Problems of the Development of Hungarian Industry, 1900–1944

1964 ◽  
Vol 24 (2) ◽  
pp. 204-228 ◽  
Author(s):  
György Ránki

The revolution of 1848, by ending the system of serfdom, had created the basic conditions of Hungary's industrialization; however, since the revolution had remained incomplete and the War of Independence had been lost, the ensuing suppression by Austrian absolutism and the considerable feudal survivals proved a strong barrier to the way of social and economic progress. The Austro-Hungarian monarchy, a product of the Compromise of 1867, offered somewhat more favorable conditions for economic development. Nevertheless, the structure of the dual monarchy kept Hungary's industrialization within rather narrow limits: the absence of independent statehood and the existence of a common customs area with Austria exposed the Hungarian market to devastating competition from Austria's more advanced manufacturing industry; and since these circumstances helped to consolidate the political and economic power of the large landowners, the capital accumulating within the country served above all the capitalist development of agriculture. So towards the end of the nineteenth century, nearly half a century after the bourgeois revolution, Hungary was still a wholly agrarian country whose major exports were foodstuffs and agricultural produce. The rapid development of manufacturing industry began as late as the last decade of the nineteenth century and continued until the beginning of World War I, over a span of some twenty-five years.

Perichoresis ◽  
2021 ◽  
Vol 19 (1) ◽  
pp. 39-47
Author(s):  
Ottó Pecsuk

Abstract The paper examines the very beginnings of Bible Mission in Hungary within the Habsburg Empire in the first part of the nineteenth century. It divides the first thirty years into two major epochs: the one before Gottlieb August Wimmer, Lutheran pastor of Felsőlövő (Oberschützen) and agent of the British and Foreign Bible Society (BFBS) and the one characterized by his work until the revolution of 1848. In the paper, I summarize the main obstacles of Bible Mission both political and religious as well as the main achievements and formations of policies and practices that still define Bible Mission of the Bible Societies in all around the world. The work of BFBS in Hungary in this period was also intertwined with the formative period of the Budapest Scottish Mission, a topic that I also touch in the paper.


2001 ◽  
Vol 34 (4) ◽  
pp. 503-530 ◽  
Author(s):  
Berit Elisabeth Dencker

Over the course of the nineteenth century, a popular nationalist movement developed in the German states that had gained considerable strength by 1871, the year of unification. The German gymnastics association movement was one of the main forms in which popular nationalism was organized. It was started by Friedrich Ludwig Jahn early in the nineteenth century as a means to train young Germans to fight the French occupation. Gradually, it developed into a movement that sought to unify Germany, a project that was not, at first, supported by the German states. The movement was also guided by liberal and, especially before the revolution of 1848, democratic principles, and in this sense, too, was at odds with the reigning political system in Central Europe.


1967 ◽  
Vol 3 (2) ◽  
pp. 450-476
Author(s):  
Andrei Oţetea

The problem with which this survey is concerned is the role played by the Rumanians of Transylvania as an integrating and disintegrating force in the Habsburg monarchy in the nineteenth century. This problem is unusually complex, since it can be examined from various points of view and at different stages in its historical development. On the basis of changing economic, political, and social factors, we may discern at least five such stages: (1) the first half of the century, during which Transylvania maintained the autonomy it had enjoyed since the promulgation of the Leopoldine Diploma in 1691; (2) the revolution of 1848–1849; (3) the period of absolutism of the 1850's, during which the Rumanians, who had failed to obtain territorial autonomy within the empire, were parceled out among various administrative units and continued to suffer national and social oppression at the hands of the dominant Magyar classes; (4) the so-called “liberal era” between 1860 and 1867, during which the court beguiled the Rumanians with promises that their national rights would at last be recognized in the monarchy generally and in Transylvania in particular; and (5) the period of dualism and the forced incorporation of Transylvania into Hungary.


2018 ◽  
Vol 60 (1) ◽  
pp. 150-177 ◽  
Author(s):  
Kristen Alff

AbstractThe Levantine business community—the Sursuqs, Bustruses, Tuenis, Khuris, Debbases, Trads, Tabets, Naggiars, and Farahs—created large agricultural estates in the Levant and established company branches in Beirut, Alexandria, Haifa, London, Liverpool, Paris, and Marseille in the mid-nineteenth century. Against both culturalist and new institutional paradigms, I argue that the trajectories of the Levantine firms were much like those of their European counterparts; Dutch and English capitalism—what came to be recognized as modern forms of capitalism—developed out of long-distance trade and relied on forms of coerced and semi-coerced labor as well as other so-called “non-capitalist” or “precapitalist” elements. Beirut-based companies relied on tenant contracts, sharecropping, and other forms of labor control rooted in the Ottoman social formation. Drawing upon the unexplored private papers of these business families in Beirut and a diverse collection of documents from Istanbul, Beirut, Jerusalem, London, Liverpool, and Marseille in Arabic, German, Ottoman Turkish, and French, this paper examines the parallels and the links between the business practices of the Levantine joint-stock companies and their European partners. It contends that the development of nineteenth-century capitalism relied on several different institutions and relations of production formulated and articulated on both sides of the Mediterranean and in the competition between them. Only after World War I, because of settler-colonialism, the settlement of nomads, and large-scale European capital investment backed by imperial power, did Levantine capital accumulation begin to take a form that was subordinate to Europe.


Author(s):  
William E. Nelson

The conclusion makes two arguments. First, it takes the position common in the historical literature that the American Revolution was a comparatively placid one, with few killings of civilians, little property destruction, and no reign of terror. It argues that the placidity was a consequence of legal continuity—the same courts, judges, and juries that had governed the colonies in 1770 in large part continued to govern the new American states in 1780. During the course of the War of Independence itself, legal and constitutional change occurred almost entirely at the top, and, except in the few places occupied by the British military, life went on largely as it always had. The conclusion also argues that old ideas of unwritten constitutionalism persisted during and after the Revolution, but that a new idea that constitutions should be written to avoid ambiguity emerged beside the old ideas.


Author(s):  
Mark Franko

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.


Author(s):  
Mitch Kachun

Chapter 1 introduces the broad context of the eighteenth-century Atlantic world in which Crispus Attucks lived, describes the events of the Boston Massacre, and assesses what we know about Attucks’s life. It also addresses some of the most widely known speculations and unsupported stories about Attucks’s life, experiences, and family. Much of what is assumed about Attucks today is drawn from a fictionalized juvenile biography from 1965, which was based largely on research in nineteenth-century sources. Attucks’s characterization as an unsavory outsider and a threat to the social order emerged during the soldiers’ trial. Subsequently, American Revolutionaries in Boston began the construction of a heroic Attucks as they used the memory of the massacre and all its victims to serve their own political agendas during the Revolution by portraying the victims as respectable, innocent citizens struck down by a tyrannical military power.


Author(s):  
Karen Ahlquist

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”


1934 ◽  
Vol 6 (3) ◽  
pp. 294-307
Author(s):  
Frank E. Manuel ◽  
Titus William Powers

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