ELECTROACOUSTIC VOICES: SOUNDS QUEER, AND WHY IT MATTERS

Tempo ◽  
2017 ◽  
Vol 71 (280) ◽  
pp. 68-79 ◽  
Author(s):  
Alexa Woloshyn

AbstractQueer processes abound in fixed media electroacoustic music with voice, in both the composition and listening processes. ‘Queer’ means transgressive, unstable, and disruptive, and queer processes break down restrictive traditional binaries. In this article, I name the queer where some may have thought it does not or could not exist, in well-known works by Berio, Stockhausen and Lucier, as well as lesser-known works by Truax, Normandeau and Westerkamp. Any claim to the queer in these electroacoustic works is inherently political because the core of the term's meaning is to disrupt and perturb the status quo, which is maintained by existing power structures. I outline how composers unsettle the gendered voice and exploit its mediating role between the body and language. Studio manipulation is further enhanced by the acousmatic listening context, which is intimate and unsettling (‘queer’), and can depict the ‘third space’ between the bodies of the voice and listener.

2019 ◽  
Vol 20 (1) ◽  
Author(s):  
Anuj Bhowmik ◽  
Maria Gabriella Graziano

AbstractThis paper analyses two properties of the core in a two-period exchange economy under uncertainty: the veto power of arbitrary sized coalitions; and coalitional fairness of core allocations. We study these properties in relation to classical (static) and sequential (dynamic) core notions and apply our results to asset markets and asymmetric information models. We develop a formal setting where consumption sets have no lower bound and impose a series of general restrictions on the first period trades of each agent. All our results are applications of the same lemma about improvements to an allocation that is either non-core or non-coalitionally fair. Roughly speaking, the lemma states that if all the members of a coalition achieve a better allocation in some way (for instance, by blocking the status quo allocation or because they envy the net trade of other coalitions) then an alternative improvement can be obtained through a perturbation of the initial improvement.


2019 ◽  
Vol 35 (3) ◽  
pp. 367-390 ◽  
Author(s):  
Jurgen Poesche

The objective of this article is to contribute to the development of a common narrative on coloniality in Sub-Saharan Africa and the Americas. Since scholars tend to focus on either Sub-Saharan Africa or the Americas, a gap between these important regions has emerged in the literature on coloniality. This article seeks to bridge this gap by providing a comparative perspective on coloniality, and this hopefully will enhance Indigenous African nations’ and Indigenous American nations’ understanding of what needs to be done to overcome coloniality. The article explores three key theses. First, in spite of the differences in the extant societal power structures in the postcolonial African states and the former settler colonial states in the Americas, this article argues that the continued dynamics of coloniality are similar in Sub-Saharan Africa and the Americas. The minority status of Indigenous American nations throughout the Americas renders addressing coloniality more challenging than in Sub-Saharan Africa where Indigenous African nations are in the majority although they generally do not have effective sovereignty. Second, the extant societal power structures associated with both coloniality and occidental modernity have weaponized occidental jurisprudence, natural science and social science to defend and proliferate the status quo assisted by state sovereignty. Addressing coloniality effectively therefore requires a renaissance of Indigenous African and Indigenous American cosmovisions unaffected by modernity. Third, addressing coloniality in Sub-Saharan Africa and the Americas requires the recognition of the comprehensive and supreme sovereignty of the Indigenous African nations in all of Sub-Saharan Africa, and Indigenous American nations in all of the Americas.


2017 ◽  
Vol 1 (3) ◽  
pp. 146
Author(s):  
Kittiphong Praphan

<p>Diasporic literature functions as an important source which provides the social contexts of the home countries of its authors. Carlos Bulosan’s 'America is in the Heart' and Pira Sudham’s 'Monsoon Country' are among this group of literature representing the voice of the oppressed and exploited farmers in the Philippines and Thailand, respectively home of the authors. The farmers are represented as being exploited by those in power, including colonizers, local officials, landlords, and middlemen. The exploiters can be seen as capitalists who accumulate wealth through the labor and the property of farmers. In their methods of oppression the oppressors employ State Apparatuses and Ideological State Apparatuses to maintain the status quo and reproduce the exploitative system. To transcend the oppression and exploitation, the major characters of the books struggle to obtain education, since they view that ignorance is the most important cause of the exploitation. Education is seen as the only way to eliminate ignorance and liberate themselves as well as their people from the exploitative cycle. 'America Is in the Heart' and 'Monsoon Country' represent the voice of the farmers in the Philippines and Thailand who condemn their exploiters and raise readers’ awareness of the problem.</p><p> </p><p><strong>Keywords: </strong><em>diasporic literature, oppression and exploitation, education, voice</em></p>


2021 ◽  
Vol 8 ◽  
Author(s):  
Iona Heath ◽  
Anna Stavdal ◽  
Johann Agust Sigurdsson

As doctors, we see every working day the pervasive effects of different forms of structural violence and discrimination that undermine the hopes and aspirations of those on the losing side. This leads to powerlessness, fear and anger. Anger is not only forward facing but also directed toward, systems, institutions, governments—rather than individuals. At its best it is a protest against the status quo. We point out that leadership is one of the core values of our professionalism. In the light of what we see and hear, we have a responsibility to use the anger that this engenders within us to speak truth to power: this speaking is leadership. Our message is: feel the fear and the anger, use it to change the world, and enfold leadership in hope and the pursuit of justice.


2021 ◽  
Author(s):  
Alicia Chantelle VanDeWeghe

Tracey Emin's My Bed (1998) presents an alternative representation to normative notions of the body, offending hegemonic propriety so greatly that it caused a tabloid media sensation when it was shortlisted for the 1999 Turner Prize. Emin applies certain feminist notions as she continues the motif of the reclining nude, offering semiotic gestures that indicate evidence of the body rather that the body itself. My Bed is the site of trauma and disgust, with all of the abjection left intact, and above all, a self expressionist piece documenting her personal trauma. The expressionist qualities harkens back to cultural discourse of hysteria, reinforcing the legitimacy of the feminist lens. Hysteria is a performance that Emin represents through confessing her traumatic history. Like the archetypal reality television star, she confesses personal emotions and histories, but breaks the status quo by offering an alternative representation with the abjected authenticity of the bed.


Suicide in the forms of martyrdom, self-sacrifice, and self-immolation is mired in controversies regarding religious roots, nomenclature, motives, and valor. Although the admiration ebbs and flows, at least some idealization of such elective deaths is discernible in every religious tradition treated in this volume. Traditional support ranges from tales of ascetic heroes who conquer personal passions to save others by dying, to tales of righteous warriors who suffer and die valiantly while challenging the status quo. While the lionization of elective death is a persistent theme in world religions, just as persistent are disputes about the core notions that justify it, such as altruism, heroism, and religion itself. This volume offers critical analyses by renowned scholars with the literary and historical tools to tackle the contested issue of religiously sanctioned suicide. Three chapters treat contemporary phenomena with disputed classical roots (chapters on Salafist Jihadists, on the Liberation Tigers of Tamil Elam, and on the Branch Davidians and Heavens' Gate), while eleven focus on classical religious literatures which variously celebrate and disparage figures who invite self-harm to the point of corporeal death (chapters on Jewish, Christian, Islamic, Sikh, Tamil, Hindu, Jain, Buddhist, and Daoist traditions, as well as on their diverse branches and special expressions). Overall, the volume offers astute scholarly insights which counter the axiom that religious traditions simply and always embrace life at any cost.


2021 ◽  
Vol 66 (4) ◽  
pp. 161-171
Author(s):  
Iulia Bobăilă ◽  

Ecocritical Perspectives and Narrative Tensions in Belén Gopegui’s Snow White’s Father. The relationship between literature and ecology has come to the fore in the last few decades and has encompassed several dimensions approached within the evolving framework of ecocriticism. In this context, our purpose is twofold: to explore the possibilities of an ecocritical reading of Belén Gopegui’s novel Snow White’s Father and to highlight the way in which the characters’ uncomfortable questions, the fully-articulated answers and those still latent make up an intricate network of narrative tensions. At the core of the novel lies an all-pervading need of self-questioning and collective reassessment of values, interactions and ethical limits. Its characters are marked by doubt and hesitations regarding the reasons that make them strive for a change or defend the status quo they are fond of. Gopegui is able to perform a delicately-balanced walk on a tightrope between stern anti-capitalist principles and complex human motivations. Keywords: system, ideology, capitalism, ecocriticism, collective subject


2012 ◽  
Vol 253-255 ◽  
pp. 2231-2236
Author(s):  
Rong Yi Niu ◽  
Xiao Yan Yin ◽  
Ming Yu Zhao

Basing on the status quo of the development of electric vehicle and electric vehicle’s Charging/battery swap infrastructure, Discussion and analysis is made with focus on the battery swap mode and it’s practising method of electric passenger car. According to the body structure of different types of electric passenger car and the Situation that the battery pack is equipped with, Electric passenger car are divided into two types: chassis battery type and battery rear-equipped type. Respectively, analyzed the battery swap mode for the two types of electric passenger cars; And two feasible battery swap projects are advanced , analysed and compared.Then pointed out the difficulties and problems with the construction of the battery swap station for electric passenger car; Finally, suggestions and methods to solve the problems were offered.


2019 ◽  
Author(s):  
Susanne Walzer

The work organisation model of crowdwork almost paradigmatically stands for "work 4.0". Networking and digitalisation accelerate the already-existing tendency towards an "escape from the restrictions of German employment law", away from hierarchy and back to the market. The thesis addresses the disruptive dimension of this development and asks for adequate protection for crowdworkers. The protection of crowdworkers is examined on the basis of the leading German crowdwork platforms. As a first step, the thesis provides an overview of the fundamentals, as well as the factual and legal framework of crowdwork. Subsequently, it assesses the general terms and conditions of the platforms examined on the basis of general civil and commercial law. The core elements of the thesis are the analysis of the status quo of employment law protection de lege lata, as well as the examination whether and to what extent the legal protection for this form of employment can and must be extended de lege ferenda.


2019 ◽  
Vol 93 (1-2) ◽  
pp. 5-40
Author(s):  
Jennifer L. Lambe

Abstract Antonio Maceo Grajales (1845–1896) is one of the most celebrated heroes of Cuban independence. Though he died before he could see the dawn of a sovereign, if U.S.-occupied, Cuba, Maceo would become an important node of nationalist commemoration. Throughout this process, Maceo’s blackness represented both a source of his prestige—the struggle against African slavery had been intimately tied to independence—and a barometer of lingering racial inequalities. Posthumous depictions thus tended to downplay racial tensions in a unifying vision of nation. Yet Maceo’s martyrdom in the Spanish-Cuban-American War also reverberated in more uncanny registers. Before and after his death, apocryphal sons emerged periodically from the shadows, opening battles over Maceo’s legacy. In their movement across borders, these real and apocryphal children gave voice to silences around race and sovereignty as they converged on the body of their lionized “father,” while also opening up narrative spaces wherein the status quo could be reimagined.


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