Marc B. Shapiro. Between the Yeshiva World and Modern Orthodoxy: The Life and Works of Rabbi Jehiel Jacob Weinberg, 1884–1966. London: Littman Library of Jewish Civilization, 1999. 283 pp.

AJS Review ◽  
2005 ◽  
Vol 29 (1) ◽  
pp. 175-177
Author(s):  
Gershon Greenberg
Keyword(s):  
Twentieth Century ◽  
Eastern Europe ◽  
Historical Trauma ◽  
Orthodox Judaism ◽  
The Other ◽  
The West ◽  
Warsaw Ghetto ◽  
Secular Culture ◽  
The World

Jehiel Jacob Weinberg was, and remains, one of the outstanding figures of Modern Orthodoxy, along with David Zvi Hoffmann, Isaac Herzog, and Joseph B. Soloveitchik. Shapiro's exemplary biography marks the onset of a new stage in biographical scholarship about leading Orthodox personalities, moving beyond the hagiographies (which brought the figures to attention while affirming the Orthodox community) and the pioneer studies of Aharon Sorasky and Aharon Rakeffet-Rothkoff, and is a mandate for Judaic scholars to study the other greats (including the Hofets Hayim, Hayim Hirschensohn, Meir Shapiro of Lublin, Nathan Birnbaum, Hayim Ozer Grodzensky and Jakob Rosenheim). This book tells us what it takes to be a pathfinder in the world of twentieth-century Orthodox Judaism: the courage to carry a Hegelian-like dialectic about religious options to conclusion in a world of societal turmoil and historical trauma. As Weinberg moved from Slobodka to Pilwishki (Lithuania), to Giessen, Berlin, and then through the Warsaw ghetto, detention camp in Wülzburg, and finally to Montreux, he existentialized the struggle between the isolated talmudic culture of Eastern Europe and the Talmud cum secular culture of the West and its synthetic conclusion.

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

Diaspora Capitalism and the Homeland: Australian Chinese Networks into China

1996 ◽  
Vol 5 (2) ◽  
pp. 239-273
Author(s):  
Constance Lever-Tracy ◽  
David Ip
Keyword(s):  
Twentieth Century ◽  
Economic Development ◽  
Global Capitalism ◽  
The Other ◽  
The World ◽  
World Economic ◽  
Late Twentieth ◽  
Late Twentieth Century ◽  
Opening Up

This article explores two new and related phenomena of the late twentieth century that will surely play a major role in shaping the world of the twenty-first: the economic development and opening up of China, and the emergence onto the world economic stage of diaspora Chinese businesses, producing a significant, identifiably Chinese current within global capitalism. Each of these has, we believe, been crucial and perhaps indispensable to the other.

Regarding Electronic Music

Tempo ◽  
1966 ◽  
pp. 2-11 ◽  
Author(s):  
Aurelio de la Vega
Keyword(s):  
Twentieth Century ◽  
Electronic Music ◽  
Aesthetic Experience ◽  
The Other ◽  
Musical Composition ◽  
Electronic Medium ◽  
The Public ◽  
The World ◽  
Twentieth Century Music ◽  
Long Time

For a long time now—long when we consider the quick, changing time-scale of our days—electronic music has been with us. The public at large usually remains cold, confused or merely dazed when faced with any new aesthetic experience. Critics, musicologists and the like still seem, as usual, to be unable to predict what will happen to this peculiar, mysterious and often anathematized way of handling musical composition, while many traditionally-minded composers consider it a degrading destruction of the art of music. On the other hand, the electronic medium seems to attract a long, motley caravan of young, inexperienced and often unprepared ‘beatnik type’ self-titled composers, who believe that the world began yesterday and that you only have to push buttons and prepare IBM cards to obtain magical results. Probably not since Schoenberg proclaimed the equal value of the twelve semitones of our sacred but by now obsolete tempered scale has twentieth-century music been faced with such a bewilderment.

Going West

2011 ◽  
Vol 25 (4) ◽  
pp. 785-791 ◽  
Author(s):  
Tara Zahra
Keyword(s):  
Twentieth Century ◽  
Eastern Europe ◽  
Minority Rights ◽  
European History ◽  
East European ◽  
European Context ◽  
The World ◽  
History Of

“Going West” explores the potential of integrating East European History into broader histories of Europe and the world. Placing the history of Eastern Europe in a European context, I argue, may enable us to challenge the tropes of backwardness, pathology, and violence that still dominate the field. I also suggest that historians explore the extent to which conceptions of minority rights, development, and humanitarianism first developed in Eastern Europe radiated beyond the region in the twentieth century.

scholarly journals 來自「東方」的聲音圖景：江文也作品的異國情調與民族追尋

2020 ◽  
Vol 36 (36) ◽  
pp. 081-106
Author(s):  
張琬琳 張琬琳
Keyword(s):  
Twentieth Century ◽  
Music Theory ◽  
Global Scale ◽  
Musical Instruments ◽  
International Standards ◽  
The Other ◽  
Western Music ◽  
Political Issue ◽  
The World ◽  
General Society

<p>二十世紀初，在國際間崛起的各國勢力，加速了各民族內部自我整頓與反省的動力，東方音樂家學習西方音樂，也試圖以西方音樂的樂制，來整建自我民族內部的音樂紋理。</p> <p>東方音樂家欲望著西方，希冀能登上國際音樂舞臺；西方樂壇也期待從東方音樂家那裡，聽見西方人能夠「聽得懂」的「東方聲音」。在東 / 西方彼此期待、渴望之間，音樂本身被賦予極大的感官寓意，對西方人而言，帶有異國情調的音樂，尤其能夠吸引他們的目光；對於東方音樂家而言，這些「東方」的元素，卻是取自於不同民族風土的獨特聲音。</p> <p>本文聚焦臺灣近代音樂家江文也，以近年來新出版的傳記、日記和音樂作品全集，以及本論文作者近年於歐洲搜集的史料為分析佐證，探討江文也「屬於自己 / 東方的聲音」創作，如何引發西方樂壇對於「東方聲音」的想像。</p> <p>&nbsp;</p><p>The early twentieth century was a century that had the two global-scale World Wars between world powers across continents and oceans. Rising nationalism and increasing national awareness became a major political issue in general society. Eastern musicians reflected on the issue and diligently learned Western music system to get a remarkable grasp of it. Because they knew well the so-called Oriental music sounds must be rooted in the Western music theory to be able to compete among nations by international standards. On one hand, Eastern musicians desired to be seen and rival upon the world stage; on the other hand, Western musicians looked forward to hearing pure Oriental music sounds from the East. However, for Taiwanese composer Jiang, Wen-Ye, the Oriental music sounds are not the ones of a traditional and exotic concept. Traditionally, the Oriental music sounds derive its flavor from the pentatonic scale and use traditional Chinese musical instruments to play. It is under such circumstances Jiang, Wen-Ye compose beautiful musical forms that embody his love and respectful duty to the Taiwanese motherland throughout frequent international music events and competitions.</p> <p>&nbsp;</p>

scholarly journals An Overview of Models for Assessment of Organization Virtuality

Organizacija ◽  
2009 ◽  
Vol 42 (5) ◽  
pp. 189-197
Author(s):  
Peter Veber
Keyword(s):  
Twentieth Century ◽  
World Literature ◽  
Virtual Organization ◽  
Organization Structure ◽  
The Other ◽  
The World ◽  
Mutual Relations

An Overview of Models for Assessment of Organization VirtualityA virtual organization is a network of legally independent organizations and/or individuals that produce products and/or services based on a common business understanding. This new organization structure is posited as radical departure from the traditional, hierarchic, bureaucratic and co-located mode of organizing that dominated the twentieth century. In contrast, the characteristics of the new, virtual organization forms are seen to be dynamic, networked, distributed, digital, flexible, collaborative and innovative. The challenge, however, is to determine which organization as a subject employs virtual form and which not. The answer to this question is decidedly complex as most organizations have forms that are somewhere in between; therefore, it is usually only possible to determine how virtual one organization is on certain aspects. In the other words: what is the level of its virtuality? Several models for the assessment of organization virtuality have been developed by many different authors. The purpose of this paper is to investigate and present all the published models of virtual organization that are publicly available in the world literature. The strengths and weaknesses of all models found are presented, together with their mutual relations.

The Old Rhetoric

2019 ◽  
pp. 27-68
Author(s):  
Anthony Ossa-Richardson
Keyword(s):  
Twentieth Century ◽  
Philosophical Analysis ◽  
Persuasive Communication ◽  
Western Thought ◽  
The West ◽  
The Third ◽  
Early Twentieth Century ◽  
The World ◽  
Persuasive Speech

This chapter discusses the Old Rhetoric, sketching the long persistence in the West—from Aristotle to the early twentieth century—of a ‘single meaning model’ of language, one that takes ambiguity for granted as an obstacle to persuasive speech and clear philosophical analysis. In Aristotle's works are the seeds of three closely related traditions of Western thought on ambiguity: the logicosemantic, the rhetorical, and the hermeneutic. The first seeks to eliminate ambiguity from philosophy because it hinders a clear analysis of the world. The second seeks to eliminate ambiguity from speech because it hinders the clear and persuasive communication of argument. The third, an extension of the second, seeks to resolve textual ambiguity because it hinders the reader's ability to grasp the writer's intention. The chapter then considers Aristotle's two types of verbal ambiguity: homonym and amphiboly. The solution to both—whether their presence in a discussion is accidental or deliberate—is what Aristotle calls diairesis or distinction, that is, the explicit clarification of the different meanings involved.

scholarly journals Social Policy and the New Middle Class in Central and Eastern Europe

2019 ◽  
Vol 118 (806) ◽  
pp. 96-102
Author(s):  
Tomasz Inglot
Keyword(s):  
Higher Education ◽  
Social Policy ◽  
Eastern Europe ◽  
Social Mobility ◽  
Central And Eastern Europe ◽  
The West ◽  
Mass Migration ◽  
New Middle Class ◽  
The World ◽  
Radical Shift

“The region has seen a radical shift from widespread unemployment to labor shortages, a historic expansion in higher-education opportunities, and unprecedented mass migration to the West.” Seventh in a series on social mobility around the world.

Talking over Water: History, Wireless and the Telephone

2007 ◽  
Vol 125 (1) ◽  
pp. 46-56
Author(s):  
Jock Given
Keyword(s):  
Twentieth Century ◽  
Real Time ◽  
The Other ◽  
Telephone Service ◽  
Water History ◽  
Morse Code ◽  
The World ◽  
Similarities And Differences ◽  
Submarine Cables ◽  
Economics And Politics

For a third of the twentieth century, the only way Antipodeans could talk with people on the other side of the world was by wireless. The submarine cables that traversed the oceans from the 1860s carried messages in Morse code, ‘telegraphy’, but not voice. From 30 April 1930, the wireless telephone service made it possible to conduct a conversation in real time between England and Australia. This article explores the old era of international wireless telephony at a time when wireless is again transforming social and economic possibilities. It examines the economics and politics of the era, the man most closely identified with the Australian services, the technology employed and the way the service was used, identifying similarities and differences between this period and the present.

Homer: A relational mnemohistory

2018 ◽  
Vol 11 (3) ◽  
pp. 274-286 ◽  
Author(s):  
Astrid Erll
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Twentieth Century Literature ◽  
Short Term ◽  
The West ◽  
Memory Culture ◽  
European Heritage ◽  
The World ◽  
Century Literature

This article proposes to extend the prevalent short-term and presentist frameworks of research on transcultural memory and to consider its dynamics across long-term relational mnemohistories. After more than two and a half millennia, “Homer” and the Homeric epics still resonate in memory cultures across the world. But they are often erroneously cast as “European heritage” or “foundations of the West.” This is the result of what I call a tenacious “Homeric genea-logic.” Highlighting three moments in the relational mnemohistory of Homer, this article shows, first, that already during their emergence in the archaic age, the Homeric epics were relational objects; second, how during the Middle Ages Homer could arrive in Petrarch’s Italy only as a product of relational remembering between the Roman and the Byzantine empires; and third, how twentieth-century literature (Joyce, Walcott) developed conscious modes of mnemonic relationality connecting diverse cultural memories. Relationality thus emerges as a key term for a reflexive memory culture today, a tool to overcome exclusive memory logics (“Homer as the heritage of Europe”) while enabling the articulation of meaningful long-term transcultural memories (“Homer as relational heritage in Europe”).

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