Guantánamo, Eatonville, Accompong: Barbecue and the Diaspora in the Writings of Zora Neale Hurston

2006 ◽  
Vol 40 (2) ◽  
pp. 367-389 ◽  
Author(s):  
ANDREW WARNES
Keyword(s):  
African Diaspora ◽  
American South ◽  
Alice Walker ◽  
Black Communities ◽  
Ntozake Shange ◽  
The Color Purple ◽  
The World ◽  
The Usa ◽  
The American South ◽  
Color Purple

African American writers often express great affection for barbecue, a food many describe as “scrumptious” – to use a term that recurs throughout Bobby Seale's cookbook, Barbeque'n with Bobby (1988) – and invest with a particular capacity to lend shape and coherence to the idea of the African Diaspora. In the writings of Ntozake Shange, Albert Murray, Alice Walker, and others, barbecue seems able to reunite black communities, to gather together people dispersed across the USA or even the world. This literary use of barbecue is epitomized by Alice Walker's The Color Purple (1982), the concluding pages of which make the food central to a rejuvenating Diasporic optimism that stands in sharp contrast to the novel's desolate opening description of Celie's sexual abuse. Having grown up in West Africa, Adam, offspring of Celie's rape, finally meets his mother at a barbecue held in the American South. The food provides a conversation opener, a point of contact that the estranged family badly need:Everybody make a lot of miration over Tashi. People look at her and Adam's scars like that's they business. Say they never suspect African ladies could look so good. They make a fine couple. Speak a little funny, but us gitting use to it.

scholarly journals CELIE: A PORTRAYAL OF AN AFRO-AMERICAN WOMAN'S REJECTION OF TRADITIONAL VALUES

2017 ◽  
Vol 2 (2) ◽  
pp. 129
Author(s):  
Ekawati Marhaenny Dukut ◽  
Nuki Dhamayanti
Keyword(s):  
Women Characters ◽  
Alice Walker ◽  
The Novel ◽  
Main Character ◽  
Traditional Values ◽  
Female Characters ◽  
American Women ◽  
The Color Purple ◽  
The World ◽  
Color Purple

The world of literature can be a medium of expressing the writer's expressions and ideas. Universal topics such as, love, death, and war often become subject mailers in the world of literature. In the novel, of The Color Purple. Alice Walker describes the oppression experienced by Afro American women in the female characters of Celie, Nellie, Shug Avery, Sofia, and Mary Agnes who faced sexual discrimina!ions in a patriarchal society. Womanhood, education, and lesbianism are factors that help the Afro American women to free themselves from traditional values. The Color Purple puts into words the process of its main character, Celie, who tries to reject and escape from the male domination of her world. The other Afro American women characters that help Celie to find her selfidentity represent the manifestation of the rejection of the traditional values. This article. which uses the socio-historical alld feminism approach. is intended to analyse the Afro-American women's rejection of traditional values by focusing on the major character of' Walker's The Color Purple. Celie. as she develops from being a victim of traditional values to the rejoiceful discovery of her selfidentity.

Para uma sociolinguística do texto literário traduzido: um olhar sobre ‘The Color Purple’ e sua tradução

Gragoatá ◽  
2016 ◽  
Vol 7 (13) ◽  
Author(s):  
Maristela Cury Sarian
Keyword(s):  
Alice Walker ◽  
Black English ◽  
The Color Purple ◽  
Color Purple

Este trabalho tem por objetivo estabelecer uma relação entre a tradução e a sociolinguística, a partir da análise da tradução do romance epistolar The Color Purple, da afro-americana Alice Walker, A cor púrpura, realizada por Peg Bodelson, Betúlia Machado e Maria José Silveira, a fim de investigar como a heterogeneidade linguística da obra original, associada, sobretudo, à maior ou menor frequência de uso de inglês padrão e de Black English Vernacular pelas personagens, foi construída na tradução. Nessa análise, verifico quais foram os recursos utilizados na caracterização da linguagem das personagens e como estes podem ser associados aos diferentes graus de escolaridade e de letramento de Celie e Nettie, valendo-me, como instrumental para essa análise, de descrições da variação sociolinguística, das teorias do letramento e dos processos de aquisição de língua escrita.

scholarly journals A REESCRITURA DE THE COLOR PURPLE NO CINEMA:

2015 ◽  
Vol 4 (1) ◽  
pp. 169-180
Author(s):  
Raquel Barros Veronesi
Keyword(s):  
Alice Walker ◽  
Steven Spielberg ◽  
The Color Purple ◽  
Color Purple

Neste trabalho, analisamos a tradução das personagens Celie e Shug do romance de Alice Walker, The Color Purple (1982), para sua adaptação fílmica de 1985, dirigido por Steven Spielberg. Especificamente, investigamos a reescritura do relacionamento homoafetivo entre as personagens, no cinema, uma vez que se trata do amor entre duas mulheres negras no início do século XX. Diante de aspectos suscitadores de discussões polêmicas – ser mulher, ser negra, ser homossexual – percebemos a dificuldade de adaptar tais personagens para o meio cinematográfico. Acreditamos, portanto, que, devido a exigências mercadológicas diferentes das que regem a Literatura e considerando a época em que foi lançado, o filme suaviza algumas cenas em que Celie e Shug demonstram o amor que sentem uma pela outra. Assim, utilizando os Estudos Descritivos da Tradução (TOURY, 2012), objetivamos investigar quais estratégias foram utilizadas no processo de tradução de situações que demonstram esta relação afetiva, observando como o filme lida com a proposta de Walker, que busca evidenciar a mulher negra e sua trajetória de luta contra a discriminação gênero-racial.

scholarly journals Africa, the Sweet Home of Roots or the Dark Continent of Primitiveness?: Alice Walker’s Africa in The Color Purple

2020 ◽  
Vol 10 (1) ◽  
pp. 26
Author(s):  
Lei Sun ◽  
Xiangyong Kong
Keyword(s):  
Alice Walker ◽  
African Continent ◽  
Post Colonial ◽  
The Color Purple ◽  
Dark Continent ◽  
Color Purple ◽  
The Way

With the detection from the post-colonial perspective, there is a certain amount of truth in the statement that Alice Walker’s The Color Purple sometimes reveals Eurocentric ideology, even though she overtly makes efforts for Africa and Africans. The way in which she delineates Nettie’s missionary job in Olinka, confirms habitual Western suspicions about equality between Europe and Africa. With the reexamination of the depiction about the African continent Nettie sketches out, additionally, we might notice Walker’s intention of setting up Africa as a foil to Europe, to some extent, echoes Said’s orientalist discourse.

Understanding Sport as a Religious Phenomenon

2016 ◽  
Author(s):  
Eric Bain-Selbo ◽  
D. Gregory Sapp
Keyword(s):  
Popular Culture ◽  
National Identity ◽  
New Zealand ◽  
Religious Experience ◽  
American South ◽  
The World ◽  
Methodological Approaches ◽  
The American South ◽  
The Uk ◽  
Classroom Use

Readers are introduced to a range of theoretical and methodological approaches used to understand religion – including sociology, philosophy, psychology, and anthropology – and how they can be used to understand sport as a religious phenomenon. Topics include the formation of powerful communities among fans and the religious experience of the fan, myth, symbols and rituals and the sacrality of sport, and sport and secularization. Case studies are taken from around the world and include the Olympics (ancient and modern), football in the UK, the All Blacks and New Zealand national identity, college football in the American South, and gymnastics. [new paragraph] Ideal for classroom use, Understanding Sport as a Religious Phenomenon illuminates the nature of religion through sports phenomena and is a much-needed contribution to the field of religion and popular culture.

Too Shame to Look:1 Learning to Trust Mirrors and Healing the Lived Experience of Shame in Alice Walker's The Color Purple

Hypatia ◽  
2018 ◽  
Vol 33 (3) ◽  
pp. 521-536
Author(s):  
Kimberly S. Love
Keyword(s):  
Lived Experience ◽  
The Third ◽  
Jean Paul ◽  
The Color Purple ◽  
The World ◽  
Reagan Era ◽  
Color Purple ◽  
Aesthetic Structure ◽  
Three Phases

This article investigates the role of shame in shaping the epistolary form and aesthetic structure of Alice Walker's The Color Purple. I argue that the epistolary framing presents a crisis in the development of Celie's shamed self‐consciousness. To explain the connection between shame and Celie's self‐consciousness, I build on Jean Paul Sartre's theory of existentialism and explore three phases of Celie's evolution as it is represented in three phrases that I identify as significant transitions in the text: “I am,” “But I'm here,” and “It mine.” The first section examines how shame fractures Celie's self‐consciousness; the second focuses on how Celie positions and locates herself in the world; and the third explains how Celie mobilizes shame by connecting her self‐consciousness to a past that is shameful but also generative. I conclude by considering the novel's emergence in the Cosby/Reagan era in order to illuminate the mutual constitution of black familial pride and black racial shame.

scholarly journals The multiple mobilities of civil rights in Jeanine Tesori’s Violet and Caroline, or Change

2020 ◽  
Vol 14 (3) ◽  
pp. 243-253
Author(s):  
Allan Kilner-Johnson
Keyword(s):  
Civil Rights ◽  
American History ◽  
American South ◽  
Tony Kushner ◽  
Civil Rights Act ◽  
Female Protagonists ◽  
The World ◽  
The American South

This article centres on Jeanine Tesori’s Violet (book and lyrics by Brian Crawley) and Caroline, or Change (book and lyrics by Tony Kushner), both of which are set in the American south during a crucial period in American history running between the assassination of John F. Kennedy on 22 November 1963 and the passing of the Civil Rights Act of 1964. Both works musically capture the imaginative traditions of the American south through gospel, country, Motown, and blues in order to detail the complex negotiations of the titular female protagonists through challenges of isolation, entrapment and liberation in the months following Kennedy's assassination. This article argues that the promise and affordance of mobility within these musicals are rooted in an uncanny spiritual fervour expressed by Violet and Caroline, both of whom have defined a distinctive, and, as will be recognized by each musical’s conclusion, mistaken theology of personal devotion and faith that runs precisely counter to the liberating potentials in the world around them.

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