Citrus Diseases Exotic to Florida: Citrus Tristeza Virus–Stem Pitting (CTV-SP)

This document is one in a series designed to provide important information on the causal agent, symptoms, and transmission of exotic citrus diseases. This information can be used as an educational tool to raise awareness about these diseases and for scouting and identification efforts. Disseminating information about the diseases to the citrus industry may prevent their introduction and spread in Florida. This document will focus on the exotic viral disease caused by isolates of citrus tristeza virus–stem pitting (CTV-SP). Original version: Chung, Kuang-Ren, and Ronald Brlansky. 2006. “Citrus Diseases Exotic to Florida: Citrus Tristeza Virus– Stem Pitting (CTV-SP)”. EDIS 2006 (7). https://doi.org/10.32473/edis-pp149-2006.

Starting the Garden with Transplants

In the spring and fall, carefully prepared trays of young vegetable plants grace garden centers everywhere, signaling the start of garden season. Many times, the varieties available in retail centers are not the best-tasting or best-adapted varieties for our area. Starting your own vegetable transplants is fun and easy. This publication provides considerations and best practices for selecting the best crops to transplant and how to prepare transplants for home and community gardens in Florida. Original version: Stephens, James M. (1994) Starting the Garden with Transplants. Fact Sheet HS-507, April 1994. Florida Cooperative Extension Service, Gainesville, FL

The ICECAP-O Measure

This chapter presents the ICECAP-O, a measure of capability tailored for older people. It briefly presents the original version of the ICECAP-O. In addition, it describes the work that has been done concerning the translation and cross-cultural adaptation of the ICECAP-O to the Swedish context. Finally, the chapter contains arguments for the use of the Swedish version of the ICECAP-O in health and social care, and in the evaluation of interventions and longitudinal research studies where older people’s capabilities are a focus.

Ryuji Kunimatsu Guitar Arrangement on the Oblivion by Astor Piazzolla: A Critical Analysis

This study examined the characteristics of Kunimatsu’s guitar arrangements in Astor Piazzolla’s Oblivion by comparing aspects of musical form, melody, and harmony. As with other arrangements’ performances, the primary motif of Astor Piazzola’sOblivion melodic theme in Kunimatsu guitar arrangement has always been played differently from the original version. This performance phenomenon could responsibly risk blurring the identification of structural boundaries within its musical form. The purpose of this study is to prove the basic construction of Oblivion melody, including its form structure and rhythmic characteristics, by comparing Kunimatsu’s arrangements against the composer’s original score. This study uses musicological research methods. The approaches applied in studying this work are analytical, theoretical, and comparative. This study compares the two data to reveal the musical forms and the differences in the primary motive rhythmic characteristics. The results of this study are findings of the Oblivion musical forms in both publications and the differences in primary motives rhythmic patterns in both sources. The difference in musical form is impressive, possibly caused by the insertion of auxiliary members. As a result, Kunamitsu arrangement includes using the two-part song form, originally a three-part song form. With the revelation of the original melodic structure that is clear from the results of this study, the musicians who will present the Oblivion will at least have the essential reference in their interpretation. This research contributes to expanding studies in classical guitar performance and musical forms and new approaches in textual musicological analysis that are still infrequent.

Spin(7) orientifolds and 2d $$ \mathcal{N} $$ = (0, 1) triality

We present a new, geometric perspective on the recently proposed triality of 2d $$ \mathcal{N} $$ N = (0, 1) gauge theories, based on its engineering in terms of D1-branes probing Spin(7) orientifolds. In this context, triality translates into the fact that multiple gauge theories correspond to the same underlying orientifold. We show how Spin(7) orientifolds based on a particular involution, which we call the universal involution, give rise to precisely the original version of $$ \mathcal{N} $$ N = (0, 1) triality. Interestingly, our work also shows that the space of possibilities is significantly richer. Indeed, general Spin(7) orientifolds extend triality to theories that can be regarded as consisting of coupled $$ \mathcal{N} $$ N = (0, 2) and (0, 1) sectors. The geometric construction of 2d gauge theories in terms of D1-branes at singularities therefore leads to extensions of triality that interpolate between the pure $$ \mathcal{N} $$ N = (0, 2) and (0, 1) cases.

ГЕНЕЗА ДУМИ ПРО БРИТАНКУ ЮРІЯ ЯНОВСЬКОГО В КОНТЕКСТІ ТРАДИЦІЙ РАДЯНСЬКОЇ ДРАМАТУРГІЇ

The specificity of this article is the consideration not only of the completed text entitled A Duma about Brytanka, but also of the play-forming and creating process, which became possible due to the presence of drafts and draft notes to the work. Therefore, this study is conducted not only in along the lines of literary theory, but also textology. The relevance of the study is that the view from above allows us to comprehend, or even rethink, the play A Duma about Brytanka in the context of the author’s work and also in the context of the Soviet drama landscape in general. Understanding and rethinking the work of predecessors is an important process for comprehending the development of literature as a general process and its development within the national borders. The aim of the study at hand is to determine how the realities of the time and especially the accepted literary trend and historical events influenced the formation of the text of the play. The results of the study show that the original idea of A Duma about Brytanka had much more romantic features, as romanticism as a style of thinking was inherent for Yuri Yanovskyi. However, in the process of creating the play, the author began to rely on the documents that showed the real case of the social republic. The author abandoned the original version and completed the play so that it became much closer to the Soviet canon than to romanticism.

Is entrepreneurship an emerging area of research? A computational response

Objective: We aim to answer four questions. First, with the increasing number of publications, is there a concentration in specific subjects, or on the contrary, a dispersion, amplifying the span of themes related to entrepreneurship? Second, is there a hierarchy of subjects, in the sense that some of them constitute the “core” of entrepreneurship? Third, are they connected with other established research areas? Finally, it is possible to identify papers that are influential, acting as hubs in the cluster’s formation? Method: We developed an original version of the computational procedure proposed by Shibata et al (2008), which allows us to understand the diversity of the different sub-areas of the topic investigated, reducing the need for specialist supervision. Originality / Relevance: We developed and applied a method to capture the formation and evolution of research areas in entrepreneurship literature, via direct citation networks, allowing us to understand the iteration between the different research sub-areas. Results: The dispersion is a feature of entrepreneurship as field research, with a hierarchy between research areas, indicating an emergent organization in the expansion processes. We concluded that research on entrepreneurship consists of specialization, that is, by application in niches.

Doctors, Drugs, and Danger

Scholarship on young adult (YA) literature has long attended to the interrelationship of power, ideology, and narrative. Drawing on this scholarship, we examined a nonfiction text about the opiate epidemic. Using critical comparative content analysis (CCCA), our study examined differences in Dreamland (the original version) and Dreamland (the young adult adaptation) to better understand the changing nature of textual representation when youth become the imagined audience. We found that in the youth adaptation of Dreamland, the implied youth reader is (a) provided less information about the opiate epidemic, which is also delivered in a simpler structure; (b) kept at a greater rhetorical distance from people who might be deemed unsavory, and (c) given a more optimistic view of the opiate epidemic in terms of progress achieved rather than action needed. The youth adaptation of Dreamland, therefore, positions youth as needing simplicity, protection, and a sense of optimism. Our analysis demonstrates how the implied youth reader is a textual byproduct of discourses of adolescence/ts. As youth adaptations continue their prominence in the YA marketplace, scholars and teachers should critically engage how youth are positioned as readers and thinkers by the YA publishing industry. Next steps involve additional studies that focus on the implied (youth) reader through CCCA and studies that involve middle and secondary education students, the real readers of these texts. This study is supplemented by an interview with Sam Quinones, the author of the original version of Dreamland.

„Duma i uprzedzenie i zombi” Setha Grahame-Smitha i Jane Austen jako popkulturowy recykling kanonu

The article discusses the film adaptation of Pride and Prejudice and Zombies, which is a reference to Jane Austen’s novel, and the problem of zombie characters as a factor modifying the reality of its original version. The analysis was carried out with reference to the plot design of the film, the way of creating heroes and the costumes within the framework of a costume movie in which the story was embedded. The aim of the article is to identify the causes and consequences of introducing undead characters to the world created by Jane Austen. The reasons for this treatment were the popularity of the zombie motif in popular culture, the tendencies to experiment with the reinterpretation of works considered classic and repeatedly processed earlier into the language of cinema, as well as an attempt to adapt them to the requirements of a contemporary recipient seeking strong impressions. In addition, the world of zombies is a manifestation of the popular aspirations to achieve an economic profit. Consequences of completing the world with the undead epidemic theme include changes in the current social order, brutalization and sexualization of relations between characters, as well as a return to the traditional film narration about women, presented primarily as aesthetic objects and a source of interest for male characters.

Correction: Mahler et al. Preservice Biology Teachers’ Scientific Reasoning Skills and Beliefs about Nature of Science: How Do They Develop and Is There a Mutual Relationship during the Development? Educ. Sci. 2021, 11, 558

In the original version of the paper [...]