Tekstoverlevering van een Middelnederlands ridderdicht

Quaerendo ◽  
1984 ◽  
Vol 14 (4) ◽  
pp. 273-303
Author(s):  
Segheliin van Iherusalem
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Present Author ◽  
Preliminary Investigation ◽  
Middle Dutch ◽  
University Library ◽  
Base Level ◽  
South West ◽  
The Hague ◽  
West Flemish

AbstractThe Middle Dutch verse romance Segheliin van Iherusalem has survived in the following known extant copies: a manuscript (Berlin, Staatsbibliothek Preussischer Kulturbesitz, MS. Germ. fol. 922, fos. 71r.-122v., on the basis of the watermarks dated by the present author c. 1412-15); an incunabulum (Ghent University Library, Res. 1405 (between 1483 and 1486)); five post-incunabula, all printed in Antwerp (1511-40) and now in The Hague (2 copies), Leiden, Vienna and Paris; and a mid fifteenth-century excerpt (Brussels, Royal Library, Hs. II 116, fos. 2v.-5r.). These sources, all rhyming texts, are described here, and the excerpt is given in full. The gap still facing students of the Segheliin has thus been filled. Both manuscript and incunabulum are incomplete at the end. The text in the sixteenth-century editions differs widely from that of the manuscript version. For its part the incunabulum departs from the text of the post-incunabula with a version (perhaps closer to the original?) which in very many places tends towards the manuscript version, being something of a watershed between the two traditions. Preliminary investigation of the linguistic levels in the text, carried out on the basis of changes in the rhyme words, points to a Flemish and probably more specifically west or south-west Flemish base level (possibly the area where Ingvaonic and Brabantish meet (the region of the Dender), above which there is at least a Brabantish level. This fact, combined with the possibility of an interpretation of the Segheliin to some extent in terms of the context of the medieval veneration of the Cross and the Blood of Christ, more than suggests that the story is of Flemish origin.

New Light on Secular Polyphony at the Court of Holland in the Early Fifteenth Century: The Amsterdam Fragments

1992 ◽  
Vol 117 (2) ◽  
pp. 181-207 ◽  
Author(s):  
Rob C. Wegman
Keyword(s):  
Roman Empire ◽  
Sixteenth Century ◽  
The Netherlands ◽  
Fifteenth Century ◽  
Holy Roman Empire ◽  
Regional Government ◽  
Common Language ◽  
Middle Dutch ◽  
First Time

Around 1400, the northern Netherlands were little more than a loose collection of quarrelling principalities, unified to some degree by their common language, Middle Dutch. Formally this unruly area was part of the Holy Roman Empire, but the German emperor's political weakness laid it wide open to the territorial ambitions of the Burgundian dukes. Under their rule, the Netherlands saw centralized regional government for the first time in their history. But it was not until the sixteenth century, when their Spanish Habsburg successors were increasingly regarded as foreign oppressors, that anything like a unified sovereign Dutch state came within sight.

Islamic Monuments as Christian Trophies

2017 ◽  
Author(s):  
Antonio Urquízar-Herrera
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Thirteenth Century ◽  
Medieval Chronicles ◽  
Late Fifteenth ◽  
Historical Accounts ◽  
Rodrigo Jimenez De Rada ◽  
The Way

Chapter 3 approaches the notion of trophy through historical accounts of the Christianization of the Córdoba and Seville Islamic temples in the thirteenth-century and the late-fifteenth-century conquest of Granada. The first two examples on Córdoba and Seville are relevant to explore the way in which medieval chronicles (mainly Rodrigo Jiménez de Rada and his entourage) turned the narrative of the Christianization of mosques into one of the central topics of the restoration myth. The sixteenth-century narratives about the taking of the Alhambra in Granada explain the continuity of this triumphal reading within the humanist model of chorography and urban eulogy (Lucius Marineus Siculus, Luis de Mármol Carvajal, and Francisco Bermúdez de Pedraza).

Literary Conduits for ‘Consent’

2016 ◽  
Vol 19 (2) ◽  
pp. 322-350 ◽  
Author(s):  
Pankaj Kumar Jha
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
North India ◽  
Indian Society ◽  
Historical Process ◽  
The North ◽  
Literary Cultures

The making of the imperial subjects is as much a matter of historical process as the emergence of the empire. In the case of the Mughal state, this process started much before its actual establishment in the sixteenth century. The fifteenth century in North India was a period of unusual cultural ferment. The emergence of the Mughal imperial formation in the next century was intimately related to the fast congealing tendency of the north Indian society towards greater disciplining of itself. This tendency is evident in the multilingual literary cultures and diverse knowledge formations of the long fifteenth century.

Public and Private: The Late Medieval Wall Paintings of Haddon Hall Chapel, Derbyshire

2006 ◽  
Vol 86 ◽  
pp. 179-205
Author(s):  
Mellie Naydenova
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Wall Paintings ◽  
Public And Private ◽  
Late Medieval ◽  
Public Statement ◽  
The Public ◽  
Parish Church ◽  
Public Persona ◽  
Private Devotion

This paper focuses on the mural scheme executed in Haddon Hall Chapel shortly after 1427 for Sir Richard Vernon. It argues that at that time the chapel was also being used as a parish church, and that the paintings were therefore both an expression of private devotion and a public statement. This is reflected in their subject matter, which combines themes associated with popular beliefs, the public persona of the Hall's owner and the Vernon family's personal devotions. The remarkable inventiveness and complexity of the iconography is matched by the exceptionally sophisticated style of the paintings. Attention is also given to part of the decoration previously thought to be contemporary with this fifteenth-century scheme but for which an early sixteenth-century date is now proposed on the basis of stylistic and other evidence.

scholarly journals “Turkish” Textiles in South-Eastern and East-Central Europe in the Early Modern Period: The Evidence of Transylvanian Customs Accounts

2020 ◽  
Vol 24 (4-5) ◽  
pp. 363-382
Author(s):  
Mária Pakucs-Willcocks
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
East Central Europe ◽  
East Central ◽  
Modern Period ◽  
Serial Data

Abstract This paper analyzes data from customs accounts in Transylvania from the middle of the sixteenth century to the end of the seventeenth on traffic in textiles and textile products from the Ottoman Empire. Cotton was known and commercialized in Transylvania from the fifteenth century; serial data will show that traffic in Ottoman cotton and silk textiles as well as in textile objects such as carpets grew considerably during the second half of the seventeenth century. Customs registers from that period also indicate that Poland and Hungary were destinations for Ottoman imports, but Transylvania was a consumer’s market for cotton textiles.

Clerical Poverty in Early Sixteenth-Century England: Some East Anglian Evidence

1986 ◽  
Vol 37 (3) ◽  
pp. 389-396 ◽  
Author(s):  
John Pound
Keyword(s):  
Sixteenth Century ◽  
Social Status ◽  
Fifteenth Century ◽  
Average Salary ◽  
The North ◽  
High Social Status

The economic standing of the English parochial clergy in the early sixteenth century has been re-examined recently by Michael Zell, and the evidence at his disposal suggests that many of them were poverty-stricken in the extreme. He points to the large surplus of unendowed curates, chaplains and the like, and to the fact that when employment was available it was neither rewarding, in a monetary sense, nor necessarily secure. Stipends were officially regulated by an early fifteenth-century statute which set a maximum of £5 6s. 8d. per annum, and ‘evidence from all regions of England indicates that very rarely were curates and chaplains given more than that’. It was not uncommon for areas in the north to pay even less than this. In Lancashire, for example, the average salary of about 100 curates and chaplains in 1524 was £2 9s. 6d. In the East Riding of Yorkshire a year later it was £4. On the basis of such evidence, Mr Zell reasonably concludes that the unbeneficed clergy must have found it very difficult to survive, and that ‘the average country priest could not have been a person of high social status’.

Livy's Fourth Decade:A Preliminary Enquiry into the Evidence of MSS

1927 ◽  
Vol 21 (2) ◽  
pp. 67-78 ◽  
Author(s):  
S. K. Johnson
Keyword(s):  
Sixteenth Century ◽  
Eleventh Century ◽  
Preliminary Investigation ◽  
British Museum ◽  
The Third

A summary view of the main evidence at our disposal may be soon obtained. Three traditions appear at the outset. The first depends on a MS. once at Mainz, and now no longer extant, but of which part, at any rate, still existed in the sixteenth century; the second on an eleventh century MS. at Bamberg; and the third on a number of later MSS. in Rome, Florence, Paris, the British Museum, Oxford, Holkham, and other places. The fact that (at any rate for preliminary investigation) these three traditions must be regarded as separate may be seen first from the parts of the decade which they each omit.

Swords and Documents in the Sixteenth Century

2020 ◽  
pp. 129-159
Author(s):  
Kristen B. Neuschel
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Mere Presence

This chapter studies the documentation of swords in the sixteenth century. The relative silence concerning swords existed in fourteenth- and fifteenth-century sources too, but it persists in sixteenth-century records, when more and more family records survive. The fact of this silence always reflects lacunae: a document is missing, such as an inventory after death; some documents are created only for limited and immediate purpose. Another reason for the information missing, now, was confusion about what category of goods swords constituted at the time. “Arms,” however that was understood, can appear in multiple places. Armor for man and horse can be found in trunks within a chateau or, as the century wears on, in rooms labeled “armory,” though the contents are not always detailed in an inventory of the residence. Swords, in short, were a category unto themselves, consistently neither furnishings nor clothing nor arms nor ornaments; even their mere presence, much less any detail of their appearance or value, can elude written records.

The Testator’s Villainy

2021 ◽  
pp. 80-96
Author(s):  
Jonathan Patterson
Keyword(s):  
Nineteenth Century ◽  
Sixteenth Century ◽  
Fifteenth Century ◽  
Poetic Discourse ◽  
English Poet ◽  
John Skelton ◽  
Anglo American ◽  
Francois Villon ◽  
American Poets

The poetry and persona of François Villon have been subject to transcultural reinvention since the fifteenth century (and especially since the nineteenth century, among Anglo-American poets). The legend of Villon goes back to an impecunious poet–criminal who disappeared in 1463, and who both encourages and resists a historicizing interpretation of villainy through his works. This chapter reassesses the singularity of the testator persona in Le Testament Villon (c.1461–2) in his complex vilifying manoeuvres. Some of these have distinct parallels in the early sixteenth-century works of the English poet John Skelton. Yet Villon idiosyncratically instantiates poetic discourse as a para-legal means of attesting to the rigours of torture, where the villain-poet is a direct (if unreliable) witness of his own subjection to judicial punishment.

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