St Aldhelm's bees (De uirginitate prosa cc. IV-VI): some observations on a literary tradition

2004 ◽  
Vol 33 ◽  
pp. 1-22 ◽  
Author(s):  
Augustine Casiday

Although the classic comparison of monks to bees owes its enduring success chiefly to the Vita S. Antonii, one of the most interesting developments of that simile is found in the prose treatise De uirginitate by Aldhelm of Malmesbury. In his writings, Aldhelm demonstrates familiarity with most of the conventional similes – monks are like bees in their industry, their intelligence, their chastity, and so on – but he also insists that monks are like bees in their ‘voluntary solidarity’ and obedience to leadership. This is a novel claim, one that I will argue Aldhelm makes by introducing a theme known from other Christian (and pagan) literature into his advice to nuns. The present article will describe the traditions incorporated by Aldhelm into his claim that monks, like bees, are obedient to a fault. In this way, this article will offer a broad view of the literary heritage to which Aldhelm's treatise belongs and in which it should be interpreted. This will entail an assessment of which sources Aldhelm likely knew. While this assessment is indebted to the excellent notes by Rudolf Ehwald (as indeed all scholarship subsequent to Ehwald must be),it will not be bound by Ehwald's conclusions. In some instances, I will posit sources not mentioned by, and perhaps not detected by, Ehwald; in others, I will with trepidation suggest refinements to Ehwald's work. It is hoped that on these grounds the article will be useful to students both of late antique monasticism and of Anglo-Saxon England. Since this is the goal of the article, it will be convenient to begin each section with an excerpt from Aldhelm and follow it with the relevant antecedents; each section will then be concluded with a return to Aldhelm; this will allow us to appreciate the distinctiveness of Aldhelm's contribution. The article itself will be concluded with an overview of the comparisons and of the relationship between the earlier writings and Aldhelm's.

Author(s):  
Michael Lapidge ◽  
Peter Matthews

Vivienne Law acquired a mastery of the field of late antique and early Medieval Latin grammar, her first task was to familiarise herself with the early medieval manuscripts in which grammatical texts were transmitted. This task necessitated constant travel to British and continental libraries in order to provide herself with transcriptions of grammatical texts; it also necessitated the acquisition of a huge collection of microfilms of grammatical manuscripts. Her work on these manuscripts soon revealed a vast and uncharted sea of unedited and unstudied grammatical texts, for the most part anonymous. A major component of her life's work was the attempt to chart this sea. Her earliest publications reveal a profound experience of grammatical manuscripts and a refusal simply to reiterate the opinions of earlier scholars. All these publications report new discoveries, such as previously unknown Old English glosses to the Ars grammatica of Tatwine, an early 8th-century Anglo-Saxon grammarian; or unsuspected aspects of the relationship between Anglo-Saxon and continental learning as revealed in the transmission of the grammars of Boniface and Tatwine; or the true nature of the jumbled and misunderstood grammar attributed to the early Irish grammarian Malsachanus.


2012 ◽  
Vol 75 (3) ◽  
pp. 170-186
Author(s):  
Søren Jensen

In his book Poeterne som kirkelærere (The Poets as Theologians)Jakob Balling compares Dante’s Divine Comedy with Milton’sParadise Lost. He discusses similarities and differences between the twopoems and places them in a literary tradition that combines theologyand poetry, a relationship that has had a decisive influence on the development of literature in Europe. The present article expands this perspective both backwards and forwards in time by including a discussionof the interrelationship between fi ction and religious message in Jewishapocalyptic, using the Apocalypse of Abraham and C.S. Lewis’ modernscience fiction novel Out of the Silent Planet as examples. The article’sdiscussion of the relationship between theology and fi ction raises thequestion of the apocalyptic as genre. Moreover, the demonstration ofthe fi ctional tendency in the apocalyptic is used to support and supplementthe traditional description of genre.


2020 ◽  

Civilizations of the Supernatural: Witchcraft, Ritual, and Religious Experience in Late Antique, Medieval, and Renaissance Traditions brings together thirteen scholars of late-antique, medieval, and renaissance traditions who discuss magic, religious experience, ritual, and witch-beliefs with the aim of reflecting on the relationship between man and the supernatural. The content of the volume is intriguingly diverse and includes late antique traditions covering erotic love magic, Hellenistic-Egyptian astrology, apotropaic rituals, early Christian amulets, and astrological amulets; medieval traditions focusing on the relationships between magic and disbelief, pagan magic and Christian culture, as well as witchcraft and magic in Britain, Scandinavian sympathetic graphophagy, superstition in sermon literature; and finally Renaissance traditions revolving around Agrippan magic, witchcraft in Shakespeare’s Macbeth, and a Biblical toponym related to the Friulan Benandanti’s visionary experiences. These varied topics reflect the multifaceted ways through which men aimed to establish relationships with the supernatural in diverse cultural traditions, and for different purposes, between Late Antiquity and the Renaissance. These ways eventually contributed to shaping the civilizations of the supernatural or those peculiar patterns which helped men look at themselves through the mirror of their own amazement of being in this world.


Author(s):  
Chris Jones

This introductory chapter contextualizes the philological study of language during the nineteenth century as a branch of the evolutionary sciences. It sketches in outline the two phases of poetic Anglo-Saxonism for which the rest of the book will subsequently argue in more detail. Moreover, the relationship between Anglo-Saxonism and nineteenth-century medievalism more generally is articulated, and historical analogies are drawn between nineteenth-century Anglo-Saxonism and more recent political events in the Anglophone world. Finally, the scholarly contribution of Fossil Poetry itself is contextualized within English Studies; it is argued that ‘reception’ is one of the primary objects of Anglo-Saxon or Old English studies, and not merely a secondary object of that field’s study.


1985 ◽  
Vol 14 ◽  
pp. 233-292 ◽  
Author(s):  
Martin Biddle ◽  
Birthe Kjølbye-Biddle

In August 1979 a large sculptured stone was discovered, broken and upside down in a pit immediately outside the eastern window of the Anglo-Saxon crypt of the church of St Wystan at Repton in Derbyshire (pl. V). The scenes depicted on the two surviving faces of the stone are without direct parallel in Anglo-Saxon sculpture and have so far eluded definitive interpretation. The purpose of the present article is to place on record a detailed description of the stone, and some preliminary thoughts on its date and possible significance, in the hope that wider discussion may lead to a more satisfactory understanding of what must be, on any judgement, one of the more important surviving examples of pre-Conquest sculpture.


Lampas ◽  
2019 ◽  
Vol 52 (4) ◽  
pp. 437-452
Author(s):  
Gerard Boter

Summary The present article discusses three hotly debated interpretational issues in Diotima´s speech in Plato´s Symposium. The first of these is the relationship of Diotima´s speech to other dialogues, such as the Phaedo and the Republic, with regard to the immortality of the soul. It is argued that there is no discrepancy at all, because the immortality of the soul does not play any role in the Symposium. The second issue is the nature of the three classes of posterity: biological, spiritual and philosophical. Whereas the posterity of the first two classes can be relatively easily defined, the character of the philosopher´s posterity, ‘true virtue’, remains rather vague. It may consist in dialectical teaching of the Idea of Beauty by Socrates. Thirdly, it is argued that the philosopher´s immortality differs only gradually from the immortality of the other two classes, that is, the philosopher as a man only survives by means of his posterity.


2020 ◽  
Vol 22 ◽  
pp. 1-22
Author(s):  
Lisa Brundle ◽  

In Early Anglo-Saxon England, Style I anthropomorphic and zoomorphic motifs played a key role in shaping identity and communicating ideas in a non-literate society. While the zoomorphic designs are well discussed, the meaning of the human element of Style I remains underexplored. This paper addresses this imbalance by examining a rare and overlooked group of anthropomorphic images: human faces with small, pointed ears depicted on fifth- to sixth-century female dress fittings recovered from archaeological contexts in eastern England. This paper identifies quadrupedal creatures as a stylistic parallel within the menagerie of Style I, including equine, lupine and porcine creatures. Although it is difficult to identify the character/s depicted with ears, there are notable affinities between the anthropomorphic masculine face with pointed ears and the ancient Germanic practice of warriors donning wolf and bear pelts. The facial motif with pointed ears appears on feminine metalwork within East Anglia, the historic region of the sixth-century Wuffingas (Little Wolf) dynasty – Wuffa being Wolf and the -ingas suffix meaning ‘people/descendants of Wuffa’. This paper explores this rare design with contextual information from pictorial and historical texts of shapeshifting and considers the relationship between this motif, the object, and the wearer/user.


2009 ◽  
Vol 54 (2) ◽  
pp. 295-308 ◽  
Author(s):  
Elena Ferran Larraz

Résumé L’inconnu, par sa nature même, peut susciter crainte et méfiance. Que ressent le juriste devant une institution inconnue ? De quelle façon le traducteur réagit-il ? Le présent article analyse les réactions produites par une institution du droit anglo-saxon inconnue en Espagne, comme le trust, chez les juristes et les traducteurs juridiques de ce pays. Cette analyse nous conduit à proposer qu’il existe, dans une telle situation, une corrélation étroite entre l’attitude du traducteur juridique, la position adoptée par le droit international privé et le comportement des juristes chargés de l’application de lois étrangères. Nous comparons, de plus, le comportement des traducteurs et des juristes espagnols, plutôt conservateurs, à celui qui peut être observé dans d’autres pays, comme le Canada, réputés pour être plus ouverts d’esprit. Enfin, nous proposons des stratégies de traduction faisant appel au calque et à l’emprunt de termes intraduisibles.


2020 ◽  
Vol 17 ◽  
pp. 81-93
Author(s):  
Małgorzata Puto

The aim of the present article is to analyze the relationship between the city and the protagonists of Giuseppe Culicchia’s texts. The methodological perspective is that of cultural anthropology, in particular the concept of mente locale, discussed by Franco La Cecla. Mente locale, as a relationship between space and human mind, is vital in the act of getting lost in space (perdersi), which leads to getting to know it (orientarsi) and finally initiating the profound relationship based on emotivity. Culicchia’s texts are set in Turin, and the study points out the different ways of perception of the city. The analyzed texts represents the gradual acquisition of knowledge about the city that corresponds to the theoretical thesis that is how the anthropology of space and place illustrates the conceptual and material dimensions of space which is central to the production of social life, bringing classics of cultural anthropology together with new theoretical approaches.


Author(s):  
Francesco Dall'Olio

The relationship between Thomas Preston’s early Elizabethan tragedy Cambises (printed 1569) and the Book III of Herodotus’ Histories has often been downplayed, owing to the lack of printed editions or translations of Herodotus in England at the time and the much more evident connection between the tragedy and the second book of Richard Taverner’s Garden of Wysedome (1547). However, a closer look at the play’s sources reveals how a connection may exist, and how the version of the story Preston staged may be influenced by the tale of Cambyses as presented by the ancient historian. The insistence on the relationship between the king and his subjects (a central issue in both Preston’s tragedy and its sources) may derive from Herodotus, especially if viewed in contrast with the previous versions of the story in medieval literature, the focus of which was mainly on the ethical exempla they provided. Through a comparison of those texts, and a consideration of the availability of Herodotus’ work at the time, either in print or in manuscript form, this paper will then suggest that the version Preston staged in his tragedy is closer to Herodotus than the previous literary tradition.


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