The ‘Mendicant Problem’ in the Later Middle Ages

1999 ◽  
Vol 11 ◽  
pp. 217-238 ◽  
Author(s):  
R. N. Swanson
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Canon Law ◽  
Special Role ◽  
Secular Clergy ◽  
Grass Root ◽  
Fourth Lateran Council ◽  
Mendicant Orders ◽  
The Church ◽  
The Middle Ages

Almost from their foundation, the mendicant orders proved problematic. Their insistence on poverty, their preaching skills, and their responsiveness to contemporary spirituality challenged the Church at many levels, providing standards against which the secular clergy might be judged and found wanting. Their dependence on papal privileges which limited episcopal oversight, and their claims to a special role as confessors and preachers, threatened the Church’s current order, especially in parishes. By undermining the parish priest’s authority — jurisdictionally by offering confession and absolution, financially by encouraging burial in their houses — the friars in fact undercut some of the aims of the early thirteenth-century reformers, most notably by disrupting the demands of Omnis utriusque sexus, the decree requiring annual confession to the ‘proprius sacerdos’, issued at the Fourth Lateran Council. The most important resolution of these ‘grass root’ problems was provided in Boniface VIII’s Super cathedram of 1300, which by 1326 applied to all four of the main mendicant orders, and formally became part of canon law when enshrined in the Clementines. Unfortunately, Super cathedram seemed incompatible with Omnis utriusque sexus, and debate on the resulting discrepancy persisted throughout the Middle Ages, despite attempts at resolution such as Vas electionis of 1321.

Papal Legates against the Albigensians: The Debts of the Church of Valence (1215–1250)

Traditio ◽  
2013 ◽  
Vol 68 ◽  
pp. 259-276
Author(s):  
D. Dudley Stutz
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Detailed Treatment ◽  
Northern Portion ◽  
Rhone Valley ◽  
The Church ◽  
The Middle Ages

In 1232 Pope Gregory IX (r. 1227–41) imposed a tenth of episcopal revenues on prelates of Occitania to subsidize the church of Valence, which owed 10,000 poundstournoisto various bankers of Vienne, Rome, Lyons, and Siena. In 1865 B. Hauréau first noted the event when he edited one of the main documents in theGallia christianavolume concerning the ecclesiastical province of Vienne. With the publication of Gregory IX's register from 1890–1908 most of the facts of the tax were more widely available. In 1910 Ulysse Chevalier briefly mentioned the tax in his monograph on the long tenure of John of Bernin, archbishop of Vienne (r. 1218–66). In 1913, Heinrich Zimmermann cited Hauréau's text in a note in his detailed treatment of early thirteenth-century papal legations. Recently Alain Marchandisse reviewed eight of the eleven papal letters pertaining to the tax in his study of William of Savoy (d. 1239) as bishop-elect of Liège. These scholars provided no reason for the debt or why the papacy would take such measures to ensure payment. Perhaps they did not study this tax further because a church indebted to moneylenders is not in itself surprising. It appears that the church of Valence acquired the debt, very large compared to the church's income, when bishop-elect William of Savoy (r. 1225–39) waged war against Adhémar II of Poitiers-Valentinois, count of the Valentinois (r. 1189–1239). Struggles between bishops and the local nobility occurred on a regular basis throughout the Middle Ages, so what in this unimportant Rhone-valley diocese interested the pope enough to impose taxes on prelates of Occitania over twenty years to ensure payment of this debt? Adhémar II faithfully supported Raymond VI (r. 1194–1222) and Raymond VII (r. 1222–49) of Saint-Gilles, counts of Toulouse, throughout their struggle with the papacy during and following the Albigensian crusades. Adhémar II was also their vassal for the Diois, which borders the Valentinois on the southeast and comprised the northern portion of the marquisate of Provence. These lands had been reserved for the church in the Treaty of Meaux-Paris (1229), which ended the Albigensian crusades. Thus William of Savoy as bishop-elect of Valence defended the papacy's claims on the marquisate of Provence, which the papacy deemed part of the larger struggle between the Roman church and the counts of Toulouse. The facts on the nature of the debts and the steps the papacy took to aid the diocese show that the local struggle between the bishop of Valence and the count of the Valentinois embodied a part of the larger struggle between the papacy and the counts of Toulouse over the marquisate of Provence, which began as early as 1215.

Weavers into Heretics? The Social Organization of Early-Thirteenth-Century Catharism in Comparative Perspective

1997 ◽  
Vol 21 (1) ◽  
pp. 111-137
Author(s):  
Lutz Kaelber
Keyword(s):  
Social Organization ◽  
Middle Ages ◽  
Thirteenth Century ◽  
Social Processes ◽  
The Other ◽  
Comparative Perspective ◽  
The Social ◽  
The Church ◽  
The Middle Ages

How did a person become a heretic in the Middle Ages? Then, once the person was affiliated with a heretical group, how was the affiliation sustained? What social processes and mechanisms were involved that forged bonds among heretics strong enough, in some cases, for them to choose death rather than return to the bosom of the Church? Two competing accounts of what attracted people to medieval heresies have marked the extremes in historical explanations (Russell 1963): one is a materialist account elucidated by Marxist historians; the other one focuses on ideal factors, as proposed by the eminent historian Herbert Grundmann.

A New Eyewitness Account of the Fourth Lateran Council

Traditio ◽  
1964 ◽  
Vol 20 ◽  
pp. 115-178 ◽  
Author(s):  
Stephan Kuttner ◽  
Antonio García Y García
Keyword(s):  
Eighteenth Century ◽  
Middle Ages ◽  
Thirteenth Century ◽  
Second Vatican Council ◽  
Vatican Council ◽  
History Of ◽  
Eyewitness Account ◽  
Fourth Lateran Council ◽  
Vivid Description ◽  
The Middle Ages

Two years ago we briefly announced the discovery of a new document of great interest for the history of the Fourth Lateran Council. Written in Spring 1216 as a letter from Rome, presumably by a German, it was copied by a thirteenth-century scribe into a manuscript now at the Universitäts-bibliothek of Giessen, where it follows directly after the constitutiones of the council. With its detailed and vivid description of the three plenary sessions and of many events that took place in between, the anonymous report adds considerably to the information we possess from other sources. But although other portions of the Giessen codex have been known and used by many scholars ever since the eighteenth century, this text has been overlooked to the present day. It is a happy coincidence that we are able to present this eyewitness account of the greatest of the ecumenical councils of the Middle Ages while the Second Vatican Council is in session.

Il giuramento di innocenza nel processo canonico medievale

2013 ◽  
Author(s):  
Antonia Fiori
Keyword(s):  
Middle Ages ◽  
Canon Law ◽  
Legal Culture ◽  
Criminal Offence ◽  
Legal Procedure ◽  
Canonical Theory ◽  
History Of ◽  
Short Space ◽  
The Church ◽  
The Middle Ages

The oath of innocence, or purgation, constituted a part of canon law for almost a millennium. It has nevertheless been largely neglected by studies on medieval canonical procedure. This book seeks to reconstruct the history of the oath of purgation specifically from the perspective of canon law. Over the centuries, the function of the so-called "purgatio canonica" never changed: priests of the Church were required to swear their innocence when charged with any criminal offence for which evidence of guilt was lacking. It is while dealing with the canonical purgation that the canonists also developed the notion of infamia facti, a concept of social disrepute with real legal significance. Within a short space of time this inspired the most significant innovations in medieval legal procedure: the introduction of the inquisitorial process alongside the accusatorial model, the elaboration of a canonical theory of legal presumptions, and the justification of judicial torture. The history of the oath of purgation thus provides a unique perspective from which to observe the transformations which occurred in canon law procedure and wider legal culture throughout the course of the Middle Ages.

Art, Prophecy, and Drama in the Choir of Salisbury Cathedral

2006 ◽  
Vol 10 (2) ◽  
pp. 161-190
Author(s):  
Matthew Reeve
Keyword(s):  
Middle Ages ◽  
Old Testament ◽  
Thirteenth Century ◽  
Liturgical Drama ◽  
Relationship Of ◽  
The Relationship ◽  
The Church ◽  
The Middle Ages ◽  
Christian History

AbstractThe former painted cycle over the vaults of Salisbury Cathedral represents one of the great losses of thirteenth-century English art. This paper focuses on the imagery over the three-bay choir, which features twentyfour Old Testament kings and prophets each holding scrolls with texts prefiguring the Coming of Christ. The content of the cycle derives from a sermon, well known in the Middle Ages, by Pseudo-Augustine: Contra Judaeos, Paganos et Arianos. Yet the most immediate sources lie in twelfth and thirteenth-century extrapolations of the Pseudo-Augustinian sermon in liturgical drama, the so-called Ordo Prophetarum, or prophet plays. This observation leads to a discussion of the relationship of imagery to its liturgical setting. It is argued that the images on the choir vaults were also to be understood allegorically as types of the cathedral canons, who originally sat in the choir stalls below. A reading of the choir as a place of prophecy is located within traditions of liturgical commentary, which allegorize processions through churches as processions through Christian history. This leads to a discussion of the allegorization of the church interior in the Gothic period.

scholarly journals Sorcery, Heresy, and the Authority of the Church

2015 ◽  
Vol 3 ◽  
Author(s):  
Allison TM Bailey
Keyword(s):  
Middle Ages ◽  
Multiple Forms ◽  
Traditional Beliefs ◽  
Fourth Lateran Council ◽  
The Right ◽  
The Church ◽  
The Middle Ages ◽  
Church Doctrine

This paper argues that there were multiple forms of heresy implemented by the Church to control opposing ideas and knowledge in the Middle Ages. The term “heresy” shift meanings for its original conception to include all beliefs that were opposed to official Church doctrine, including magic and sorcery. The inquisitorial process was implemented as a response to the laity’s attempts to interpret Church doctrine for themselves alongside their traditional beliefs. As he concept of heresy changed, so too did the Church’s view of magic, sorcery, and witchcraft. Before the inquisitorial process became widespread, magic was considered an error that could be fixed through a penitential process. By the time of the Fourth Lateran Council in 1215, the church had decided on what constituted heretical behaviour, and who had the right to punish heretics.

The Mediæval Legend of Judas Iscariot

PMLA ◽  
1916 ◽  
Vol 31 (3) ◽  
pp. 481-632
Author(s):  
Paull Franklin Baum
Keyword(s):  
Fifteenth Century ◽  
Middle Ages ◽  
Thirteenth Century ◽  
Early Life ◽  
The Other ◽  
The West ◽  
Greek Myth ◽  
Judas Iscariot ◽  
The Church ◽  
The Middle Ages

The legendary Life of Judas the Betrayer, based, it is usually said, on the Greek myth of Œdipus, is found in almost every language and country of mediæval Europe. It was written down in Latin as early as the twelfth century. By the end of the thirteenth century it was turned into the vernacular in lands as far apart as Wales, Catalonia, and Bohemia. At the close of the Middle Ages it had become the possession of the folk, and since that period—to some extent even during the fifteenth century—it has spread northward and eastward into Scandinavia, Finland, Russia, and Bulgaria. It was related in Greek, probably in the Middle Ages, although the manuscripts are of a much later date. It was still told orally in Galicia at the end of the last century. As a regular part of the ecclesiastical literature of the West it received canonization, so to say, late in the thirteenth century, in the great legendary of Jacopo da Voragine; but, on the other hand, it is a remarkable fact that in the Middle Ages, so far as I have been able to learn, none of the reputable church writers (with the exception of Jacopo) recognized or even mentioned it. And furthermore, mediaeval sculptors and carvers of wood and ivory, who gave themselves with so much zeal to the plastic representation of legendary matter, completely eschewed or overlooked the ‘early life’ of Judas. Not indeed that either the church writers or artists sought to avoid contact with such a wicked character; on the contrary, they devoted considerable space to him, rejecting only his apocryphal career. However this omission may be explained, the fact must be recognized as of some interest.

The reconstruction of the abbey church at St-Denis (1231–81): the interplay of music and ceremony with architecture and politics

1985 ◽  
Vol 5 ◽  
pp. 187-238 ◽  
Author(s):  
Anne Walters
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Substantial Evidence ◽  
Northern France ◽  
The North ◽  
Liturgical Manuscripts ◽  
The Church ◽  
The Middle Ages

During the Middle Ages, the construction or renovation of a great church was a vast undertaking in terms of time and of money. An array of cathedrals that still rise above the cities and towns of northern France bears witness to medieval ingenuity and industry. The first structure which embodies many of the elements that are now called Gothic was begun at St-Denis in 1140. The church as we know it, however, was not entirely the work of the twelfth century. Only much later, between 1231 and 1281, was St-Denis finally completed. Substantial evidence of the thirteenth-century rebuilding is found in the monument which stands just to the north of Paris. But the stones of St-Denis do not tell the entire story: a small handful of documents refer to stages of the fifty-year reconstruction of the abbey, and now, new witness exists in the form of the liturgical manuscripts which have survived from the thirteenth century.

II.—The Catalan Mascarón and an Episode in Jacob Van Maerlant's Merlijn

PMLA ◽  
1911 ◽  
Vol 26 (1) ◽  
pp. 31-50
Author(s):  
J. P. Wickersham Crawford
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
Virgin Mary ◽  
Church Fathers ◽  
Italian Version ◽  
Good And Evil ◽  
The Devil ◽  
The Church ◽  
The Middle Ages

A popular allegorical subject in the Middle Ages was that which represented the struggle of the good and evil powers for the possession of man's soul. Frequently the evil power is centralized in the devil or his procurator, and the contest is excited by the harrowing of Hell and the release of the damned souls by Christ. According to some of the Church Fathers, the devil had certain rights over man after the first sin, a right which was the more legitimate since it was sanctioned by God himself. The whole subject is closely connected with the dogmatic traditions of the Church concerning the redemption. In the twelfth century, Hugo of St. Victor in his commentary on the fifteenth Psalm gives an account of a dispute between Christ and Satan, in which the devil asserts his right to man as having been consigned to him after the Fall. We find this reproduced in an Italian version of the thirteenth century entitled Piato del Dio col Nemico. According to other versions, the Virgin Mary undertook the defense of man against the claims of the devil. This idea was a product of the worship of the Virgin which affected so many of the doctrines of the Church. As the protecting Mother of sinners, she was the natural adversary of the forces of evil. Mary, the Queen of Heaven, was thus contrasted with Lucifer, the independent ruler of Hell. In certain cases, the story represents a trial scene in which Christ appears as the judge, the Virgin Mary as the advocate of mankind and Mascaron, the devil's procurator, as the plaintiff. This version is found in three texts, Dutch, Latin, and Catalan, which show marked similarities.

Chabham's Penitential and Its Influence in the Thirteenth Century

PMLA ◽  
1925 ◽  
Vol 40 (2) ◽  
pp. 225-239 ◽  
Author(s):  
Helen F. Rubel
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Detailed Classification ◽  
The Church ◽  
The Middle Ages

Among the penitentials of the middle ages, that by Thomas Chabham is of particular importance on account of its detailed classification of minstrels and players. In distinguishing different classes among these players and entertainers instead of condemning all alike, Chabham affords a notable illustration of the gradual growth in the Church of a tolerant attitude toward innocent amusements. M. Gautier, while recognizing the importance of this passage in Chabham's Penitential, raised the question whether “cette somme n'est qu'une compilation d'oeuvres antérieures, ou s'il y faut voir l'original de plusieurs autres Sommes de pénitence.” In order to decide this question it is necessary to consider such evidence as is available concerning the author and the date of the Penitential.

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