CIRCULATING MUSICAL KNOWLEDGE IN EARLY SEVENTEENTH-CENTURY GERMANY: MUSICA POETICA TREATISES OF JOHANN HERMANN SCHEIN AND MICHAEL ALTENBURG IN THE LIBRARY OF JOHANN CASPAR TROST

2016 ◽  
Vol 35 ◽  
pp. 131-201
Author(s):  
Inga Mai Groote ◽  
Dietrich Hakelberg
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Book History ◽  
Historical Context ◽  
Early Modern Period ◽  
Learning And Teaching ◽  
Musical Education ◽  
Modern Period ◽  
Musical Knowledge ◽  
Musica Poetica

Recent research on the library of Johann Caspar Trost the Elder, organist in Halberstadt, has led to the identification of a manuscript with two unknown treatises on musica poetica, one a lost treatise by Johann Hermann Schein and the other an unknown treatise by Michael Altenburg. Together they offer fresh insights into the learning and teaching of music in the early modern period. The books once owned by Trost also have close connections to his personal and professional life. This article situates the newly discovered manuscript in the framework of book history and Trost’s biography, and discusses the two treatises against the background of contemporary books of musical instruction (Calvisius, Lippius, or Finolt). The historical context of the manuscript, its theoretical sources and its origins all serve to contribute to and further the current understanding of musical education in early modern central Germany. An edition of the treatises is provided.

Benet Perera’s Pious Humanism: Aristotelianism, Philology, and Education in Jesuit Colleges. An Edition of Perera’s Documenta quaedam perutilia

2017 ◽  
Author(s):  
Cristiano Casalini ◽  
Christoph Sander
Keyword(s):  
Early Modern ◽  
Historical Context ◽  
Early Modern Period ◽  
Multiple Forms ◽  
Christian Philosophy ◽  
Modern Period

This chapter discusses the philosophical pedagogy of Benet Perera (1535–1610) through an analysis and transcription of his treatise on the useful, error-free study of Christian philosophy, the Documenta quaedam perutilia iis qui in studiis philosophiae cum fructu et sine ullo errore versari student. It places Perera’s treatise within its historical context—that of the Jesuit Roman college of the 1560s—in order to elucidate how his promotion of his own idea of a Christian philosophy for schools provoked criticism among his fellow Romans Diego de Ledesma and Achille Gagliardi. It shows the position of Perera’s project within the multiple forms of Aristotelianism in the early modern period and how Perera was able to justify his own position as ‘sufficiently pious’ through his emphasis on philology as an approach to philosophy. Perera came up with a strictly Christian philosophy curriculum by integrating different trends of Aristotle’s philosophy into his own, even including approaches that were considered impious by some of his fellow Jesuits.

Coda: Repositioning Early Modern Prague on the Global Stage

2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Cultural History ◽  
Early Modern Period ◽  
Religious Change ◽  
Early Modern Europe ◽  
Modern Period ◽  
Musical Knowledge ◽  
Historical Moment ◽  
The City

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.

scholarly journals Violence as Identity: Christians and Muslims in Hungary in the Medieval and Early Modern Period

2013 ◽  
Vol 44 ◽  
pp. 1-13
Author(s):  
Nora Berend
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern Period ◽  
Modern Period

Wrote Miklós Zrínyi (Nikola Zrinski) in the mid seventeenth century about those who died fighting against the Ottomans. The poet, who himself was engaged in both politics and war, defined Hungarian identity as Christian and premised on warfare unto death against Muslims.

scholarly journals “Turkish” Textiles in South-Eastern and East-Central Europe in the Early Modern Period: The Evidence of Transylvanian Customs Accounts

2020 ◽  
Vol 24 (4-5) ◽  
pp. 363-382
Author(s):  
Mária Pakucs-Willcocks
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
East Central Europe ◽  
East Central ◽  
Modern Period ◽  
Serial Data

Abstract This paper analyzes data from customs accounts in Transylvania from the middle of the sixteenth century to the end of the seventeenth on traffic in textiles and textile products from the Ottoman Empire. Cotton was known and commercialized in Transylvania from the fifteenth century; serial data will show that traffic in Ottoman cotton and silk textiles as well as in textile objects such as carpets grew considerably during the second half of the seventeenth century. Customs registers from that period also indicate that Poland and Hungary were destinations for Ottoman imports, but Transylvania was a consumer’s market for cotton textiles.

THE TEMPEST AND THE BRITISH IMPERIUM IN 1611

1998 ◽  
Vol 41 (2) ◽  
pp. 375-400 ◽  
Author(s):  
TRISTAN MARSHALL
Keyword(s):  
Twentieth Century ◽  
Great Britain ◽  
Early Modern ◽  
Literary Criticism ◽  
Historical Context ◽  
Early Modern Period ◽  
Historical Reconstruction ◽  
The Tempest ◽  
Modern Period ◽  
Proper Context

Recent moves by New Historicists to evaluate theatrical material from the early modern period have been at the expense of what historians would recognize as acceptable use of historical context. One of the most glaring examples of the dangers of taking a play out of such a proper context has been The Tempest. The play has had a great deal of literary criticism devoted to it, attempting to fit it into comfortable twentieth-century clothing in regard to its commentary on empire, at the expense of what the play's depiction of imperialism meant for the year 1611 when it was written. The purpose of this paper will therefore be to suggest that the play does not actually call into question the Jacobean process of colonization across the Atlantic at all, and suggests that of more importance for its audience would have been the depiction of the hegemony of the island nation of Great Britain as recreated in 1603. Such a historical reconstruction is helped through contrasting Shakespeare's play with the Jonson, Chapman, and Marston collaboration, Eastward Ho, as well as with the anonymous Masque of Flowers and Chapman's Memorable Masque. These works will be used to illustrate just what colonialism might mean for the Jacobean audience when the Virginia project was invoked and suggest that an American tale The Tempest is not.

Looking for Regional Words in Late Seventeenth-Century England: Bishop White Kennett and his Glossary to Parochial Antiquities (1695)

Sederi ◽  
2009 ◽  
pp. 153-174
Author(s):  
Javier Ruano García
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Morphological Traits ◽  
Additional Data ◽  
Early Modern Period ◽  
Lexical Diversity ◽  
Regional Dialects ◽  
Modern Period ◽  
Descriptive Account ◽  
History Of

The analysis of regional dialects in the Early Modern period has commonly been disregarded in favour of an ample scholarly interest in the ‘authorised’ version of English which came to be eventually established as a standard. The history of regional ‘Englishes’ at this time still remains to a very great extent in oblivion, owing mainly to an apparent scarcity of sources which supply trustworthy data. Research in this field has been for the most part focused on phonological, orthographical and morphological traits by virtue of the rather more abundant information that dialect testimonies yield about them. Regional lexical diversity has, on the contrary, deserved no special attention as uncertainty arises with regard to what was provincially restricted and what was not. This paper endeavours to offer additional data to the gloomy lexical scene of Early Modern regional English. It is our aim to give a descriptive account of the dialect words collated by Bishop White Kennett’s glossary to Parochial Antiquities (1695). This underutilised specimen does actually widen the information furnished by other well known canonical word-lists and provides concrete geographical data that might help us contribute to complete the sketchy map of lexical provincialisms at the time.

Introduction

2019 ◽  
pp. 1-12
Author(s):  
Judith Fletcher
Keyword(s):  
Early Modern ◽  
Recent Literature ◽  
Near East ◽  
Historical Context ◽  
Early Modern Period ◽  
Ancient Near East ◽  
Modern Period

The Introduction situates the myth of the descent to the underworld (catabasis) in a broad historical context beginning with Ancient Near East traditions, including the Sumerian poem preserved in cuneiform, “The Descent of Inanna,” and extending to medieval treatments such as “The Visions of the Knight Tondal”, and those of the early modern period. It includes a survey of other scholarly treatments of the underworld theme in recent literature. A brief overview of the volume explains how it fills a gap in the scholarship by focusing on the adaptation of the theme of a visit to Hades in postmodern, feminist, and postcolonial fiction.

The Accidents of the Soul

2021 ◽  
pp. 55-82
Author(s):  
Benedict S. Robinson
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern Period ◽  
Medical Diagnostics ◽  
Medical Discourse ◽  
Human Actions ◽  
Modern Period ◽  
Diagnostic Medicine ◽  
Over Time

“The Accidents of the Soul” asks which disciplines were seen to provide a knowledge of the passions in the early modern period, and how that map of the disciplines changed over time. It opens by noting the relatively minor position the passions held in a received philosophical “science of the soul,” itself divided between physics and metaphysics. As “accidents of the soul”—that is, contingent qualitative alterations in the soul—the passions lay at the margins of philosophical knowledge: they were seen as subject to too much particularity and contingency to belong to what one author called “certaine science.” They belonged instead to the “low” sciences, the practical sciences, fields that study human actions and that therefore were seen to produce a merely probable knowledge of particulars: fields like rhetoric, politics, poetics, ethics. The passions also belonged to medicine insofar as diagnostic medicine was understood as an art: in medicine, “accidents” are symptoms and the phrase “accidents of the soul” belongs to medical discourse insofar as it takes account of the particularities of the passions as part of a regimen of health. The chapter situates the seventeenth-century treatises on the passions in relation to various kinds of discourse on the passions all seen as promoting forms of probable knowledge on the model of medical diagnostics: physiology and “characterology,” most notably. It ends with a reading of Shakespeare’s Othello as a text that probes the limits—and the dangers—of this probable knowledge of the passions.

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