The Light and the Dark: contrasts in the Music of Jacob Druckman

Tempo ◽  
1994 ◽  
pp. 21-26
Author(s):  
Bret Johnson

Among established American composers, Jacob Druckman's music remains unique in the breadth of its range, the mastery of its orchestration and the totality of its expressive power. There is little point in spending too much effort in drawing comparisons with some of his closest contemporaries and, in any event, such comparisons are hard to come by. He has had a remarkable career: as an academic, as composer-in-residence to the New York Philharmonic, as a conductor (he has conducted a number of his works with the BBC Philharmonic), as artistic director of many festivals, and as lecturer and administrator. He now devotes as much times as he can to composing, but whatever the future brings, there can be little doubt that he has already made a major contribution to the growth and development of 20th-century music.

10.34690/26 ◽  
2019 ◽  
pp. 170-189
Author(s):  
А.С. Максимова

Исследовательским материалом статьи послужили письма Н. Слонимского к В. Дукельскому из Коллекции Вернона Дюка Библиотеки Конгресса США. Впервые публикуются фрагменты писем с 1937 по 1969 год, в которых Н. Слонимский высказывался о музыкальной жизни ХХ века. Кратко освещена история знакомства (1918) и общения Н. Слонимского и В. Дукельского. Тема избранной для статьи переписки - судьбы профессии композитора в США, включая взаимоотношения композитора и дирижера, проблему творческого успеха. В статье освещены некоторые подробности визита Слонимского в СССР. The research material of the article comprise Nicolas Slonimskys letters to Vladimir Dukelsky from the Vernon Duke Collection of the Library of Congress (USA). Large fragments from the letters of 1937 to 1969 which contain Slonimskys thoughts on the 20th century music are being quoted for the first time. The author briefly observes the history of the two musicians acquaintance (1918) and contacts. The correspondence selected for the article embraces such topics as: the profession of composer in the USA, arrangements between composers and conductors, and a problem of public success. The article also contains some details on Slonimskys visit to the USSR.


Ridley Scott ◽  
2019 ◽  
pp. 78-83
Author(s):  
Vincent LoBrutto

In the Orwellian year of 1984, during Super Bowl XVIII, a commercial for Apple’s Mackintosh computer ran and became one of the most eye-catching and provocative sixty-second spots ever made. It was never shown again on television. As directed by Ridley Scott, the commercial portrays the grim world of the future dominated by Big Brother until a beautiful, athletic woman liberates everyone. For his next feature film Scott embraced the fantasy genre with Legend, a good versus evil tale set it a mythical land. Disaster hit the production when the entire elaborate set burned down. Miraculously, no one was injured, and the fairy tale environment was quickly rebuilt. The original version of Legend did poorly in front of test audiences and Scott cut it down radically, which hurt the film even more at the box office. In 1986 Ridley Scott Associates was expanded with the addition of a New York office, with more to come in the future.


Tempo ◽  
1992 ◽  
pp. 10-18
Author(s):  
Louis Blois

In the atlas of Soviet music, many roads lead to and from Shostakovich. A New York Continuum conceit last year drew attention to an intriguing and little known thematic connexion between Shostakovich and his fellow composer Galina Ustvolskaya (born 1919). The works of this composer shared the program with those of Ruth Crawford Seeger and Grazyna Bacewicz under the banner ‘Three Women Pioneers.’ Each was among the first women in their country to have forged an original and distinguished body of work from the resources of 20th-century music.


1967 ◽  
Vol 2 ◽  
pp. 63-88
Author(s):  
Åke Ström
Keyword(s):  

In point of principle, Christianity does not give room for any belief in fate. Astrology, horoscopes, divination, etc., are strictly rejected. Belief in fate never disappeared in Christian countries, nor did it in Scandinavia in Christian times. Especially in folklore we can find it at any period:  People believed in an implacable fate. All folklore is filled up with this belief in destiny. Nobody can escape his fate. The future lies in the hands of fate, and the time to come takes its form according to inscrutable laws. The pre-Christian period in Scandinavia, dominated by pagan Norse religion, and the secularized epoch of the 20th century, however, show more distinctive and more widespread beliefs in fate than does the Christian period. The present paper makes a comparison between these forms of belief.


2011 ◽  
pp. 489-496
Author(s):  
Ted Becker

Up until very recent times in Western political philosophy, theory, science, and discourse, the words predominantly used to describe the democratic pole of Aristotle’s political continuum were direct democracy, indirect democracy, social democracy, and, in Aristotelian terms, republic or representative democracy. The latter half of the 20th century, however, saw dramatic changes in democracy around the world in its spread, variation in form, and in the use of the word. In fact, there have been a number of books in recent years that have discussed a wide array of models or degrees of democracy (Held, 1996; Sartori, 1987). Phrases such as participatory democracy, managed democracy, strong democracy (Barber, 1984), and semidirect democracy (Toffler & Toffler, 1994) are just some of the clusters of terms now used to define particular kinds of democracy that exist or are theorized to be better forms of it. Also, as the 20th century drew toward a close, there was a virtual consensus among Western political scientists that a potentially dangerous schism has grown between the citizens of both representative and social democracies and their governing elites. Indicators of such are public-opinion polls that manifest an increasing discontent with the political class and politicians (usually termed alienation) and a general decline in voter turnout (albeit with occasional upticks). Most of this dissatisfaction with, or alienation from, various forms of representative democracy is considered to be due to the growth of the influence of those who lavish large sums of money on the public’s representatives in these political systems. Another widely perceived cause of this gap between the people and their governments is the inertia of bloated, entrenched bureaucracies and their failure to acknowledge the wishes of the general public in policy implementation. Both of these phenomena seem to be present in all modern, industrialized, representative democracies, and they even seem to become manifest in the youngest, least industrialized countries as well. For example, in the fall of 2004, Cerkez-Robinson (2004) reported that the turnout in the Bosnian national election had fallen precipitously because most Bosnians are tired of repeated fruitless elections. As this complex problem in modern representative democracies seems to have become systemic, a potential technological solution has also come upon the scene. This involves the previously unimaginable proliferation of information and communications technologies of the late 20th century and early 21st century. This new and rich mixture of rapid, electronic, interactive communications has been seen by many political thinkers and actors as an excellent medium by which to close the gap between the people of representative democracies and their elected and administrative officials. This has led to a plethora of new adjectives and letters to prefix the word democracy, each referring to some theoretical or experimentally tested improvement in the present and future forms and practices of both direct and/or indirect democracy using ICTs. Thus, in the past decade or so of reinventing government (Osborne & Gaebler, 1992), we have come to learn of such new ideas and ideals of democracy as electronic democracy (or e-democracy), digital democracy, cyberdemocracy, e-government, and teledemocracy (Becker, 1981; this listing is far from exhaustive.) Taken together, they demonstrate that the future of democracy around the world is in flux, that there is a broadly perceived need by those in and outside government for some changes that will ultimately benefit the general public in various aspects of governance, and that these new technologies are seen by many as part of the solution. As alluded to above, there are numerous experiments and projects along these lines that have been completed, many are in progress, and there are multitudes to come that probably will be a part of any such transformation in the future of democracy on this planet.


Latin Jazz ◽  
2020 ◽  
pp. 141-174
Author(s):  
Christopher Washburne

This chapter is an ethnographic study of New York–based Latin jazz in the twenty-first century. It uses five prominent bandleaders actively shaping the future of Latin jazz as case studies—Eddie Palmieri, Michele Rosewoman, Carlos Henríquez, Miguel Zenón, and Bobby Sanabria—demonstrating how the historical specificities and developments discussed in the preceding chapters continue to reverberate and inform the music made in the present. Their voices and perspectives demonstrate how each of these musicians adopts unique strategies to navigate the terrain of inequity and adversity. They represent significant trends that will assert much influence on generations of musicians to come. Their combined perspectives suggest that Latin jazz is not, nor ever should it have been, an “other jazz.” Its presence can no longer be silenced or erased. All of the music and musicians associated with jazz deserve to be fully embraced and recognized.


2021 ◽  
pp. 108128652110220
Author(s):  
Isaac Elishakoff

This paper reproduces the translation of letters sent by Stephen P. Timoshenko—well known specialist in elasticity, vibrations, stability, and structures, in the 20th century—to his colleague Vladimir I. Vernadsky. Letters originated from the USA where Timoshenko resided at the time, and were directed to France, where Vernadsky was working while also looking to come to the USA having left Russia after the Bolshevik Revolution. By a twist of fate, these letters turned out to be housed at the Library of Columbia University, in New York City. This happened since the first five letters were acquired by Bakhmeteff Archive at Columbia University where Boris Bakhmeteff, formerly the Ambassador of the Russian Provisional Government to the USA, was employed as a professor of civil engineering during the years 1931–1951. Timoshenko could not have imagined that these private and candid letters would be available for public viewing at the library, and especially, in the country that he criticized harshly. Each letter is accompanied with a discussion. It appears that these letters shed some light on Timoshenko’s personality in addition to what can be inferred by reading his autobiography As I Remember. The motivation of this study is two-fold: (a) to bring to the attention of readers the translations of letters of S.P. Timoshenko, addressed to V.I. Vernadsky, and to provide (b) discussion on his attitudes, on the one hand, to the Jews, and anti-Semitism in the USA as compared with Ukraine, and on the other, to the USA.


2019 ◽  
pp. 103-112
Author(s):  
Başak Aray

Sylvia Pankhurst was a pioneering figure of socialist feminism who advocated for universal suffrage and against war. Less well-known is her involvement in the movement for an international auxiliary language. In 1927, Pankhurst published a booklet, Delphos. The Future of International Language, where she described the growing need for a world auxiliary language and her support for Interlingua (Latino sine flexione). A biographically informed study of Delphos shows the modernist, cosmopolitan and democratic vocation of the international auxiliary language movement in the early 20th century. Pankhurst’s views on the motivation and principles of an interlanguage-to-come were widely shared by the international auxiliary language community. We present her support for Interlingua as an example of the scientific humanism that dominated the beginnings of interlinguistics, and relate her language activism to her socialist and pacifist stands.


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