Diagrams in biology

2013 ◽  
Vol 28 (3) ◽  
pp. 273-286 ◽  
Author(s):  
Laura Perini

AbstractBiologists depend on visual representations, and their use of diagrams has drawn the attention of philosophers, historians, and sociologists interested in understanding how these images are involved in biological reasoning. These studies, however, proceed from identification of diagrams on the basis of their spare visual appearance, and do not draw on a foundational theory of the nature of diagrams as representations. This approach has limited the extent to which we understand how these diagrams are involved in biological reasoning. In this paper, I characterize three different kinds of figures among those previously identified as diagrams. The features that make these figures distinctive as representational types, furthermore, illuminate the ways in which they are involved in biological reasoning.

Asian Studies ◽  
2016 ◽  
Vol 4 (1) ◽  
pp. 131-149
Author(s):  
Beatrix MECSI

According to tradition the founder of Chan or meditational Buddhism, Bodhidharma, originated from India, yet his legend and first representations are more typically associated with China and his legendary figure is frequently seen in the visual art and popular culture of the East Asian countries. In my paper I focus on the visual representations of Bodhidharma as they became popular in Korea and Japan, attempting to show the basic differences in the popularization of the visual images of Bodhidharma in these countries, focusing mainly on the visual appearance and iconography. The power of the image is seen in the commercialization of representations of Bodhidharma, particularly in Japan, where this practice occurred much earlier than in Korea and developed different traditions compared to those in China, where the legend came from.


Author(s):  
Ashish Dwivedi ◽  
Nirupma Tiwari

Image enhancement (IE) is very important in the field where visual appearance of an image is the main. Image enhancement is the process of improving the image in such a way that the resulting or output image is more suitable than the original image for specific task. With the help of image enhancement process the quality of image can be improved to get good quality images so that they can be clear for human perception or for the further analysis done by machines.Image enhancement method enhances the quality, visual appearance, improves clarity of images, removes blurring and noise, increases contrast and reveals details. The aim of this paper is to study and determine limitations of the existing IE techniques. This paper will provide an overview of different IE techniques commonly used. We Applied DWT on original RGB image then we applied FHE (Fuzzy Histogram Equalization) after DWT we have done the wavelet shrinkage on Three bands (LH, HL, HH). After that we fuse the shrinkage image and FHE image together and we get the enhance image.


MedienJournal ◽  
2017 ◽  
Vol 37 (3) ◽  
pp. 32-44 ◽  
Author(s):  
Ksenija Vidmar Horvat

 This paper investigates visual representations of migrants in Slovenia. The focus is on immigrant groups from China and Thailand and the construction of their ‘ethnic’ presence in postsocialist public culture. The aim of the paper is to provide a critical angle on the current field of cultural studies as well as on European migration studies. The author argues that both fields can find a shared interest in mutual theoretical and critical collaboration; but what the two traditions also need, is to reconceptualize the terrain of investigation of Europe which will be methodologically reorganized as a post- 1989 and post-westernocentric. Examination of migration in postsocialism may be an important step in drawing the new paradigm.


2019 ◽  
Vol 3 (2) ◽  
pp. 27
Author(s):  
Siti Sarah Fitriani ◽  
Nira Erdiana ◽  
Iskandar Abdul Samad

Visualisation has been used for decades as a strategy to help readers construct meaning from reading passages. Teachers across the globe have introduced visualisation mostly to primary students with native language background. They used the strategy to understand their own language. Little is known how this strategy works for university students who learn foreign language. Visualisation can be done internally (by creating mental imagery) and externally (by drawing visual representation). The product of visualising texts by using both models can be further investigated to find out if the meaning represented is appropriate to the meaning written in the text. This study therefore aims at exploring meaning by analysing the visual representations drawn by 26 English Education Department students of Syiah Kuala University after they read a narrative text. The exploration was conducted by looking at the image-word relations in the drawings. To do so, we consulted Chan and Unsworth (2011), Chan (2010) and Unsworth and Chan (2009) on the image-language interaction in multimodal text. The results of the analysis have found that the equivalence, additive and interdependent relations are mostly involved in their visual representations; and these relations really help in representing meanings. Meanwhile, the other three relations which are word-specific, picture specific and parallel are rarely used by the students. In addition, most students created the representations in a form of a design which is relevant to represent a narrative text. Further discussion of the relation between image-word relations, types of design and students’ comprehension is also presented in this paper.


Author(s):  
Martina M. King

Libraries use icons (visual representations) on their websites to draw attention to features and services. How are library staff to evaluate their icons? This session reports the results of a thesis study which examines and assesses a selection of virtual reference icons from Association of Research Library websites.Les bibliothèques utilisent des icônes (représentations visuelles) sur leur site Web pour attirer l'attention sur certains éléments et services. Quelle est l'aptitude des employés de bibliothèques pour évaluer ces icônes? Cette séance présente les résultats d'une étude de thèse qui examine et mesure une gamme d'icônes de référence virtuelle trouvés sur les sites Web des membres de l'Association of Research Library. 


2019 ◽  
Author(s):  
Margaret Gullick ◽  
James R. Booth

Crossmodal integration is a critical component of successful reading, and yet it has been less studied than reading’s unimodal subskills. Proficiency with the sounds of a language (i.e., the phonemes) and with the visual representations of these sounds (graphemes) are both important and necessary precursors for reading, but the formation of a stable integrated representation that combines and links these aspects, and subsequent fluent and automatic access to this crossmodal representation, is unique to reading and is required for its success. Indeed, individuals with specific difficulties in reading, as in dyslexia, demonstrate impairments not only in phonology and orthography but also in integration. Impairments in only crossmodal integration could result in disordered reading via disrupted formation of or access to phoneme–grapheme associations. Alternately, the phonological deficits noted in many individuals with dyslexia may lead to reading difficulties via issues with integration: children who cannot consistently identify and manipulate the sounds of their language will also have trouble matching these sounds to their visual representations, resulting in the manifested deficiencies. We here discuss the importance of crossmodal integration in reading, both generally and as a potential specific causal deficit in the case of dyslexia. We examine the behavioral, functional, and structural neural evidence for a crossmodal, as compared to unimodal, processing issue in individuals with dyslexia in comparison to typically developing controls. We then present an initial review of work using crossmodal- versus unimodal-based reading interventions and training programs aimed at the amelioration of reading difficulties. Finally, we present some remaining questions reflecting potential areas for future research into this topic.


Author(s):  
Sylwia Borowska-Kazimiruk

The author analyses Grzegorz Królikiewicz’s Trees (1994) in two ways: as a metaphor of the Polish post-1989 transition, and as an eco-horror presenting the complexity of relations between human and plant world. This binary interpretation attempts to answer the question about the causes of the failure of Trees as a film project. The film itself may also be interpreted as a story about historical conditions that affect the ability to create visual representations of the social costs of political changes, as well as ecocritical issues.


Author(s):  
Magda Szcześniak ◽  
Łukasz Zaremba

A chapter from the book Kultura wizualna w Polsce. Spojrzenia [Visual Culture in Poland. Looks], ed. Iwona Kurz, Paulina Kwiatkowska, Magda Szcześniak, Łukasz Zaremba (Fundacja Bęc Zmiana, Instytut Kultury Polskiej UW: Warsaw, 2017). The essay is devoted to protest imagery in Polish culture - from avant-garde painting to contemporary, vernacular visual representations used during protests.


Author(s):  
Anna Michalak

Using the promotional meeting of Dorota Masłowska’s book "More than you can eat" (16 April 2015 in the Bar Studio, Warsaw), as a case study, the article examines the role author plays in it and try to show how the author itself can become the literature. As a result of the transformation of cultural practices associated with the new media, the author’s figure has gained much greater visibility which consequently changed its meaning. In the article, Masłowska’s artistic strategy is compared to visual autofiction in conceptual art and interpreted through the role of the performance and visual representations in the creation of the image or author’s brand.


1989 ◽  
Vol 24 (1) ◽  
pp. 1-22 ◽  
Author(s):  
Alena Mudroch ◽  
K. Hill

Abstract Sediment cores were collected in Lake St. Clair in 1985 and in the St. Clair River in 1986 to investigate the horizontal and vertical distribution and association of Hg in the sediments. A layer of recent sediment up to about 35 cm thick was differentiated by the geochemical composition and visual appearance from the underlying glacial-lacustrine deposits. The concentration of Hg in the surficial sediments in Lake St. Clair was lower in 1985 (<0.025 to 1.200 µg/g) than that found in 1974 (<0.20 to 3.00 µg/g). Up to 8.30 µg/g of Hg were found in the sediments collected from the nearshore area at Sarnia, Ontario, in the St. Clair River in 1986. The concentrations of Hg ranged from 5.05 to 16.00 µg/g in different sand-sized fractions (0.063 to 0.350 mm) of the sediment. The concentration of Hg was 17.80 µg/g in the silt-clay size fraction (<0.063 mm). No relationship was found between the concentration of organic matter and Hg, and the concentration of silica and Hg in the St. Clair River sediments. The results indicated a relationship of Hg with particles of different mineralogical composition. Up to 3.72 µg/g Hg was found in the surface sediment in Chenal Ecarte. The greatest concentration of Hg (13.15 µg/g) existed in the 0.350 mm particle size fraction, which consisted mainly of small pieces of decaying wood. A good relationship was found between the concentration of Hg and organic matter in the sediment at this area.


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