Nguyễn Công Trứ at the court of Minh Mạng

2016 ◽  
Vol 47 (2) ◽  
pp. 255-280
Author(s):  
Keith W. Taylor

Nguyễn Công Trứ, poet and songwriter, was an official at the Vietnamese court in the early nineteenth century who gained acclaim for settling landless peasants on abandoned land. This essay recounts and analyses his family background and the early part of his public career. It contrasts his initiatives in the countryside with criticism of them by officials at the royal court and examines his first major demotion in 1831. This study encompasses the contrasting career of Hoàng Quýnh, the official whose accusation caused Nguyễn Công Trứ's demotion. From this we gain some understanding of how King Minh Mạng maintained control of the royal court, through a system of promotions and demotions, amidst regional tensions and personality conflicts.

2017 ◽  
Vol 10 (2) ◽  
pp. 129-157 ◽  
Author(s):  
Naofumi Abe

Abstract The middle of the eighteenth century reportedly witnessed the emergence of the new literary movement in Persian poetry, called the “bāzgasht-e adabi,” or literary return, which rejected the seventeenth-century mainstream Indian or tāza-guʾi style. This literary movement recently merits increased attention from many scholars who are interested in wider Persianate cultures. This article explores the reception of this movement in late eighteenth- and early nineteenth-century Iran and the role played by the Qajar royal court in it, mainly by the analysis of a specific sub-genre of tazkeras, called “royal-commissioned tazkeras,” which were produced from the reign of the second Qajar monarch Fath-ʿAli Shāh onward. A main focus will be on the reciprocal relationship between the court poets/literati and the shah, which presumably somehow affected our understanding of Persian literature today.


1970 ◽  
Vol 11 (3) ◽  
pp. 371-383 ◽  
Author(s):  
Donovan Williams

Many of the characteristic strains of African Nationalism in South Africa, as were manifest during its peak in the 1950s, may be traced back to the historical situation on the Eastern Frontier of the Cape Colony in the early nineteenth century. In the twentieth century, the Port Elizabeth–East London–Alice triangle remained a highly significant area for nationalist ideas and action, and this derived from the effects on the Xhosa of the Black–White confrontation which began here 150 years earlier. In the early part of the nineteenth century the fundamental competition for land and cattle led to White military and missionary actions which, coupled with the preaching of Christianity, promoted attitudes among the Xhosa which may be seen in all subsequent African Nationalism.


Slavic Review ◽  
1969 ◽  
Vol 28 (2) ◽  
pp. 209-220
Author(s):  
James T. Flynn

It is easy to ignore the career of Vasilii Nazarevich Karazin, and, indeed, most treatments of imperial Russia do so. When Karazin is mentioned, he is usually described as a rather ridiculous figure, the putative “Marquis Posa“ of Alexander I who had a spectacularly short public career, or simply as that “harebrained Ukrainian.“ Yet Karazin is hardly unknown; he is almost universally credited with being the founder of Kharkov University and is the subject of a number of works that picture him as an able, active public figure. The purpose of the present paper, however, is not to argue Karazin's importance or to decide whether or not he was “harebrained” but to explore his role in the foundation of Kharkov University as a useful case study of the relationship between the autocracy and the gentry in the early nineteenth century.


2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


2016 ◽  
Vol 43 (2) ◽  
pp. 191-207 ◽  
Author(s):  
Richard Mearns ◽  
Laurent Chevrier ◽  
Christophe Gouraud

In the early part of the nineteenth century the Dupont brothers ran separate natural history businesses in Paris. Relatively little is known about their early life but an investigation into the family history at Bayeux corrects Léonard Dupont's year of birth from 1795 to 1796. In 1818 Léonard joined Joseph Ritchie's expedition to North Africa to assist in collecting and preparing the discoveries but he did not get beyond Tripoli. After 15 months he came back to Paris with a small collection from Libya and Provence, and returned to Provence in 1821. While operating as a dealer-naturalist in Paris he published Traité de taxidermie (1823, 1827), developed a special interest in foreign birds and became well known for his anatomical models in coloured wax. Henry Dupont sold a range of natural history material and with his particular passion for beetles formed one of the finest collections in Europe; his best known publication is Monographie des Trachydérides (1836–1840). Because the brothers had overlapping interests and were rarely referred to by their forenames there has been confusion between them and the various eponyms that commemorate them. Although probably true, it would be an over-simplification to state that birds of this era named for Dupont refer to Léonard Dupont, insects to Henry Dupont, and molluscs to their mother.


2017 ◽  
Vol 10 (2) ◽  
pp. 197-216
Author(s):  
Sarah Irving-Stonebraker

Through an examination of the extensive papers, manuscripts and correspondence of American physician Benjamin Rush and his friends, this article argues that it is possible to map a network of Scottish-trained physicians in the late eighteenth and early nineteenth-century Atlantic world. These physicians, whose members included Benjamin Rush, John Redman, John Morgan, Adam Kuhn, and others, not only brought the Edinburgh model for medical pedagogy across the Atlantic, but also disseminated Scottish stadial theories of development, which they applied to their study of the natural history and medical practices of Native Americans and slaves. In doing so, these physicians developed theories about the relationship between civilization, historical progress and the practice of medicine. Exploring this network deepens our understanding of the transnational intellectual geography of the eighteenth and early nineteenth century British World. This article develops, in relation to Scotland, a current strand of scholarship that maps the colonial and global contexts of Enlightenment thought.


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