Louth Contemporary Music Society, ‘We Sing for the Future’, 14–18 April 2021, online

Tempo ◽  
2021 ◽  
Vol 75 (298) ◽  
pp. 88-90
Author(s):  
Caroline Potter

The Louth Contemporary Music Society festival, based in Dundalk, only six miles from the border with Northern Ireland, is now an established presence on the contemporary music scene. Thanks to its founder, Eamonn Quinn, it attracts both local musicians and major international figures and also issues CDs. This year, the programme featured a strong Irish connection and a lot of music that is quiet, meditative and minimal. Music for guitar formed another theme, with new work by the Norwegian guitarist/composer Fredrik Rasten and the Cuban Leo Brouwer.

Tempo ◽  
2013 ◽  
Vol 67 (264) ◽  
pp. 73-73
Author(s):  
Paul Conway

A substantial new work by Alexander Goehr, lasting some 37 minutes in performance and scored for tenor solo, children's voices and ensemble, constituted the second half of the opening concert of Birmingham Contemporary Music Group's 25th anniversary season. This world première of the latest BCMG ‘Sound Investment’ commission was conducted by Oliver Knussen, whose discerning advocacy of Goehr's music is deep-rooted and long established.


Tempo ◽  
2003 ◽  
Vol 57 (224) ◽  
pp. 22-38
Author(s):  
John Warnaby

There is a school of thought in Britain which suggests that the rigours of modernist composition resulted in sterility and uniformity. Yet in the German-speaking world, composers have explored a wide range of expressive possibilities within a modernist sensibility. They have proved that the discipline of modernism is capable of stimulating genuine individuality, and over the past 30 years, Nicolaus A. Huber has emerged as one of the most distinctively radical, yet equally recognizable personalities on the German contemporary music scene. In contrast to Lachenmann, Rihm, or Höller, Huber has not attempted anything on the largest scale, but in the spheres of orchestral, chamber and instrumental music, he has produced a substantial body of work of considerable originality and dramatic power, frequently involving theatrical elements.


2020 ◽  
Vol 7 (2-3) ◽  
pp. 261-279
Author(s):  
Ellen Larson

Between 2015 and 2020, artist Cao Fei occupied the former Beijing-based Hongxia Theatre, transforming the space into a vehicle for creative research, production and exhibition. This article will examine Cao Fei’s engagement with multiple temporalities as directly shaped by her spatial position within the theatre. Research related to the Hongxia Theatre and surrounding former People’s Republic of China (PRC)-era factory neighbourhood informs her understanding of not only China’s industrial history but also resurging connections to themes that exist across, within and beyond traditional temporal frameworks. The following narrative will employ Asia One (2018), the first full-length film made by Cao Fei since moving into the Hongxia Theatre, as a case study, highlighting strategies in which Hongxia fosters a pivotal spatial relationship between the artist’s new work and intersecting affinities towards time, memory and nostalgia. Drawing on China’s utopian past and dreams of a fully automated future, Asia One demonstrates a temporally nonlinear yearning to record both remembered and imagined emotional attachments, despite both globalizing and domestic conditions, which engender the urge to forget.


Author(s):  
Michael Dougan

Following a national referendum on 23 June 2016, the UK announced its intention to end its decades-long membership of the EU. That decision initiated a process of complex negotiations, governed by Article 50 of the Treaty on European Union, with a view to making the arrangements required for an ‘orderly Brexit’. This book explores the UK’s departure from the EU from a legal perspective. As well as analysing the various constitutional principles relevant to ‘EU withdrawal law’, and detailing the main issues and problems arising during the Brexit process itself, the book provides a critical analysis of the final EU–UK Withdrawal Agreement—including dedicated chapters on the future protection of citizens’ rights, the border between Ireland and Northern Ireland, and the prospects for future EU–UK relations in fields such as trade and security.


Author(s):  
Brendan O’Leary

The concluding chapter critically reviews the role of European integration in improving British-Irish relations, and in the making of the Good Friday Agreement. Four major votes across Northern Ireland between 2016 and 2017 are surveyed, paying particular attention to the 2016 referendum on EU membership. Predictions are made about the future of Northern Ireland and its union with Great Britain or its reunification with Ireland based on unfolding developments. Transformations South and North, political, social, and economic, are emphasized. The closure of the prospects of a second partition of Ulster is highlighted. Discussion about the possible breakdown, decay, or amendment of existing consociational provisions, and possible modes and modalities of Irish reunification are considered against three twilights that are highlighted, and sketched.


2019 ◽  
pp. 239-269
Author(s):  
Brice Dickson

Northern Ireland has had a devolved legislature and government, off and on, since 1921. This chapter first examines the nature of the devolution arrangements in place between 1921 and 1972 and then explains what was done to keep Northern Ireland running during the periods of direct rule from Westminster and Whitehall between 1972 and 1999 and between 2002 and 2007. The third section looks at how devolution operated under the Belfast (Good Friday) Agreement from 1999 to 2002 and from 2007 to 2017. The chapter then considers the reasons for the failure since 2017 to get devolution re-established and concludes by canvassing what the future constitutional arrangements for Northern Ireland might be. Taken in the round, Northern Ireland’s experience of devolution during the past 98 years has been very troubled. Brexit, alas, seems unlikely to make it less so in the years ahead.


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