Trade, Islam, and the Mahdia in Northwestern Wallaggā Ethiopia

1975 ◽  
Vol 16 (1) ◽  
pp. 55-71 ◽  
Author(s):  
Alessandro Triulzi

The district of Belā Shangul, in the northwestern corner of the present Governorate-General of Wallaggā, Ethiopia, has played a crucial role in the introduction of Islam in western Ethiopia. The present paper attempts to show how the commercial potential of Belā Shangul was the reason for the peaceful penetration of Islam in the region in the nineteenth century, thus creating the basis for the ready acceptance of the Mahdia by the Islamized ruling families of the region later. It is due to the considerable inroads that Islam had made in the region that the first Mahdist envoys were welcomed there, and that they could operate freely from 1882 onwards.The paper further discusses the importance of Mahdist presence in the region, its impact on local society, and its attempts to penetrate the Oromo countries south and east of Belā Shangul. It argues that Mahdist rule over the region was effective until about 1890, and that the favourable attitude shown towards the Mahdia by the region's ruling families became more hostile mainly because of the harsh rule established in Belā Shangul by the Mahdist commander, Khalīl al-Khuzāni, and of the new militant Islam he introduced in the region. Khalīl's campaign of 1886 and Mahdist raids in 1888–90 further alienated the local rulers, who rebelled under the leadership of ʿAbd ar-Raḥmān of Belā Shangul proper. The reported cession of this district by the Khalifa to Menilek of Ethiopia must be seen in the political context of the time: the border district had become too burdensome for Omdurman to rule, yet its commercial and mineral resources made it too valuable to remain a no man's land.

Author(s):  
Stephen Gaukroger

The nineteenth-century cultural elevation of science puts it in some respects in an analogous position to that previously occupied by religion in marking out Western civilization. Beginning in the nineteenth century in Germany, France, and Britain, there developed a comprehensive cultural investment in the idea of the unity of science, which played a crucial role in taking over this task from religion. In this chapter the political, social, and ideological motivations behind the nineteenth-century advocacy of the unity of science are explored. At the same time, it examines the formative moves in the establishment of the unity of science, particularly the attempts of the British Association for the Advancement of Science to regiment the sciences, that is, to decide what to include and what to exclude from the rubric of science, and to order and rank those that it included.


2021 ◽  
pp. 1-23
Author(s):  
Vera Wolkowicz

Abstract On 25 May 1849 Vincenzo Bellini's opera Norma was premiered at the Teatro de la Victoria in Buenos Aires. It was performed four years before the downfall of Juan Manuel de Rosas, Governor of Buenos Aires for more than 20 years, in what it has been considered in Argentine historiography as a ‘terror regime’. The success of the opera combined with the political situation enables the understanding of Norma in political terms. A year prior to the premiere of the opera, the story of the elopement of a young, aristocratic, federal girl, Camila O'Gorman with the priest Uladislao Gutiérrez, had shocked local society. It was followed by another shocking event when, once the couple was found, Rosas decided to have them executed. I argue that the inadvertent similarity between the plot of Norma and the events in relation to Camila O'Gorman's death led to possible interpretations of the opera performance as a justification of Rosas's decision to execute Camila and her lover, whilst also providing a moral lesson to young aristocratic women. In this article, I therefore explore the plausible political overtones hidden in the performance of Norma by comparing librettos and analysing the opera's reception between 1849 and 1851 in the periodicals of the time. In this way, I cast light on a heretofore overlooked, but undeniably rich, period of operatic life in Buenos Aires.


2019 ◽  
Vol 98 (1) ◽  
pp. 22-44 ◽  
Author(s):  
Rachael E. Comunale

This article examines the development of political opposition in Scotland from 1695 to 1701 in the context of the Company of Scotland Trading to Africa and the Indies. It is argued that the potency of the political movement inspired by Darien derived from the view that King William was directly implicated in the failure of the colony. Three episodes in the Company's history—the loss of subscriptions in Hamburg, the appearance of memorials in the new world prohibiting English aid to the colony and the imprisonment of Darien sailors by the Spanish authorities—are examined in detail. The ramification of these controversies was increasingly seen as the result not of English interference, but rather the crown's refusal to act on behalf of the Company. Because a significant proportion of the population was invested in the Company, and because the press helped to keep Darien in the forefront of public consciousness, these issues transformed Darien into a major political grievance that united disparate political factions in support of a single cause. Although the alliance inspired by Darien was temporary, it, nonetheless, played a crucial role in disrupting the political status quo.


2019 ◽  
Vol 35 (3) ◽  
pp. 327-351
Author(s):  
Omar Velasco Herrera

Durante la primera mitad del siglo xix, las necesidades presupuestales del erario mexicano obligaron al gobierno a recurrir al endeudamiento y al arrendamiento de algunas de las casas de moneda más importantes del país. Este artículo examina las condiciones políticas y económicas que hicieron posible el relevo del capital británico por el estadounidense—en estricto sentido, californiano—como arrendatario de la Casa de Moneda de México en 1857. Asimismo, explora el desarrollo empresarial de Juan Temple para explicar la coyuntura política que hizo posible su llegada, y la de sus descendientes, a la administración de la ceca de la capital mexicana. During the first half of the nineteenth century, the budgetary needs of the Mexican treasury forced the government to resort to borrowing and leasing some of the most important mints in the country. This article examines the political and economic conditions that allowed for the replacement of British capital by United States capital—specifically, Californian—as the lessee of the Mexican National Mint in 1857. It also explores the development of Juan Temple’s entrepreneurship to explain the political circumstances that facilitated his admission, and that of his descendants, into the administration of the National Mint in Mexico City.


Author(s):  
Nurit Yaari

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.


Author(s):  
Edward Bellamy

‘No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.’ Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people’s everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy’s Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont’s lively edition explores the political and psychological peculiarities of this celebrated utopian fiction.


Author(s):  
Jack Santino

Since the nineteenth century, attention in folklore and folklife studies has shifted from viewing certain customary symbolic actions such as “calendar customs” and rituals of the life course to a more inclusive performance-oriented perspective on holidays and customs. Folklorists recognize the multiplicity of events that people may consider ritual and festival, and the porous nature of these categories. The concept of the “sacred” has expanded to include realms other than the strictly religious, so as to include the political and other domains, both official and unofficial. A comprehensive study of ritual and festival incorporates a close study of folk and popular actions as well as institutional ceremony. In the twenty-first century, approaching events as both carnivalesque and ritualesque allows folklorists to describe purpose and intention in public events, and to account for political, commemorative, celebratory, and festive elements in any particular event.


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