation ◽  
Middle Dutch ◽  
University Library ◽  
Base Level ◽  
South West ◽  
The Hague ◽  
West Flemish

AbstractThe Middle Dutch verse romance Segheliin van Iherusalem has survived in the following known extant copies: a manuscript (Berlin, Staatsbibliothek Preussischer Kulturbesitz, MS. Germ. fol. 922, fos. 71r.-122v., on the basis of the watermarks dated by the present author c. 1412-15); an incunabulum (Ghent University Library, Res. 1405 (between 1483 and 1486)); five post-incunabula, all printed in Antwerp (1511-40) and now in The Hague (2 copies), Leiden, Vienna and Paris; and a mid fifteenth-century excerpt (Brussels, Royal Library, Hs. II 116, fos. 2v.-5r.). These sources, all rhyming texts, are described here, and the excerpt is given in full. The gap still facing students of the Segheliin has thus been filled. Both manuscript and incunabulum are incomplete at the end. The text in the sixteenth-century editions differs widely from that of the manuscript version. For its part the incunabulum departs from the text of the post-incunabula with a version (perhaps closer to the original?) which in very many places tends towards the manuscript version, being something of a watershed between the two traditions. Preliminary investigation of the linguistic levels in the text, carried out on the basis of changes in the rhyme words, points to a Flemish and probably more specifically west or south-west Flemish base level (possibly the area where Ingvaonic and Brabantish meet (the region of the Dender), above which there is at least a Brabantish level. This fact, combined with the possibility of an interpretation of the Segheliin to some extent in terms of the context of the medieval veneration of the Cross and the Blood of Christ, more than suggests that the story is of Flemish origin.

scholarly journals Military Service in Early Sixteenth-Century Lithuania: A New Interpretation and Its Implications

Slavic Review ◽  
1971 ◽  
Vol 30 (2) ◽  
pp. 249-256
Author(s):  
Karl von Loewe
Keyword(s):  
Sixteenth Century ◽  
Military Service ◽  
Major Theme ◽  
Structure And Dynamics ◽  
Compulsory Military Service ◽  
New Interpretation ◽  
The Relationship

The existence of compulsory military service has become a major theme in recent attempts to explain the development of Lithuanian society and politics in the early sixteenth century. Much of the discussion has centered on the relationship between military service and feudalism. This article concentrates not on that question but on the nature of military service and the understanding it can provide of the structure and dynamics of the economy of Lithuania in the sixteenth century.

scholarly journals “Turkish” Textiles in South-Eastern and East-Central Europe in the Early Modern Period: The Evidence of Transylvanian Customs Accounts

2020 ◽  
Vol 24 (4-5) ◽  
pp. 363-382
Author(s):  
Mária Pakucs-Willcocks
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
East Central Europe ◽  
East Central ◽  
Modern Period ◽  
Serial Data

Abstract This paper analyzes data from customs accounts in Transylvania from the middle of the sixteenth century to the end of the seventeenth on traffic in textiles and textile products from the Ottoman Empire. Cotton was known and commercialized in Transylvania from the fifteenth century; serial data will show that traffic in Ottoman cotton and silk textiles as well as in textile objects such as carpets grew considerably during the second half of the seventeenth century. Customs registers from that period also indicate that Poland and Hungary were destinations for Ottoman imports, but Transylvania was a consumer’s market for cotton textiles.

scholarly journals La circolazione dei modelli: calchi da Michelangelo tra Emilia e Veneto, nella seconda metà del Cinquecento

Venezia Arti ◽  
2019 ◽  
Author(s):  
Elisabetta Fadda
Keyword(s):  
Sixteenth Century ◽  
Reggio Emilia ◽  
Documentary Evidence ◽  
Michelangelo Buonarroti ◽  
San Lorenzo ◽  
The Public ◽  
The Will ◽  
King Of France ◽  
Francis I

In Reggio Emilia, the sculptor Prospero Spani, also known as Clemente (1516-1584), created two statues representing Adam and on the facade of the cathedral. Along with Saint Daria and Saint Crisanto, they were both commissioned in 1552. The two statues indisputably draw inspiration from Dawn and Dusk, which are part of the monument dedicated to Lorenzo de’ Medici in the New Sacristy of San Lorenzo in Florence, work of Michelangelo Buonarroti. In January 1892, Eva’s leg by Prospero Clemente broke and fell to the ground. During the restoration, it was noticed that the leg and all other statues were empty inside. There is no formal documentary evidence of Clemente travelling to Florence, where Buonarroti's New Sacristy was opened to the public in 1556 and where, only later on, by the will of Cosimo I, were carried out some engravings representing the whole composition. Despite the existence of other drawings, casts were mainly responsible for spreading Michelangelo’s inventions for the Medici tombs. In the sixteenth century, it was only possible to talk of a culture of casts after 1540 King Francis I Valois’ initiative to ask Francesco Primaticcio – who was already occupied working for him at the decoration of Fontainebleau – to procure the moulds of Rome’s best ancient statues in order to reproduce them. Among the commissioned casts there were also those from Michelangelo, an artist who was extremely admired by the French. As known, masterpieces realised for the King of France had an immediate impact in Italy, which was primarily possible thanks to Primaticcio’s numerous trips in Emilia, where the painter had his own home and used to recruit his collaborators.

Clerical Poverty in Early Sixteenth-Century England: Some East Anglian Evidence

1986 ◽  
Vol 37 (3) ◽  
pp. 389-396 ◽  
Author(s):  
John Pound
Keyword(s):  
Sixteenth Century ◽  
Social Status ◽  
Fifteenth Century ◽  
Average Salary ◽  
The North ◽  
High Social Status

The economic standing of the English parochial clergy in the early sixteenth century has been re-examined recently by Michael Zell, and the evidence at his disposal suggests that many of them were poverty-stricken in the extreme. He points to the large surplus of unendowed curates, chaplains and the like, and to the fact that when employment was available it was neither rewarding, in a monetary sense, nor necessarily secure. Stipends were officially regulated by an early fifteenth-century statute which set a maximum of £5 6s. 8d. per annum, and ‘evidence from all regions of England indicates that very rarely were curates and chaplains given more than that’. It was not uncommon for areas in the north to pay even less than this. In Lancashire, for example, the average salary of about 100 curates and chaplains in 1524 was £2 9s. 6d. In the East Riding of Yorkshire a year later it was £4. On the basis of such evidence, Mr Zell reasonably concludes that the unbeneficed clergy must have found it very difficult to survive, and that ‘the average country priest could not have been a person of high social status’.

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