Subject and Object in Worship

1987 ◽  
Vol 23 (3) ◽  
pp. 367-375
Author(s):  
George D. Chryssides
Keyword(s):  
The Self ◽  
Objective Reality ◽  
Subject And Object ◽  
Models Of God

If God is not a person, what sense does it make to worship ‘it’? The problem of worship takes on a new aspect in the light of models of God which have recently been promulgated by certain philosophers and theologians – that God is ‘Being itself’, ‘the ground of our being’, ‘experienced non-objective reality’, an inspiring picture, a fictional entity in a religious story, a linguistic device for indicating the fundamentality of our perspective on life or ‘the self not yet become’.

James and Hume

2018 ◽  
Author(s):  
Yumiko Inukai
Keyword(s):  
Critical Point ◽  
The Self ◽  
Ordinary Sense ◽  
Discrete Elements ◽  
Temporal Continuity ◽  
The World ◽  
Subject And Object ◽  
Pure Experience ◽  
The Subject

James contends that the rejection of conjunctive relations in experience leads Hume to the empirically groundless notion of discrete elements of experience, which James takes as the critical point that differentiates his empiricism from Hume’s. In this chapter, I argue that James is not right about this: Hume not only allows but employs experienced conjunctive relations in his explanations for the generation of our naturally held beliefs about the self and the world. There are indeed striking similarities between their accounts: they both use the relations of resemblance, temporal continuity, constancy, coherence, and regularity, and the self. Also, objects are constructed out of basic elements in their systems—pure experience and perceptions, respectively. Although collapsing the inner and outer worlds of the subject and object into one world (of pure experience for James and of perceptions for Hume) may seem unintuitive, this is exactly what allows them to preserve our ordinary sense of our experiences of objects.

What Do We Mean “Human Experience”?

2017 ◽  
Author(s):  
Francisco J. Varela ◽  
Evan Thompson ◽  
Eleanor Rosch
Keyword(s):  
Cognitive Science ◽  
Human Activities ◽  
Mindfulness Meditation ◽  
Human Experience ◽  
The Self ◽  
Direct Experience ◽  
Phenomenological Philosophy ◽  
Buddhist Doctrine ◽  
Subject And Object ◽  
Human Embodiment

This chapter examines human experience. It is necessary to have a disciplined perspective on human experience that can enlarge the domain of cognitive science to include direct experience. Such a perspective already exists in the form of mindfulness/awareness meditation. Mindfulness/awareness practice, phenomenological philosophy, and science are human activities; each is an expression of human embodiment. The chapter then looks at the Buddhist method of examining experience called mindfulness meditation. Mindfulness/awareness meditation can provide a natural bridge between cognitive science and human experience. Particularly impressive is the convergence among some of the main themes of Buddhist doctrine, phenomenology, and cognitive science—themes concerning the self and the relation between subject and object.

scholarly journals The Dynamic Dialectic and the Eclectic Plaintive Rhythm in Bembeya Jazz’s, Black Beats Music

2021 ◽  
Vol 4 (2) ◽  
pp. 50-57
Author(s):  
Souleymane Diallo
Keyword(s):  
Structural Materials ◽  
Musical Instruments ◽  
Basic Component ◽  
The Self ◽  
Diagnostic Process ◽  
Time And Space ◽  
Objective Reality ◽  
Independent Music ◽  
Material Imagination ◽  
Artistic Image

The foremost line of the post-independent music evolves especially, from a simple to a more compound whole within the understanding of convention of representation and the association of experience become structural materials. Thereby, the basic component of conventional imagery, and the colonialist dynamic straightforward influences frame a new idiosyncratic type that evaluates the establishment of realty, memory and symbol. Correspondingly, through the foundation of intellectual and artistic image, the commensurate imagination of the musical nationalism schedule moves afar unconscious and insensate sensitivity. Indeed, the cultural and artistic body of the Bembeya Jazz and the Black Beats Band deconstruct the colonialist conventional perception of productivity; then, through extensive collective relation with their time and space, their nationalistic music exhibits boundaries of cross-examination regarding the realm of recombination, reconciliation and re-appropriation. Within the respect of material imagination and objective reality, verbal text, and contemporary Western musical instruments become the developing artistic cosmos within a new social and linguistic narrative is structured. Hence, the commitment of this article stands as a diagnostic process within we try to grasp the rapport of the indigenous value of imagination and the transcontinental stylistic effects inside the historio-context of redefining the self, sociolinguistic reflectivity, and perceptive sensibility in post-independent era.

scholarly journals The Warren Commission, Postmodernity and the Rise of Conspiratorial Thinking in America

2019 ◽  
Vol 10 (2) ◽  
Author(s):  
Emily Lobo
Keyword(s):  
The Self ◽  
Conspiracy Theory ◽  
Objective Reality ◽  
Media Technologies ◽  
The Past ◽  
The Enlightenment ◽  
The World ◽  
The 1960S ◽  
The Individual ◽  
Local Narratives

The era of post-modernity has completely changed the way that we see, recognize and question the world, and what we accept to be true. During and after the 1960s many witnessed the rise of a greater multiplicity of local narratives. Prior to this, the grand narratives of the past, such as religion, the Enlightenment, and science were taken as whole, singular truths. However, such metanarratives tend to ignore the individual experiences that do not fit neatly into categories constructed by major institutional authorities. This disconnection from the personal pushed more people to doubt, in favour of the narrative(s) where the Self is visible and heard. It can be argued that this revolution in thought, and meaning and narrative-making in America grew after the assassination of President John F. Kennedy in 1963. By examining Jean-Francois Lyotard’s theory of postmodernity, and those who expanded on his ideas, we can highlight how the assassination of JFK marked the onset and rise of the postmodern conspiracy theory. This includes the deconstruction of trust, the breakdown of “objective” reality and identity markers as well as the use of new mass media technologies, such as the film camera and the television.

Self and Nature in Heidegger

2018 ◽  
Vol 48 (2) ◽  
pp. 175-196
Author(s):  
Paolo Diego Bubbio
Keyword(s):  
Blind Spot ◽  
The Self ◽  
Subject And Object ◽  
Three Stages ◽  
The Way ◽  
Three Phases

Abstract This article provides an analysis of the development of the notions of “self” and “nature” through three stages of Heidegger’s thought. The main contention is that Heidegger’s conceptions of the self and nature are indissolubly connected to each other, and that such connection appears through three concerns that represent important elements of continuity: 1) the “irreducibility of the self,” conceived in a non-subjectivist way; 2) the recovery of a non-objectivist “originary” account of nature; 3) the overall commitment to the overcoming of the polarization between subject and object. I argue that there is a parallelism in the way self and nature are addressed in each of the three phases; and that the transformations of the notions are functional to the project of addressing the concerns mentioned earlier. I conclude by addressing the “violence of nature,” which remains a “blind spot” in the philosophy of the later Heidegger.

scholarly journals Is Imagination Fundamental? on the Issue of the Genesis of Subjectivity

2019 ◽  
Vol 9 (1) ◽  
pp. 5081-5085
Keyword(s):  
Two Dimensions ◽  
The Self ◽  
The Other ◽  
Dialectical Method ◽  
Types Of Knowledge ◽  
Subject And Object ◽  
The Subject ◽  
The Difference ◽  
The One ◽  
The Relationship

Based on the issue of the genesis of subjectivity, the authors of the article turn to the Hegelian model, which captures the two-sided and fundamentally changeable nature of the relationship between subject and object. The article substantiates the idea that imagination, being considered outside of the context of psychologization or reduction of it only to the reproductive aspect, is a source of binary differences fundamental to philosophical thought. Following Hegel’s dialectical method, the authors note that the presence of the image already indicates the difference between the two dimensions of consciousness and knowledge. The image expresses the primary truth of substance and, at the same time, the way it is subjectively given. There is a differentiation of the subjective moment of Being with the realization of fantasy. All formations of Spirit are interpretations of the figurative series, primal scenes, the analog of which was studied by classical psychoanalysis. From this perspective, the genesis of such subjective modes as consciousness, self-consciousness and mind inevitably includes symbolization, interpretation of the "Self" images, cognizing, willing and acting in various situations and contexts. The study of the concepts developed by Hegel, Kennouche, Verene and Merleau-Ponty allows concluding about two arguments in favor of the fundamentality of imagination. This refers, on the one hand, to subjective imagination that generates meanings and the need for their interpretation and, on the other hand, to the initial form of synthesis, on the basis of which, the subject and object of cognition, formations of consciousness and types of knowledge characteristic of them are further distinguished. The image, being the first meeting of the concrete and universal, is capable of setting the plot of one or another form of subjectivity.

scholarly journals Self portrait on both sides of Cartesian gap

2011 ◽  
Vol 54 (3) ◽  
pp. 87-98
Author(s):  
Iva Draskic-Vicanovic
Keyword(s):  
The Self ◽  
Subject And Object ◽  
Philosophical Importance

The article presents an analysis of philosophical importance of the self-portrait, an artefact which has been treated as an ego - document par excellence, document of selfawareness. The self-portrait is a product of specific artificial process that means selfpresentation, self-creation and self-investigation in the same time. That process is a way of visual self-identification and self-constitution and that kind of creation forces an author, subject of visualization, to try to stand on both sides of the Cartesian gap - being to himself both subject and object in the same time.

scholarly journals THE SIMPLICITY OF SELF-KNOWLEDGE AFTER AVICENNA

2018 ◽  
Vol 28 (2) ◽  
pp. 257-277 ◽  
Author(s):  
Peter Adamson
Keyword(s):  
The Self ◽  
Central Problem ◽  
Wide Range ◽  
Subject And Object ◽  
The Subject ◽  
Self Knowledge ◽  
Object Of Knowledge

AbstractAlongside his much-discussed theory that humans are permanently, if only tacitly, self-aware, Avicenna proposed that in actively conscious self-knowers the subject and object of thought are identical. He applies to both humans and God the slogan that the self-knower is “intellect, intellecting, and object of intellection (‘aql, ‘āqil, ma‘qūl)”. This paper examines reactions to this idea in the Islamic East from the 12th-13th centuries. A wide range of philosophers such as Abū l-Barakāt al-Baghdādī, Faḫr al-Dīn al-Rāzī, al-Šahrastānī, Šaraf al-Dīn al-Mas‘ūdī, al-Abharī, al-Āmidī, and Naṣīr al-Dīn al-Ṭūsī raised and countered objections to Avicenna's position. One central problem was that on widely accepted definitions of knowledge – according to which knowledge is representational or consists in a relation – it seems impossible for the subject and object of knowledge to be the same. Responses to this difficulty included the idea that a self-knower is “present” to itself, or that here subject and object are different only in “aspect (i‘tibār)”.

GOD BOTHERING BECKETT

2020 ◽  
Author(s):  
Christopher Conti
Keyword(s):  
The Self ◽  
Subject And Object ◽  
The Absolute

Abstract In this article I consider the bearing of theology on Samuel Beckett’s work in terms of what he called ‘the shape’ of the idea. At the heart of Beckett’s negative aesthetic program is the relation of art to truth. The Beckettian subject and object are the remnants of a denarration that foregrounds the pains his narrators endure on their quest for aseity or inexistence. The narrative struggle to tell a story that cannot be told without falsifying it entails a relation to the absolute centring on the experience of incomprehensibility and pain. In Beckett, God can no more come to expression than the self, making the connection between the two impossibilities all but inescapable.  

scholarly journals Shame and State of The Self and Its Implications for Technique

2021 ◽  
Vol 2 (3) ◽  
Author(s):  
Walter Ricci
Keyword(s):  
The State ◽  
The Self ◽  
Rapid Variation ◽  
Subject And Object ◽  
The Subject

  The author reflects on the vicissitudes of the state of the self as it unfolds during the analytical encounter. He delineates the presence and the ubiquity of shame during the interaction between patient and analyst. An important mention is given to the concept of the subject and object polarity. As such, special emphasis is given to the rapid variation of the state of the self. This requires dedicated attention to the state of the self and its awareness, regarding how invalidating shame is to both members of the dyad during their exchanges. The outcome of this attention will be the resulting lack of emotional attunement or validation during the exchange.

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