scholarly journals Johann Michael von Hermann (1793–1855): A predecessor of Max Schweidler?

2019 ◽  
Vol 40 (3-4) ◽  
pp. 239-270
Author(s):  
Susanne Wagini ◽  
Katrin Holzherr
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
Early History ◽  
Early Nineteenth Century ◽  
Conservation History ◽  
Works Of Art ◽  
Close Study ◽  
Fresh Perspective ◽  
History Of ◽  
Paper Conservation

Abstract The restorer Johann Michael von Hermann (1793–1855), famous in the early nineteenth century, has long fallen into oblivion. A recent discovery of his work associated with old master prints at the Staatliche Graphische Sammlung München has allowed a close study of his methods and skills as well as those of his pupil Ludwig Albert von Montmorillon (1794–1854), providing a fresh perspective on the early history of paper conservation. Von Hermann’s method of facsimile inserts was praised by his contemporaries, before Max Schweidler (1885–1953) described these methods in 1938. The present article provides biographical notes on both nineteenth century restorers, gives examples of prints treated by them and adds a chapter of conservation history crediting them with a place in the history of the discipline. In summary, this offers a surprising insight on how works of art used to be almost untraceably restored by this team of Munich-based restorers more than 150 years before Schweidler.

Politics, Reform and the Early-Nineteenth-Century Reports on the Committees on the Police of the Metropolis

1980 ◽  
Vol 53 (3) ◽  
pp. 240-256 ◽  
Author(s):  
Richard J. Terrill
Keyword(s):  
Nineteenth Century ◽  
Political Context ◽  
Early History ◽  
Early Nineteenth Century ◽  
England And Wales ◽  
Police Service ◽  
History Of

The second of Professor Terrill's articles continues his concept of the early history of the police service in its broad political context. It makes an interesting comparison with the approach in Mr. T. A. Critchley's “History of the Police in England and Wales 900-1966”.

The Price of Offices in Pre-Revolutionary France

1984 ◽  
Vol 27 (4) ◽  
pp. 831-860 ◽  
Author(s):  
William Doyle
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social Status ◽  
Early History ◽  
Early Nineteenth Century ◽  
Distinctive Features ◽  
National Assembly ◽  
History Of ◽  
Local Courts ◽  
The Government

One of the most distinctive features of the French Ancien Régime was the sale of offices. Several European states resorted to this method of tapping the wealth of their richer subjects in the sixteenth and seventeenth centuries, but nowhere did venality spread further through society than in France, and nowhere did its importance persist so long. Although the revolutionaries of 1789 abolished it, it reappeared for certain public functions in the early nineteenth century, and has not quite vanished even today. The origins and early history of the system have been authoritatively studied, but its eighteenth-century history has received very little attention. This is all the more curious in that France continued to be governed largely by holders of venal offices, they constituted the backbone of opposition to the government in the form of the magistrates of the parlements, and huge amounts of capital continued to be absorbed by office-buying. Even so, most historians consider that by this time the venal system was in decline. This seemed to be demonstrated by unsold offices remaining on the market, and above all by falling, office prices. For Alfred Cobban, indeed, these trends were symptoms of the decline of a whole class, the officiers. Here was ‘a section of society which was definitely not rising in wealth, and was barely holding its own in social status’ as falling office prices showed. ‘The decline seems to have been general, from the parlements downwards, though until the end of the eighteenth century it was much less marked in the offices of the parlements than in those of the présidiaux, élections, maréchaussées and other local courts.’ Resentment at this decline explained the revolutionary fervour of the officiers, whom Cobban had previously shown to be the largest bourgeois group in the National Assembly; and 1789 was largely the work not of a rising capitalist bourgeoisie, but rather of a declining professional one.

scholarly journals Краткий экскурс в раннюю историю изучения паремии как объекта этнолингвистики

2012 ◽  
Vol 57 (2) ◽  
Author(s):  
Анжелика Штейнгольд
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Present Article ◽  
Cultural Anthropology ◽  
Early History ◽  
Short Overview ◽  
Scientific Papers ◽  
History Of

Как хорошо известно, пословицы и поговорки (в более общем смысле т. наз. паремии) являются не только художественными миниатюрами — анонимными произведениями устного народного творчества, употребление которых в речи диктуется потребностью в точности и выразительности, но также неписаным сводом этических норм и правил. Их назидательность и дидактичность во многом предопределяет существование особой “паремической” логики, на языковом уровне выражающейся в присущей пословицам и поговоркам специфической синтаксической оформленности. На поверхности лежит их семантическая многлоплановость, о чем в свое время писали А. Дандис [1978], А. Крикманн [1978; 1984], Ю.И. Левин [1984], Г.Л. Пермяков [1988] и др....Anzhelika ShteingoldOn the Early History of Proverb Studies (Proverb as an Object of Ethnolinguistics)It is often not clear what exactly is meant by certain words and constructions in a proverb, even though its actual (metaphorical) sense is understood. The origins of some historical proverbs might be grasped only by employing the data of cultural anthropology. In the present article a short overview of early proverb studies in Russia is given. In the nineteenth century and in the early part of the twentieth century there were many scholars in Russia who dealt with proverbs. For instance, I. Snegiryov, V. Dahl, F. Buslaev, A. Afanasyev, A. Potebnya, S. Maksimov. During the 1930’s this tradition was continued in the scientific papers of the academician J. Sokolov. Despite their methods of proverb studies not being contemporary, these researchers gave examples of etymology that would later receive support and approval from the scholars of our time.Keywords: Russian proverbs, ethnolinguistics, etymology, history of proverb studies.

Meyerbeer'sIl crociato in Egitto: mélodrame, opera, orientalism

1996 ◽  
Vol 8 (3) ◽  
pp. 215-250 ◽  
Author(s):  
Mark Everist
Keyword(s):  
Nineteenth Century ◽  
Source Material ◽  
Early History ◽  
Early Nineteenth Century ◽  
Italian Opera ◽  
Giacomo Meyerbeer ◽  
History Of

Il crociato in Egittowas the last in a series of Italian operas written by Giacomo Meyerbeer between 1817 and 1824. Although hisEmma di ResburgoandMargherita d'Anjouhad been successful in Venice and Milan, it wasIl crociatothat put Meyerbeer in the first rank of internationally renowned composers of Italian opera. The work's contemporary popularity makes it an important element in the history of early nineteenth-century Italian opera, and the abundant source material that survives for the opera permits a reconstruction of its early history. Furthermore, the publication in facsimile of a copyist's score from the première at La Fenice and the recording of the work by Opera Rara have encouraged a modern revaluation.

A history of some fruit models in wax and other materials: scientific teaching aids and courtly table decorations

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck
Keyword(s):  
Nineteenth Century ◽  
Fruit Trees ◽  
Visual Aids ◽  
Early Nineteenth Century ◽  
Teaching Aids ◽  
Scientific Teaching ◽  
Glass Marble ◽  
History Of ◽  
By Products ◽  
Wax Models

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.

Dan Inman, The Making of English Theology: God and the Academy at Oxford (Minneapolis: Fortress Press, 2014). ISBN: 9781451469264

2017 ◽  
Author(s):  
Johannes Zachhuber
Keyword(s):  
Nineteenth Century ◽  
Early Nineteenth Century ◽  
University Of Oxford ◽  
History Of ◽  
History Of The University ◽  
The University

This chapter reviews the book The Making of English Theology: God and the Academy at Oxford (2014). by Dan Inman. The book offers an account of a fascinating and little known episode in the history of the University of Oxford. It examines the history of Oxford’s Faculty of Theology from the early nineteenth century to the middle of the twentieth. In particular, it revisits the various attempts to tinker with theology at Oxford during this period and considers the fierce resistance of conservatives. Inman argues that Oxford’s idiosyncratic development deserves to be taken more seriously than it often has been, at least by historians of theology.

The National and the Universal

2020 ◽  
pp. 368-386
Author(s):  
Sarah Collins
Keyword(s):  
Nineteenth Century ◽  
Cultural Difference ◽  
John Stuart Mill ◽  
Late Nineteenth Century ◽  
Johann Gottfried Herder ◽  
Early Nineteenth Century ◽  
The World ◽  
Respective Treatment ◽  
History Of

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.

scholarly journals An Illustrated Shiʿi Pilgrimage Scroll in the Collections of the Royal Asiatic Society

2021 ◽  
pp. 1-25
Author(s):  
ULRICH MARZOLPH ◽  
MATHILDE RENAULD
Keyword(s):  
Nineteenth Century ◽  
Visual Narrative ◽  
Early Nineteenth Century ◽  
Asiatic Society ◽  
Material Condition ◽  
Visual Dimension ◽  
History Of ◽  
Initial Survey ◽  
Royal Asiatic Society

Abstract The collections of the Royal Asiatic Society hold an illustrated pilgrimage scroll apparently dating from the first half of the nineteenth century. The scroll's hand painted images relate to the journey that a pious Shiʿi Muslim would have undertaken after the performance of the pilgrimage to Mecca. Its visual narrative continues, first to Medina and then to the Shiʿi sanctuaries in present-day Iraq, concluding in the Iranian city of Mashhad at the sanctuary of the eighth imam of the Twelver-Shiʿi creed, imam Riḍā (d. 818). The scroll was likely prepared in the early nineteenth century and acquired by the Royal Asiatic Society from its unknown previous owner sometime after 1857. In terms of chronology the pilgrimage scroll fits neatly into the period between the Niebuhr scroll, bought in Karbala in 1765, and a lithographed item most likely dating from the latter half of the nineteenth century, both of which depict a corresponding journey. The present essay's initial survey of the scroll's visual dimension, by Ulrich Marzolph, adds hitherto unknown details to the history of similar objects. The concluding report, by Mathilde Renauld, sheds light on the scroll's material condition and the difficulties encountered during the object's conservation and their solution.

The Round Temple in the Forum Boarium

1960 ◽  
Vol 28 (1) ◽  
pp. 7-31 ◽  
Author(s):  
D. E. Strong ◽  
J. B. Ward-Perkins
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
Architectural Design ◽  
Second Century ◽  
Early Nineteenth Century ◽  
Definitive Solution ◽  
Restoration Work ◽  
The Temple ◽  
General Opinion ◽  
Ancient Remains

The name and date of the little round temple in the Forum Boarium at Rome (popularly known as the ‘Temple of Vesta’) are long-standing problems of Roman topography. Its identification is still quite uncertain. On the chronology, however, general opinion seems to have hardened and, for reasons which are discussed below, most scholars appear now to believe that the building is Augustan, rejecting the attractive theory of Altmann and Delbrueck that it was erected some time in the later second century B.C. The present article is not concerned at all with the problem of identification, nor does it attempt the full and detailed study of the design and construction without which a definitive solution of the problem of dating is clearly impossible. Its purpose is twofold: to draw attention to some significant features of the architectural design and decoration, and to illustrate and discuss some surviving fragments which can be shown to belong to the lost entablture, but which seem hitherto to have escaped attention.The foundations of the temple were first exposed by Valadier in the early nineteenth century, in the course of restoration work undertaken to free the building of later accretions and to consolidate the ancient remains.

Burney's The Wanderer and Early-Nineteenth-Century Commodity Fetishism

2002 ◽  
Vol 57 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Andrea Henderson
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Social Changes ◽  
Commodity Fetishism ◽  
Early Nineteenth Century ◽  
Labor Theory ◽  
History Of ◽  
Theory Of Value ◽  
Historical Moment ◽  
The Wanderer

This essay explores a particular moment in the history of commodity fetishism by means of an examination of Frances Burney's The Wanderer (1814). The novel, which is explicitly concerned with the social changes facing early-nineteenth-century England, reveals that at this historical moment the commodity inspired emotions of a particular kind: it was idealized and perceived as attractively individualized, aloof, exotic, and changeable, and it elicited a passionate and sometimes even painful form of desire. In The Wanderer Burney explores the human repercussions of this new way of engaging with objects in the marketplace. She reveals, moreover, the extent to which the fetishism of the commodity reflected not just developments within the economy but also political change: under the influence of the French Revolution the charisma once generated by social status was transferred to the economic realm, where, embodied in the commodity, it gave rise to a pleasurable but masochistic reverence. Burney'sargument for the usefulness of economic independence necessarily leads her to appreciate the commodity fetishism she describes: even while she develops a labor theory of value, Burney promotes a mystification of the commodity by insisting on the aloof independence of both labor and its products. Thus, Burney uses the apparent autonomy of things——which Marx decries——as a means to argue for the autonomy of the makers of those things.

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