The Origin, Formation and Early History of the Chikunda of South Central Africa

1972 ◽  
Vol 13 (3) ◽  
pp. 443-461 ◽  
Author(s):  
Allen Isaacman

Although historians have examined the process of pre-colonial political integration, little attention has been paid to the complementary patterns of ethnic and cultural assimilation. The Chikunda, who were initially slaves on the Zambezi prazos, provide an excellent example of this phenomenon. Over the course of several generations, captives from more than twenty ethnic groups submerged their historical, linguistic, and cultural differences to develop a new set of institutions and a common identity. The decline of the prazo system during the first half of the nineteenth century generated large scale migrations of Chikunda outside of the lower Zambezi valley. They settled in Zumbo, the Luangwa valley and scattered regions of Malawi where they played an important role in the nineteenth-century political and military history of south central Africa.

Author(s):  
Susanne Wagini ◽  
Katrin Holzherr

Abstract The restorer Johann Michael von Hermann (1793–1855), famous in the early nineteenth century, has long fallen into oblivion. A recent discovery of his work associated with old master prints at the Staatliche Graphische Sammlung München has allowed a close study of his methods and skills as well as those of his pupil Ludwig Albert von Montmorillon (1794–1854), providing a fresh perspective on the early history of paper conservation. Von Hermann’s method of facsimile inserts was praised by his contemporaries, before Max Schweidler (1885–1953) described these methods in 1938. The present article provides biographical notes on both nineteenth century restorers, gives examples of prints treated by them and adds a chapter of conservation history crediting them with a place in the history of the discipline. In summary, this offers a surprising insight on how works of art used to be almost untraceably restored by this team of Munich-based restorers more than 150 years before Schweidler.


Ballet Class ◽  
2020 ◽  
pp. 3-24
Author(s):  
Melissa R. Klapper

Ballet developed slowly in the United States and depended on European dancers and teachers at first, but by mid-nineteenth century a few American-trained ballet dancers were beginning to make their mark. The opening of the Metropolitan Opera Ballet School in 1909 and the tours of Anna Pavlova contributed greatly to popularizing ballet and inspiring young people to begin taking ballet class before World War I. Expansion continued from the 1920s through the 1940s with the founding of the School of American Ballet and the performances of the various Ballet Russe companies in every corner of the country. The Littlefield sisters and Christensen brothers helped make ballet American by establishing important homegrown ballet companies with primarily American dancers. The regional ballet movement fostered further growth. All these developments in professional ballet encouraged ever-increasing numbers of Americans not only to enjoy performances but also to take ballet class themselves.


Author(s):  
Jon B. Mikolashek

The chapter covers the early history of what will become known as the tank and the creation of the United States Tank Corps. Patton is the first “tanker” in American military history. After leaving the staff of John J. Pershing, Patton embarks on an educational journey to learn about tanks. He attends tank school in France and tours the Renault tank factory. It is here that he learns to drive a tank and selects the Renault light tank for use by the United States Army. The Renault tank is covered in detail, and Patton prepares to establish the American light tank school in France.


2015 ◽  
Vol 9 (2) ◽  
pp. 306-326 ◽  
Author(s):  
Allan Megill

In recent years David Christian and others have promoted “Big History” as an innovative approach to the study of the past. The present paper juxtaposes to Big History an old Big History, namely, the tradition of “universal history” that flourished in Europe from the mid-sixteenth century until well into the nineteenth century. The claim to universality of works in that tradition depended on the assumed truth of Christianity, a fact that was fully acknowledged by the tradition’s adherents. The claim of the new Big History to universality likewise depends on prior assumptions. Simply stated, in its various manifestations the “new” Big History is rooted either in a continuing theology, or in a form of materialism that is assumed to be determinative of human history, or in a somewhat contradictory amalgam of the two. The present paper suggests that “largest-scale history” as exemplified in the old and new Big Histories is less a contribution to historical knowledge than it is a narrativization of one or another worldview. Distinguishing between largest-scale history and history that is “merely” large-scale, the paper also suggests that a better approach to meeting the desire for large scale in historical writing is through more modest endeavors, such as large-scale comparative history, network and exchange history, thematic history, and history of modernization.


2003 ◽  
Vol 10 (1) ◽  
pp. 31-55 ◽  
Author(s):  
CORMAC Ó GRÁDA

The article examines the early history of provident institutions or trustee savings banks in Ireland. Combining aggregate data and an archive-based study of one savings bank, it describes the growth and performance of this ‘institutional import’. By and large, Irish savings banks catered for the lower-middle and middle classes, not the poor as intended by the founders of the movement. The article also explains how the collapse of three savings banks in 1848 dealt savings banks in Ireland as a whole a blow from which they never really recovered.


2016 ◽  
Vol 9 (4) ◽  
pp. 350-368
Author(s):  
Ramona Jelinek-Menke

This article analyses one Christian welfare institution and discusses the effects of its spatial location on the social position of its clients. By examining the mechanisms of inclusion and exclusion, it focuses on the early history of the Asylum of Alsterdorf for imbecile and feeble-minded children (Asyl für schwach- und blödsinnige Kinder zu Alsterdorf) in nineteenth-century Hamburg. The analytical perspective follows the concept of inclusion–exclusion as presented in Niklas Luhmann’s systems theory. It is argued here that a religious welfare institution may enclose its clients in a hyper-inclusive system for theological reasons and that, consequently, institutions of this kind contribute to the social exclusion of their clients.


Popular Music ◽  
1989 ◽  
Vol 8 (3) ◽  
pp. 221-230 ◽  
Author(s):  
John Collins

Highlife is one of the myriad varieties of acculturated popular dance-music styles that have been emerging from Africa this century and which fuse African with Western (i.e. European and American) and islamic influences. Besides highlife, other examples include kwela, township jive and mbaqanga from South Africa, chimurenga from Zimbabwe, the benga beat from Kenya, taraab music from the East African coast, Congo jazz (soukous) from Central Africa, rai music from North Africa, juju and apala music from western Nigeria, makossa from the Cameroons and mbalax from Senegal.


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