scholarly journals The Ecological Edges of Belligerency - Toward a Global Environmental History of the First World War

2016 ◽  
Vol 71 (01) ◽  
pp. 61-78
Author(s):  
Tait Keller

This article represents an initial foray into the global environmental history of the First World War and suggests new approaches that can change our understanding of the conflict. With ravaged farmlands, charred trees, and muddy quagmires as iconic images of the First World War, scholars have generally tended to overlook the place and the role of nature. Yet only by taking the environment into account can we fully understand the trauma of war and how this conflict in particular shaped the most basic levels of human existence for years to come. Armies in the First World War were both social and biological entities, which depended on a “military ecology” of energy extraction, production, and supply. To keep soldiers and machines in action, belligerent states commandeered food and fuel throughout the biosphere, extending the war's environmental reach far beyond the western front. Examining a number of the ways that war shaped the periphery—evolving disease ecologies in colonial Africa, tin extraction in Southeast Asia, and food production in Latin America—will show that the boundaries of belligerency were vast. These three regions also illustrate the different ways in which the preparation and pursuit of war transformed societies and the natural world. Seeing what George Kennan called the twentieth century's “seminal catastrophe” from an environmental perspective illuminates the global dimensions of the First World War. The conflict accelerated environmental change that had begun in the previous century and established the patterns of military-industrial production, human victimization, and environmental exploitation that defined the twentieth century.

Archaeology ◽  
2020 ◽  
pp. 128-137
Author(s):  
Olena Popelnytska

In the archives of The National Museum of History of Ukraine in the fund No. 4 (K. V. Bolsunovskyi) there are personal documents of the famous local historian and museum figure Stepan Leontiiovych Drozdov, among them — five letters of the famous archaeologist Valeria Yevhenivna Kozlovska. This correspondence is a fragment of V. Ye. Kozlovska’s archive, part of which is now outside Ukraine, or is scattered across the personal archives of Ukrainian scientists who were a part of V. Ye. Kozlovska’s circle of contacts and have not yet been introduced into scientific circulation. Therefore, each new revealed letter of V. Ye. Kozlovska has a significant scientific value as a source for the biography of this outstanding personality and scientist. The earliest of V. Ye. Kozlovska’s letters to S. L. Drozdov is dated by June 14, 1916; there was mentioned the evacuation of the Kyiv Art, Industrial and Scientific Museum collections during the First World War. The next four letters concerned the activities of the expedition of the All-Ukrainian Archaeological Committee in 1929 in Bilotserkivshchyna. In addition to V. Ye. Kozlovska — the head of the expedition, it included F. M. Ivanov and J. F. Maslun — employees of the Bilotserkivskyi District Archaeological and Ethnographic Museum, V. A. Mazur — an employee of the T. Shevchenko All-Ukrainian Historical Museum, a draftsman (whose surname is not mentioned in the letters) and a certain Mykola Mykhailovych was also mentioned in the letters — obviously M. M. Tkachenko — an employee of the All-Ukrainian Academy of Sciences and the husband of V. Ye. Kozlovska. In a letter dated by May 14, 1929, V. Ye. Kozlovska appealed to S. L. Drozdov with a proposal to conduct joint excavations of the All-Ukrainian Archaeological Committee and the Bila Tserkva Museum. In a letter dated by September 22, 1929, V. Ye. Kozlovska informed S. L. Drozdov that she would be able to arrive to Didivshchyna village not earlier than in September 28. The place of writing the letter dated by October 3, 1929 is the corner of Zalissia in Didivshchyna village. The letter mentions the arrival of S. L. Drozdov for excavations, finds of an iron knife and two male burials, packing archaeological finds in boxes. V. Ye. Kozlovska also asked S. L. Drozdov to find in Bila Tserkva a technique for drawing excavation plans. In the letter dated by October 18, 1929 there was informed about the packing of a cut-out of the hearth of the stove from the investigated dwelling and about V. Ye. Kozlovska’s intention to come to Bila Tserkva in November 1 for ready-made drawings of the excavations.


2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.


2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.


Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


2011 ◽  
Vol 70 (3) ◽  
pp. 276-289
Author(s):  
Luc Vandeweyer

Het wordt in de historiografie van de Vlaamse beweging aanvaard dat Hendrik Conscience door de Brusselse progressieve vereniging ‘De Veldbloem’ in 1872 werd gevraagd om te kandideren voor de parlementaire verkiezingen. Conscience zou dat geweigerd hebben. Dit is uiteraard geen onbetekenend feit in de biografie van de man die ‘zijn volk leerde lezen’.Dit gegeven is terug te voeren op de geschriften van Antoon Jacob (°1889) van na de Eerste Wereldoorlog. Jacob werd beschouwd als een autoriteit inzake Conscience. Maar waar is het bewijs? Hij verwees daarbij naar “uitvoerige correspondentie” maar die is niet te vinden. Het ADVN slaagde erin om de archivalische nalatenschap van de in 1947 gestorven Jacob te verwerven. Daarin bleken heel wat brieven van en aan Conscience te zitten. De briefwisseling met ‘De Veldbloem’ was onderwerp van deze bijdrage. Daarin is geen spoor te vinden van de poging om Conscience op het politieke strijdtoneel te brengen in Brussel. Daarbij moet de vraag gesteld worden hoe Jacob deze archiefstukken verzamelde en wat ermee is gebeurd tijdens zijn turbulente leven en talrijke omzwervingen. Het is best mogelijk dat er een en ander is verloren gegaan. Toch is deze nalatenschap een belangrijke aanwinst voor de studie van de geschiedenis van de Vlaamse beweging en die van Conscience in het bijzonder. ________ The Brussels association ‘De Veldbloem’ seeks contact with Hendrik Conscience. Two recently discovered letters It is an accepted fact in the historiography of the Flemish Movement that the Brussels progressive Association ‘De Veldbloem’ [=the Wildflower] asked Hendrik Conscience in 1872 to be their candidate for the parliamentary elections. It is said that Hendrik Conscience refused the request. This is of course a very significant fact in the biography of the man ‘who taught his people to read.’ This information may be inferred from the writings of Antoon Jacob (°1889) from the period after the First World War. Jacob was regarded as an authority on Conscience. But where is the evidence of this? In his claim, he referred to ‘extensive correspondence’, but that correspondence is not extant. The ADVN managed to acquire the archival legacy of Jacob who died in 1947. It turned out that it included quite a number of letters to and from Conscience. The exchange of letters with ‘De Veldbloem’ was the subject of this contribution. It contains no trace of the attempt to bring Conscience into the political arena in Brussels. It raises the question how Jacob collected these archival documents and what happened to them during his turbulent life and his many peregrinations.  It is certainly possible that some documents have been lost. However, this legacy is still an important acquisition for the study of the history of the Flemish Movement and of Conscience in particular.


2020 ◽  
Vol 9 (4) ◽  
pp. 22-33
Author(s):  
T.N. GELLA ◽  

The main purpose of the article is to analyze the views of a famous British historian G.D.G. Cole on the history of the British workers' and UK socialist movement in the early twentieth century. The arti-cle focuses on the historian's assessment and the reasons for the workers' strike movement intensi-fication on the eve of the First World War, the specifics of such trends as labourism, trade unionism and syndicalism.


2020 ◽  
Vol 33 (3) ◽  
pp. 227-250
Author(s):  
Sjang L. ten Hagen

ArgumentThis article contributes to a global history of relativity, by exploring how Einstein’s theory was appropriated in Belgium. This may sound like a contradiction in terms, yet the early-twentieth-century Belgian context, because of its cultural diversity and reflectiveness of global conditions (the principal example being the First World War), proves well-suited to expose transnational flows and patterns in the global history of relativity. The attempts of Belgian physicist Théophile de Donder to contribute to relativity physics during the 1910s and 1920s illustrate the role of the war in shaping the transnational networks through which relativity circulated. The local attitudes of conservative Belgian Catholic scientists and philosophers, who denied that relativity was philosophically significant, exemplify a global pattern: while critics of relativity feared to become marginalized by the scientific, political, and cultural revolutions that Einstein and his theory were taken to represent, supporters sympathized with these revolutions.


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