THE DEVELOPMENT OF LITTLE POETS’ CORNER BETWEEN CULTURAL MEMORY AND GEOPOLITICS

2013 ◽  
Vol 41 (2) ◽  
pp. 345-370
Author(s):  
Maurizio Ascari
Keyword(s):  
Cultural Memory ◽  
Giambattista Vico ◽  
New Science ◽  
The Core ◽  
The Past ◽  
Social Compact ◽  
The Social ◽  
The Dead ◽  
Burial Rituals

As Jan Assmann writes, the concept of “cultural memory” both “draws our attention to the role of the past in constituting our world” and also investigates “the motives that prompt our recourse to it” (ix). Cultural memory is transmitted through a variety of mediators ranging from texts and images to commemorative sites, whose complex aesthetic and ideological configurations – whether associated with trauma or glory – are a source of great interest. In his New Science (1725–44), Giambattista Vico claimed that “humanitas in Latin comes first and properly from humando” (8), highlighting the importance burial rituals had in the creation of civilised society. The commemoration of the dead is indeed at the core of cultural memory as the foundation on which the social compact between the living and the dead rests.

scholarly journals Rola języka w uwalnianiu się z dziedzicznych traum

Politeja ◽  
2020 ◽  
Vol 17 (2(65)) ◽  
pp. 189-204
Author(s):  
Katarzyna Marcol
Keyword(s):  
Collective Memory ◽  
Cultural Memory ◽  
Social Position ◽  
Traumatic Experiences ◽  
The Past ◽  
The Social ◽  
The World ◽  
The 19Th Century ◽  
The Village

The Role of Language in Releasing from Inherited Traumas. Negotiations of the Social Position of the Silesian Minority in Serbian Banat The aim of the paper is to show the dependence between language, collective memory (also post-memory) and sense of identity. This issue is analysed using the example of an ethnic minority living in the village of Ostojićevo (Banat, Serbia) called ‘Toutowie.’ Their ancestors came in the 19th century from Wisła (Silesian Cieszyn, Poland); they left their homes because of great hunger and were looking for jobs in Banat. Narratives about the past contain traumatic experiences of the past generations transmitted in the Silesian dialect and constituting communicative memory. At the same time, a new Polish national identity is being constructed, supported by institutions and authorities; it carries a new image of the world and creates a new cultural memory. This new identity – shaped on the basis of national categories – leads to changes of its self-identification and gives the opportunity to raise its social position in the multi-ethnic Banat community.

scholarly journals Carnival Anthropocene: Myth and Cultural Memory in Monique Roffey's Archipelago // Antropoceno Carnaval: El mito y memoria cultural en Archipelago de Monique Roffey

2018 ◽  
Vol 9 (2) ◽  
pp. 41-55
Author(s):  
C. Parker Krieg
Keyword(s):  
Climate Change ◽  
Cultural Memory ◽  
Political Engagement ◽  
Memory Studies ◽  
Natural World ◽  
The Novel ◽  
The Past ◽  
The Social ◽  
The World

      This essay examines the role of myth in and as cultural memory through a reading of the novel, Archipelago (2013), by the Trinidadian-British author Monique Roffey. Against conceptions of the Anthropocene as a break from the past—a break that repeats the myth of modernity—I argue that Roffey’s use of cultural memory offers a carnivalesque relation to the world in response to the narrative’s account of climate change trauma. Drawing on Bakhtin’s classic study of the carnival as an occasion for contestation and renewal, as well as Cheryl Lousely’s call for a “carnivalesque ecocriticism,” this essay expands on the recent ecocritical turn to the field of Memory Studies (Buell; Goodbody; Kennedy) to illustrate the way literature mediates between mythic and historical relations to the natural world. As literary expressions, the carnivalesque and the grotesque evoke myth and play in order to expose and transform the social myths which govern relations and administrate difference. Since literature acts as both a producer and reflector of cultural memory, this essay seeks to highlight the literary potential of myth for connecting past traumas to affirmational modes of political engagement. Resumen     Este ensayo examina el papel del mito en y como memoria cultural analizando la novela Archipelago (2013), escrita por la autora trinitense-británica Monique Roffey. Frente a la idea del Antropoceno como una ruptura con el pasado—una ruptura que repite el mito de la modernidad—este trabajo argumenta que el uso de la memoria cultural de Roffey ofrece una relación carnavalesca con el mundo en respuesta al trauma del cambio climático detallado en la novela. Basando mi argumento en la teoría clásica de Bakhtin sobre el carnaval como una ocasión para la contestación y la renovación, así como la llamada de Cheryl Lousely por una “ecocrítica carnavalesca,” este ensayo amplía el reciente giro de la ecocrítica hacia el campo de los estudios de memoria (Buell; Goodbody; Kennedy) para ilustrar cómo la literatura media entre las relaciones míticas e históricas con el mundo natural. Como expresiones literarias, lo carnavalesco y lo grotesco evocan el mito y el juego para revelar y transformar los mitos sociales que gobiernan las relaciones y gestionan la diferencia. Ya que la literatura actúa tanto como productora y como espejo de la memoria cultural, este ensayo busca destacar el potencial literario del mito para conectar traumas del pasado con modos de compromiso político más afirmativos.

Cultural, Social, and Environmental Influences on Surviving Dietary Patterns of the Past: A Case Study from the Northern Villages of Karpathos

2011 ◽  
Vol 6 (3) ◽  
pp. 244-262 ◽  
Author(s):  
Eleni Tourlouki ◽  
Antonia-Leda Matalas ◽  
Demosthenes Panagiotakos
Keyword(s):  
Social Role ◽  
The Elderly ◽  
Traditional Food ◽  
The Core ◽  
The Past ◽  
Local Resources ◽  
The Social ◽  
Mediterranean Island

The present work documents the core diet of a population in a Mediterranean island that has been minimally eroded by industrialization and tourism, and links present food-consumption patterns to the foods' historical roots and to the exploitation of natural resources available to the community. Demographic, behavioral, cultivation, and food-intake information were collected among inhabitants of the isolated northern villages of Karpathos. The core diet of the elderly village inhabitants was found to be based on wheat, barley, legumes, and olive oil. Inhabitants in the northern villages of Karpathos rely on local resources for most of their food. Absence of mechanized farming, the social role of women, and customs of inheritance are factors that have contributed to the preservation of traditional food-related practices.

scholarly journals The functions of the theme of memory in the novel “The Buried Giant” by Kazuo Ishiguro

2021 ◽  
pp. 63-72
Author(s):  
Yulia Marinina ◽  
Vyacheslav Nikolaevich Slabunov
Keyword(s):  
Collective Memory ◽  
Cultural Memory ◽  
The Other ◽  
The Novel ◽  
Kazuo Ishiguro ◽  
Sir Gawain ◽  
The Core ◽  
The Past ◽  
The People

This article reviews the role of the theme of memory in the novel “The Buried Giant” by Kazuo Ishiguro. The motives of regeneration and loss of memory are relevant in modern literature as a whole and in works of K. Ishiguro in particular. The research is based on the methods of motivic and culturological analysis. In the novel “The Buried Giant”, the theme of memory has a structural meaning. It manifests through the spatial-temporal arrangement of the text, system of characters, symbolism of the novel, and organizes the core antithesis of the work – cultural memory and “mist” (embodiment of oblivion), which creates with the plotline and images of the characters. In the text of the novel, the people lose memory; the limits between the “native” and “alien”, the past and the future are blurred. The theme of memory is the source of unravelling of the plot. The two storylines are distinguished: external (the path of the characters seeking their son) and internal (regeneration of memory). The theme of memory organizes the system of characters: the protagonists Axl and Beatrice reconstruct the events preceding the beginning of the novel and accept them. Sir Gawain and Wistan remember the past, but they have a different attitude towards collective memory: the first one wants to prolong the oblivion, while the other one wants to restore the people's memories. The research demonstrates the role of the theme of memory within the structure of K. Ishiguro's novel “The Buried Giant”, which reveals the author's idea: nothing can be forgotten completely.

Acid ceramidase, a double-edged sword in cancer aggression: A minireview

2020 ◽  
Vol 20 ◽  
Author(s):  
Helen Shiphrah Vethakanraj ◽  
Niveditha Chandrasekaran ◽  
Ashok Kumar Sekar
Keyword(s):  
Cell Fate ◽  
Cancer Progression ◽  
Potential Role ◽  
Tumour Progression ◽  
Acid Ceramidase ◽  
The Core ◽  
The Past ◽  
Sphingosine 1 Phosphate ◽  
Key Enzyme

: Acid ceramidase (AC), the key enzyme of the ceramide metabolic pathway hydrolyzes pro-apoptotic ceramide to sphingosine, which by the action of sphingosine-1-kinase is metabolized to mitogenic sphingosine-1-phosphate. The intracellular level of AC determines ceramide/sphingosine-1-phosphate rheostat which in turn decides the cell fate. The upregulated AC expression during cancerous condition acts as a “double-edged sword” by converting pro-apoptotic ceramide to anti-apoptotic sphingosine-1-phosphate, wherein on one end, the level of ceramide is decreased and on the other end, the level of sphingosine-1-phosphate is increased, thus altogether aggravating the cancer progression. In addition, cancer cells with upregulated AC expression exhibited increased cell proliferation, metastasis, chemoresistance, radioresistance and numerous strategies were developed in the past to effectively target the enzyme. Gene silencing and pharmacological inhibition of AC sensitized the resistant cells to chemo/radiotherapy thereby promoting cell death. The core objective of this review is to explore AC mediated tumour progression and the potential role of AC inhibitors in various cancer cell lines/models.

scholarly journals Play! A Special Issue

Sexualities ◽  
2021 ◽  
pp. 136346072110136
Author(s):  
Caroline Bem ◽  
Susanna Paasonen
Keyword(s):  
Video Games ◽  
Sexual Pleasure ◽  
Special Issue ◽  
Sexuality Studies ◽  
The Past ◽  
Sexual Representation ◽  
The Social ◽  
Sexual Play ◽  
Sex Toys

Sexuality, as it relates to video games in particular, has received increasing attention over the past decade in studies of games and play, even as the notion of play remains relatively underexplored within sexuality studies. This special issue asks what shift is effected when sexual representation, networked forms of connecting and relating, and the experimentation with sexual likes are approached through the notion of play. Bringing together the notions of sex and play, it both foregrounds the role of experimentation and improvisation in sexual pleasure practices and inquires after the rules and norms that these are embedded in. Contributors to this special issue combine the study of sexuality with diverse theoretical conceptions of play in order to explore the entanglements of affect, cognition, and the somatic in sexual lives, broadening current understandings of how these are lived through repetitive routines and improvisational sprees alike. In so doing, they focus on the specific sites and scenes where sexual play unfolds (from constantly morphing online pornographic archives to on- and offline party spaces, dungeons, and saunas), while also attending to the props and objects of play (from sex toys and orgasmic vocalizations to sensation-enhancing chemicals and pornographic imageries), as well as the social and technological settings where these activities occur. This introduction offers a brief overview of the rationale of thinking sex in and as play, before presenting the articles that make up this special issue.

scholarly journals Malaysia’s Vision 2020 and the Role of leadership in Economic Development

2017 ◽  
Vol 13 (8) ◽  
pp. 49
Author(s):  
Mahmoud Safy Mahmoud ◽  
Hoda Mitkees
Keyword(s):  
National Development ◽  
Point Of View ◽  
Social Aspects ◽  
Vision 2020 ◽  
New Economic Policy ◽  
Developed Country ◽  
The Past ◽  
The Social ◽  
Economic Growth Rates

Malaysia has adopted several developmental plans since 1969 starting with the New Economic Policy (NEP), passing by the National Development Plan (NDP) and ending with the Vision 2020 adopted in 1991 under the rule of Mahathir Mohammed (1981-2003), whereby Malaysia has aimed to become a developed country by 2020. Looking for the future, Malaysia 2020 should build upon the older developmental plans; however there are some new elements that need to be considered if Malaysia is to continue on its successful developmental path. This paper aims at focusing on the issues that still need to be considered in Vision 2020 from an outsider point of view. This paper addresses the questions of what Malaysia’s economic plans adopted in the past which were able to achieve high economic growth rates while preserving at the same time the social aspects. And the paper focuses on trade policy in Malaysia under Mahathir rule, identifying how was it shaped and how likely it will continue in 2020. The paper identifies the challenges likely to be faced by Malaysia in the coming period and how such issues should be tackled in Vision 2020.

The role of the social partners in the European employment strategy

1999 ◽  
Vol 5 (4) ◽  
pp. 522-541 ◽  
Author(s):  
David Foden
Keyword(s):  
Trade Union ◽  
European Council ◽  
Employment Policy ◽  
European Level ◽  
The Core ◽  
Amsterdam Treaty ◽  
The Social ◽  
National Implementation ◽  
Social Partners

This article considers the part played by the social partners in the development of the European employment strategy over recent months, and in particular their role with reference to the European employment policy guidelines for 1999. The guidelines and national implementation reports are central to the "Luxembourg process" defined in the Employment Title of the Amsterdam Treaty (which has been in force since May 1999, though the Employment Title was largely implemented by political agreement from 1997 onwards). Much of the European-level debate on employment during 1999 has concerned the "European pact for employment", which was heralded by the Vienna European Council of December 1998, and which all the relevant actors were urged to support. Agreement on the pact was reached at the June 1999 European Council in Cologne. This article begins, therefore, by describing the different elements which constitute the pact. The role of the social partners in relation to these components, including the Luxembourg process where it is most developed, is set out in the core of the article, with greater emphasis on trade union than employer involvement. The concluding section provides an overview.

scholarly journals On Memory of Plates and Dishes

Fluminensia ◽  
2020 ◽  
Vol 32 (2) ◽  
pp. 117-136
Author(s):  
Krystyna Pieniążek-Marković
Keyword(s):  
Cultural Memory ◽  
Regional Identity ◽  
Literary Fiction ◽  
Western World ◽  
Individual Identity ◽  
The Past ◽  
Literary Sources ◽  
The Social ◽  
History Of ◽  
The Common

The aim of the article is to discuss how elements of food narratives meals and kitchen tools used for cooking are used in order to consolidate and shape the Croatian cultural memory, especially in the context of its Mediterranean heritage.For this reason, the texts by Veljko Barbieri, collected in the four volumes under the common and significant title Kuharski kanconijer. Gurmanska sjećanja Mediterana, are analysed. His circum-culinary narratives are a combination of encyclopaedic knowledge, references to historical and literary sources, personal memories and literary fiction. They can be easily inscribed in the Croatian (collective and individual) identity discourse since they are able to strengthen the collective (either national and supranational, or geo-regional) identity, and to construct the cultural memory. They also show Croatia's affiliation to the Western world along with its cultural-civilization rooting in antiquity, the Mediterranean region and Christianity, thus forming a part of the founding memory that develops a narrative about the very beginnings of Croatian presence on this land. The gastronomic narratives serve to create the cultural memory and this version of history which is to stabilize the social identity described by Pierre Nora and Andreas Huyssen. Through his stories, Barbieri shapes memory based on the representation of the past. In the analysed narratives, the memory carriers are dishes and plates which find reference to the oldest history of Croatia rendered by myths and other narratives. Associated with dishes, the pots enable the narrator to recall the past and the identity coded in individual dishes. They also participate in the processes of repeating, storage and remembering which generate a symbiotic relationship between man and thing. The memory carriers that is, food and plates depicted in Barbieri's culinary narratives do not convey their content in a neutral way, but construct their marked images.

scholarly journals ‘Text as condenser of cultural memory’: intertextual space of Valerii Shevchuk’s prose

2020 ◽  
pp. 33-54
Author(s):  
Iryna Prylipko
Keyword(s):  
Cultural Memory ◽  
Continuous Process ◽  
Time And Space ◽  
The Past ◽  
The Bible ◽  
Intertextual Dialogue

The paper considers the demonstrative aspects of intertext in the prose by Valerii Shevchuk and focuses on the peculiarities of the works’ interaction with the Bible, mythology, and literature, which takes place at the level of different forms and types of intertext. Particular attention is paid to revealing the specifc ‘dialogue’ of V. Shevchuk’s works with their pretexts — hagiography, autobiographical and diary’s literature of Baroque. ɒ e examples discussed testify to the depth and ramifications of the intertextual dialogue in the writer’s prose, reveal the intellectual, philosophical, and elitist nature of his texts. A dialogue with the Bible, mythology, world and Ukrainian literature in the works by V. Shevchuk unfolds in the form of open and hidden quotations, allusions, reminiscences. These details aim at deepening the representation of ideas and themes, forming the subtexts, interpreting images. The writer creates a new artistic form — metatext — mainly through the reinterpretation of the pretexts, among which the works of the Baroque period (poetic, autobiographical, diary genres) and hagiography dominate. Transforming the pretexts at the level of contents, plot, genre, time and space, narrative, V. Shevchuk expands them with monologues, dialogues, descriptions, and details. In the process of interpreting prototexts, the writer resorts to modeling original images, in the context of which he actualizes some worldview points, reveals important moral, ethical, and philosophical problems. Allowing the perception of his work as a ‘textual game’, the writer, at the same time, does not reduce the role of intertext to the level of intellectual play. Intertext becomes a peculiar way of continuing the literary discourses of the past in a dialogue with them. They become re-read, ‘supplemented’ and thus brought once again into the continuous process of forming culture.

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