TAHAR HADDAD AFTER BOURGUIBA AND BIN ʿALI: A REFORMIST BETWEEN SECULARISTS AND ISLAMISTS

2016 ◽  
Vol 48 (1) ◽  
pp. 47-65 ◽  
Author(s):  
Julian Weideman
Keyword(s):  
20Th Century ◽  
Arab World ◽  
The Political ◽  
Early 20Th Century ◽  
Old Regime ◽  
State Feminism ◽  
Political Landscape ◽  
Starting Point ◽  
Religious Establishment ◽  
Status Code

AbstractUnder the Bourguiba and Bin ʿAli regimes, the early 20th-century women's rights advocate Tahar Haddad (1899–1935) was a symbol of “state feminism.” Nationalist intellectuals traced the 1956 Personal Status Code to Haddad's work, and Bourguiba and Bin ʿAli claimed to “uphold” his ideals and “avenge” the persecution he suffered at the hands of the ʿulamaʾ at the Zaytuna mosque-university. Breaking with “old regime” narratives, this article studies Haddad as a reformist within Tunisia's religious establishment. Haddad's example challenges the idea that Islamic reformists “opened the door to” secularists in the Arab world. After independence, Haddad's ideas were not a starting point for Tunisia's presidents, but a reference point available to every actor in the political landscape.

scholarly journals Egypt in the Early 20th Century in the Light of Newspaper Essays of Tadeusz Smoleński

2020 ◽  
Vol 31 (4) ◽  
pp. 9-28
Author(s):  
Leszek Zinkow
Keyword(s):  
20Th Century ◽  
Arab World ◽  
The Political ◽  
Early 20Th Century ◽  
Nation State ◽  
Panoramic View ◽  
Daily Newspaper ◽  
British Rule ◽  
History Of ◽  
Set Up

This paper brings to light the reports and analyses written by Tadeusz Smoleński, a forgotten source on the political history of the Middle East and particularly Egypt, in the first decade of the 20th century. Tadeusz Smoleński (1884–1909), the first Polish Egyptologist, was also a regular correspondent of the Lviv daily newspaper Słowo Polskie [‘The Polish Word’]. In his reports, he outlines a panoramic view of Egypt’s extraordinarily complex political situa­tion, determined by tensions between the European powers, i.e., the rivalry between Britain and France, and between Russia and Germany. Another fac­tor whose growing importance was noted by the Polish observer, is the rise of nationalist and Islamist movements in both Egypt and the Arab world as a whole. This takes place alongside the chronic political instability of the Otto­man Empire. While acknowledging all of the beneficial aspects of British rule (especially under the consulship of Sir Evelyn Baring), Smoleński does not hide his sympathies for Mus????t????afà Kāmil Bāšā, leader of the Egyptian national­ists. In his analysis, Smoleński also hints at some analogies between the situa­tion of the Egyptians and the Poles in their ambitions to set up an independ­ent nation-state.

scholarly journals Historieskriveren Elias Khoury

2009 ◽  
Vol 24 (62) ◽  
Author(s):  
Kerstin Eksell
Keyword(s):  
Family History ◽  
20Th Century ◽  
Daily Life ◽  
Arab World ◽  
The Political ◽  
Early 20Th Century ◽  
The Novel ◽  
The Family ◽  
Christian Myth ◽  
Alternative Reading

Kerstin Eksell: “Elias Khoury the Storywriter”The novel, Ka´annahā nāʾima, As If She Was Sleeping from 2007, is set in Beirut and Nazareth between 1923 and 1948. The Lebanese Milia marries the Palestinian Mansour, and they settle down to daily life in Nazareth, where Milia finally gives birth to a son. Much of the story is told in the form of Milia’s dreams and recapitulates the family history in early 20th century Beirut.The novel is multilayered, mixing high and low registers, and rich in intertextual references. The Christian myth of death and sacrifice functions as a historical allegory of the political tragedy of the modern Arab world, in particular that of Palestine. However, the vitality and strength of Milia – Mary offers an alternative reading of human survival and resurrection, deeply rooted in the oriental potential of mysticism and poetry.

Ende der Neuen Musik

2021 ◽  
Vol 72 (3) ◽  
pp. 201-213
Author(s):  
Christoph Von Blumröder
Keyword(s):  
20Th Century ◽  
Music Theory ◽  
Contemporary Music ◽  
Current Theory ◽  
Musical Composition ◽  
The Political ◽  
German Language ◽  
Early 20Th Century ◽  
Late 20Th Century ◽  
A Current

The term "Neue Musik" was coined for a special concept of fundamental musical innovation within Austro-German music theory of the early 20th century, and it found no terminological equivalent beyond the German language. Established by Paul Bekker with his lecture “Neue Musik” in 1919, composers such as Stockhausen or Ligeti embraced the term with its emphatic claim to innovation and new departures. However, one hundred years on the term "Neue Musik" is often used mainly as a synonym for any type of contemporary music. This article questions whether the term "Neue Musik" is still an appropriate framework for a current theory of musical composition. Not only have the specific musical circumstances changed within the course of the 20th century, but also the political and social conditions have altered drastically after two world wars which had given special impulses to those composers who strove for a new foundation of music after 1918 and 1945 respectively. This article argues that the age of "Neue Musik" has come to an end in the late 20th century, and thus it is now necessary to introduce alternative terminological concepts and methodical directions for music historiography.

scholarly journals JOAQUÍN COSTA I REGENERACJA HISZPANII

2018 ◽  
pp. 359-373
Author(s):  
Dominika Gołaszewska-Rusinowska
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Political System ◽  
The Political ◽  
Early 20Th Century ◽  
Political Movement ◽  
Late 19Th Century

This case study focuses on the life and work of Joaquín Costa. He was a Spanish intellectual who in late 19th century and early 20th century started the intellectual and political movement called Regenerationism. This movement emerged in response against the political system of Spanish Restoration.  

Hamilton, Cicely (1872–1952)

2018 ◽  
Author(s):  
Katharine M. Cockin
Keyword(s):  
20Th Century ◽  
Women's History ◽  
Retail Trade ◽  
The Political ◽  
Early 20Th Century ◽  
Women's Suffrage ◽  
The Novel ◽  
Political Commitments ◽  
Women’S Suffrage ◽  
Women’S History

Cicely Hamilton, lesbian actor, author, and women’s suffrage activist, is best known for her plays Diana of Dobson’s (1908), exposing exploitation in the retail trade, How the Vote Was Won (1909), a suffrage comedy co-authored with Christopher St. John, and A Pageant of Great Women, which raised consciousness about women’s history in productions across Britain from 1909 to 1912. Hamilton also wrote nondramatic works, including the political tract Marriage as a Trade (1909) and the novel William, An Englishman (1919), which was inspired by her experience of wartime France. Hamilton’s prolific writing career reflects her wide-ranging interests, political commitments, and sense of public duty; her plays exemplify the intersection of Feminism and theater in the early 20th century.

Huroufiyah

2018 ◽  
Author(s):  
Nada Shabout
Keyword(s):  
20Th Century ◽  
Arab World ◽  
Arabic Language ◽  
The Political ◽  
Artistic Identity ◽  
Cultural Changes ◽  
Modern Age ◽  
Arabic Script ◽  
19Th And 20Th Century ◽  
Islamic Civilization

The perception of the Arabic letter in art has gone through many changes from the Islamic civilization to the modern age. Following the political and socio-cultural changes of the 19th and 20th century, the Arabic script lost its sacredness. After decades of limited existence in traditional craft, the Arabic letter reappeared in modern Arab art around the middle of the 20th century on nationalistic bases. The Arabic language had acquired a high value during the age of colonialism as a symbol of national identity, a unifier; this value only grew stronger with time. The letter was also a signifier that aided twentieth-century Arab artists in their artistic identity crisis. A number of art groups—such as the Baghdad Group of Modern Art, formed in 1951—were established with their focus on a search for a local or national art style through ‘istilham al-turath,’ seeking inspiration from tradition. The Arabic letter became the means for connecting artists’ present with their past and allowing for the invention of tradition. Huroufiyah (Arabic for Letterism), a highly contested term initiated by a newspaper journalist, became a term popularly used to signify all experiments with the Arabic letter in the modern Arab art. Nevertheless, the term is surrounded by controversy in the contemporary Arab world and rejected by a number of scholars and artists. The term al-Madrassa al-Khattiya Fil-Fann (Calligraphic School of Art), has been alternatively proposed, expressing specifically a perceived continuation with Islamic calligraphy.

Divination and Politics in Southern Vietnam: Roots of Caodaism

2010 ◽  
Vol 57 (3) ◽  
pp. 357-371 ◽  
Author(s):  
Jérémy Jammes
Keyword(s):  
20Th Century ◽  
Religious Movement ◽  
The Political ◽  
Early 20Th Century ◽  
Southern Vietnam

Caodaism is a Vietnamese religious movement that appeared in colonial Cochinchina in the 1920s. What are the sociological roots of Caodaism? The author attempts to answer this question through an analysis of the Caodaist networks that developed in the early 20th century in Cochinchina. Setting out some ethnographic materials concerning the Chinese Minh religions, the author focuses on only one of the five Minh religions in Vietnam, called Minh Lý (“Enlightened Reason”). He sheds new light on the esoteric roots of Caodaism, on the political regulation of the religious sphere and, finally, on the religious and political map of Southern Vietnam.

scholarly journals GENERAL OVERVIEW TO DRUM KIT IN TURKISH POPULAR MUSIC DURING THE PERIOD 1970-1980

2018 ◽  
Vol 7 (46) ◽  
Keyword(s):  
Popular Music ◽  
20Th Century ◽  
Historical Development ◽  
Music History ◽  
Main Topic ◽  
Early 20Th Century ◽  
General Overview ◽  
Starting Point ◽  
Popular Music History ◽  
Set Up

The invention of Drum has been known to trace thousands of years.However, the drum kit came to exist in the early 20th century. Considering its historical development and our country's popular music history, development of this instrument in Turkey is the starting point of this research. In this study, the cults and playing attitudes that influenced the drummers, the location of drum kit in the studio environment, the set up prefrrences in the band with equipments used will be commented by analysing the data obtained via interviews. Within this framework, questions in 4 main topic have been asked to Osman İşmen and Turhan Yükseler, two of the significant arrangers of the period; Okay Temiz, one of the significant drummers of the period; Cahit Berkay, one of the founders of the band Moğollar; İsmail Soyberk, the bass-guitarist; the drummer Mert Türkmen as the representative of Cezmi Başeğmez. In accoedance with the data obtained, it has been concluded that jazz and rock drummers influenced our country, Anadolu Pop attitude was seen in the playing attitudes and set ups of that period drummers, Studio Hayri and sound technician Sıtkı Acim (tonmeister) rose to prominence in terms of studios where drum records were made, Ludwig drums were used together with Turkish brands in equipments. Keywords: Drum kit, drums, popular music, turkey, drummers, drum playing

scholarly journals ARTICLE - “WITH ADMIRABLE PRECISION THEY EXERCISE SWEDISH GYMNASTICS…”: NATION-BUILDING AND PRODUCTION OF INNOCENCE IN EARLY BRAZILIAN STATE INDIGENISM

2019 ◽  
Vol 35 ◽  
Author(s):  
PATRICIA LORENZONI
Keyword(s):  
Physical Education ◽  
Contact Zone ◽  
20Th Century ◽  
Nation Building ◽  
Indigenous Populations ◽  
Early 20Th Century ◽  
Mato Grosso ◽  
Starting Point ◽  
Colonial Contact ◽  
Building Project

ABSTRACT: An early 20th century photograph in the collections of Museo do índio in Rio de Janeiro shows Paresí children in Mato Grosso exercising “Swedish gymnastics”. The program for physical education codified by Swedish educator Pehr Henrik Ling was practiced in the schools of several SPI indigenous stations in the period, as part of the state indigenist project of “nationalizing” the indigenous populations. With the photo as a starting-point, this article explores the relation between a positivist nation-building project in Brazilian indigenism, and Ling gymnastics as a project directed towards the population and the nation. Applying Mary Louise Pratt’s concepts of colonial contact zone and strategies of “anti-conquest”, as well as Antonio Carlos de Souza Lima’s analysis of state indigenism as a continuation of the war of conquest with other means, I argue that Ling gymnastics resonated particularly well with positivist indigenism. Perceived of as a method of physical education not tainted by chauvinistic militarism, it could find its place in a colonial nation-building project resting on denial of its own inherent violence.

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