Internationalising Arts, Gaining Visibility: Internationalisation of the National Art Gallery through the Promulgation of the Malayan Identity and Commonwealth Ideals

2021 ◽  
pp. 1-15
Author(s):  
Sarena Abdullah
Keyword(s):  
World War Ii ◽  
Art Gallery ◽  
Exhibition History ◽  
International Visibility ◽  
History Of ◽  
Commonwealth Institute ◽  
British Commonwealth ◽  
Post War ◽  
Relationship Of ◽  
Different Sources

Abstract The early history of the Malaysian National Art Gallery has been thoroughly elucidated through many different sources but its role as promoter of Malaysia’s art in the first ten years of its early formation have never been critically examined. This paper will trace the transnational relationship of the National Art Gallery through its exhibitions co-organised with the Commonwealth Institute in London within the larger context of the post-World War II period and the British decolonisation in Malaya. This paper will situate and contextualise its research on Malaya’s early exhibition history on multiculturalism and the Malayan identity framework, and later draw the link and connection between the Commonwealth Institute and the context of its establishment in Britain and the establishment of the National Art Gallery in Malaya. Subsequently, this paper will trace and demonstrate the importance of these early exhibitions to be understood in the larger context of (a) the need to exert international visibility during the period of Confrontation and (b) the exhibition as a platform that mooted the Malayan identity that aligns with the core values and principles of the Commonwealth. As such, this paper demonstrates that the transnational relations between the National Art Gallery and the Commonwealth Institute in the realm of Malaysia’s exhibition history must be analysed in tandem with the issues that are faced by a new British Commonwealth country, i.e., Malaysia during the immediate post-war period.

Oil spill, August 1944: the CULA expedition and the North Slope Inupiat

Polar Record ◽  
2014 ◽  
Vol 51 (2) ◽  
pp. 201-211
Author(s):  
Robert A. Perkins
Keyword(s):  
World War Ii ◽  
Oil Spill ◽  
North Slope ◽  
World War ◽  
The North ◽  
The Face ◽  
History Of ◽  
Post War ◽  
Navy Personnel ◽  
Relationship Of

ABSTRACTAn oil spill that occurred on 21 August 1944 near the Inupiat village of Barrow on Alaska's North Slope provides the focus for a brief history of activity in the face of extreme conditions and the evolving relationship of US Navy personnel and Inupiat natives of the region. The emotional recollections of an Inupiat elder are contrasted with the growing respect of the navy personnel for the Inupiat. The economic and social effects of oil explorations towards the end of World War II and the early post-war years are briefly discussed. These events form a part of the socio-economic background of current and proposed arctic oil development.

Charles de Gaulle and European Community

2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo
Keyword(s):  
World War Ii ◽  
European Community ◽  
World War ◽  
Charles De Gaulle ◽  
The United Kingdom ◽  
History Of ◽  
The Common ◽  
Post War ◽  
De Gaulle

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.

An Anti–New Dealer Legacy: The Administrative Procedure Act

1996 ◽  
Vol 8 (2) ◽  
pp. 206-226 ◽  
Author(s):  
James E. Brazier
Keyword(s):  
World War Ii ◽  
Administrative State ◽  
Full Account ◽  
Legislative History ◽  
Political Actors ◽  
Administrative Procedure ◽  
History Of ◽  
Administrative Procedures ◽  
Relationship Of ◽  
The New Deal

The Administrative Procedure Act of 1946 (APA) has been sorely neglected in the history of the relationship of the political actors to the administrative state. There is no full account of the history of the APA, yet there is an increasing need for such a history. There is a growing literature paying renewed attention to the importance of administrative procedures in the politics of the administrative state (McCubbins and Schwartz 1984; McCubbins, Noll, and Weingast 1987, 1989; Moe 1989; Hill and Brazier 1991; Farber 1992; Mashaw 1990; and Bawn 1995). With all this attention being given to the importance of administrative procedure, it is about time to examine the history of the act that established the minimum standards of administrative procedure. The act regulates the procedures for adjudication, access to, disclosure of, and publication of agency information, licensing, rule-making, investigations, tenure of administrative law judges, and judicial review of agency action. Standard accounts of the APA's legislative history such as Galloway's (1946) have conveyed the impression that the APA was a noncontroversial, consensual piece of legislation that provided much-needed reform of federal administrative procedures. The actual history of this act involved a prolonged battle among the bureaucracy, the judiciary, the presidency, the legislature, and interest groups for political advantage in the administrative state that had been created by the New Deal and World War II.

The New Realism and a National Literature

PMLA ◽  
1941 ◽  
Vol 56 (4) ◽  
pp. 1116-1132 ◽  
Author(s):  
Benjamin T. Spencer
Keyword(s):  
American Literature ◽  
National Literature ◽  
Leaves Of Grass ◽  
National Unity ◽  
New Realism ◽  
History Of ◽  
Pros And Cons ◽  
Post War ◽  
Relationship Of ◽  
The Relationship

By the middle of the nineteenth century the controversy over the possibility and desirability of a national American literature had diminished to a somewhat feeble reiteration of old pros and cons. Moreover, Whitman's vigorous renewal of the demand for a distinctly national literature in his 1855 Preface to Leaves of Grass went virtually unnoticed by reason of his own obscurity and the disruption of national unity by sectional disputes. In the upsurge of nationalistic optimism following the Civil War, however, in the promises afforded by a strong and humanitarian Union, the sentiment for a literature distinct through its expression of the new national idealism was both widespread and ardent. But this post-war literary nationalism was short-lived. Before the skeptical attacks of many literary critics and the rising materialism of the Gilded Age, hope for a national literature once more gave way to indifference or despair. If the controversy was to be revived, some new literary stimulus, some new mode or approach toward the achievement of an American literature would have to be forthcoming. Such a stimulus was provided in the rise of realism. The conflict between the new realism and the old romanticism in the 1870's and 1880's is a well-known chapter in the history of American criticism, but the relationship of this new realism to the production of a national literature as it was viewed in the two decades before Whitman's death has not received adequate attention.

scholarly journals W kręgu badań nad dziejami emigracyjnego parlamentaryzmu Recenzja publikacji: Depozyt Niepodległości. Rada Narodowa Rzeczypospolitej Polskiej na uchodźstwie (1939–1991), red. Zbigniew Girzyński, Paweł Ziętara

2020 ◽  
Vol 5(160) ◽  
pp. 221-228
Author(s):  
Paweł Gotowiecki
Keyword(s):  
World War Ii ◽  
National Council ◽  
World War ◽  
National Minorities ◽  
Current State ◽  
History Of ◽  
The Republic ◽  
State Of Research ◽  
Post War

The reviewed publication contains post-conference materials, presented during the conference held in 2016 in Warsaw, entitled “The Deposit of Independence. National Council of the Republic of Poland in Exile (1939–1991)”. The volume consists of 18 articles, published in chronological and topical order, devoted to the selected issues of the history of the Polish parliamentarianism in exile during World War II and in the post-war period. The authors of the articles discussed various aspects of the activities of the National Council of the Republic of Poland in Exile, such as the participation of national minorities in the work of the quasi-parliament, biographies of the chosen parliamentarians, or the selected elements of “parliamentary practices”. This publication is not a synthesis but it supplements and develops the current state of research on the activities of the Polish quasi-parliamentary institutions in exile.

scholarly journals Kina na Dolnym Śląsku: rekonesans historyczny

2019 ◽  
Vol 26 (35) ◽  
pp. 129-145
Author(s):  
Andrzej Dębski Andrzej Dębski
Keyword(s):  
World War Ii ◽  
The Internet ◽  
World War ◽  
The Press ◽  
History Of ◽  
Historical Database ◽  
Post War ◽  
The 1960S ◽  
Mass Entertainment ◽  
Lower Silesia

The highest level of cinema attendance in Lower Silesia after World War II was recorded in 1957. It was higher than before the war and lower than during the war. In the years that followed it steadily declined, influenced by global processes, especially the popularity of television. This leads us to reflect on the continuity of historical and film processes, and to look at the period from the 1920s to the 1960s as the ‘classical’ period in the history of cinema, when it was the main branch of mass entertainment. The examples of three Lower Silesian cities of different size classes (Wroclaw, Jelenia Gora, Strzelin) show how before World War II the development from ‘the store cinema [or the kintopp] to the cinema palace’ proceeded. Attention is also drawn to the issue of the destruction of cinematic infrastructure and its post-war reconstruction. In 1958 the press commented that ‘if someone produced a map with the towns marked in which cinemas were located, the number would increase as one moved westwards’. This was due to Polish (post-war) and German (pre-war) cinema building. The discussion closes with a description of the Internet Historical Database of Cinemas in Lower Silesia, which collects data on cinemas that once operated or are now operating in the region.

scholarly journals Vasiljevic’s collections of folk melodies: A Serbian musical treasure

Muzikologija ◽  
2016 ◽  
pp. 171-198
Author(s):  
Sanja Radinovic
Keyword(s):  
World War Ii ◽  
Developmental Stages ◽  
World War ◽  
The Public ◽  
Field Worker ◽  
Great Productivity ◽  
History Of ◽  
Full Sense ◽  
Available Technology ◽  
Post War

Miodrag A. Vasiljevic (1903-1963) was given a unique opportunity to span two great developmental stages in the history of Serbian ethnomusicology, occurring in the middle of the 20th century. The first of them was between the two World Wars, the stage in which Serbian musical folklore became Vasiljevic?s life passion and in which he accomplished his early professional achievements. In the next stage, which started after World War II, he reached the zenith of his creation in slightly less than twenty years, setting new standards of the discipline, and providing fundamental directions for his successors, thereby immeasurably enlarging the corpus of collected material. Due all of these revolutionary innovations from the post-war period, Vasiljevic is rightly considered to be not only the founder of modern Serbian ethnomusicology, but also the first person in Serbia worthy of being called an ethnomusicologist in the full sense of the word. Of the numerous results by which Vasiljevic permanently indebted his people, the most pronounced does not belong to the category of pioneering endeavours, but is manifested in his melographic opus - an achievement which even today has not been surpassed in Serbia in terms of its span, scope and value. Such great productivity in recording resulted from the fact that Vasiljevic had been devoted to melography from his childhood, and most intensely from 1932 to the end of his life. The exact number of examples which Vasiljevic transcribed directly in the field before 1951 and those which he recorded on a tape-recorder after that time is still unknown, since many of them are still unavailable to the public, but it can be assumed that there are several thousand melodies in total. Among them are 3,198 which have already been published. That precious corpus of Vasiljevic?s available material is contained in twelve collections (the largest number ever regarding any collector in Serbia so far), issued from 1950 to 2009. The first four collections offer comprehensive material from Kosmet, Sandzak, Macedonia and the region of Leskovac, and they were edited by Vasiljevic himself during the last ten years of his life or so. Posthumous publications were devoted to Montenegro, Vojvodina, Resava and various parts of central Serbia, as well as to the repertoires of the famous singer Hamdija Sahinpasic (1914/16-2003) from Sandzak, and gypsy female singer Malika Jeminovic Kostana (1872?-1945) from the vicinity of Vranje. Until now there have still not been any comprehensive studies on Vasiljevic?s ethnomusicological activity, although there are valuable articles. In these, Vasiljevic?s melographic contribution is usually emphasised much more than his scientific one, which is much more modest in its scope. Since the existing writings mostly deal with collections published during his life, this paper results from the intention to give a complete picture of the material, so all Vasiljevic?s collections were critically considered according to the chronology of their publication. Each of the publications emerged to witness to both Vasiljevic as a field worker and to some of the important stages of his own ethnomusicological development. The last part of the text focuses on the fact that a decline in production of ethnomusicological collection publications has been evident in Serbia over the last few decades. Nowadays, this negative trend is conditioned by two key reasons. One is the perfected and easily available technology of digital audio recording and the copying of sound recordings. The second is reflected in the general developmental orientation of the discipline.

scholarly journals The Lviv Train Station Restaurant as a Soviet Enterprise, 1944-1980

2017 ◽  
Author(s):  
Andriy Zayarnyuk
Keyword(s):  
World War Ii ◽  
Economic System ◽  
System Organization ◽  
Organization Structure ◽  
World War ◽  
Train Station ◽  
Western Ukraine ◽  
History Of ◽  
Post War

This article is a micro-history of a restaurant in post- World War II Lviv, the largest city of Western Ukraine. Offering a case study of one public dining enterprise this paper explores changes in the post-war Soviet public dining; demonstrates how that enterprise’s institutional structure mediated economic demands, ideological directives, and social conflicts. It argues that the Soviet enterprise should be seen as a nexus between economic system, organization structure of the Soviet state, and everyday lives of Soviet people. The article helps to understand Soviet consumerist practices in the sphere of public dining by looking into complex, hierarchical organizations enabling them.

scholarly journals Polish books production in exile in the years 19391950: statistical and geographical perspectives

2019 ◽  
Vol 13 ◽  
pp. 273-289
Author(s):  
Oskar Stanisław Czarnik
Keyword(s):  
World War Ii ◽  
External Factors ◽  
Cultural Tradition ◽  
World War ◽  
Polish People ◽  
The World ◽  
History Of ◽  
The Subject ◽  
Post War

The subject of this article is an overview of Polish publishing in the exile during the World War II and first post-war years. The literary activity was mostly linked to the cultural tradition of the Second Polish Republic. The author describes this phenomenon quantitatively and presents the number of books published in the respective years. He also tries to explain which external factors, not only political and military, but also financial and organizational, affected publications of Polish books around the world. The subject of the debate is also geography of the Polish publishing. It is connected with a long term migration of different groups of people living in exile. The author not only points out the areas where Polish editorial activity was just temporary, but also the areas where it was long-lasting. The book output was a great assistance to Polish people living in diasporas, as well as to readers living in Poland. The following text is an excerpt of the book which is currently being prepared by the author. The book is devoted to the history of Polish publishing in exile.

scholarly journals The Contemporaneity of ‘Counter-Enlightenment’. From the French Revolution to German Post-War Sociology

2019 ◽  
Vol 7 (1) ◽  
pp. 940-970
Author(s):  
Sonja Asal
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Intellectual History ◽  
French Revolution ◽  
Self Reflection ◽  
Before And After ◽  
History Of ◽  
Post War ◽  
German Sociology ◽  
The French Revolution

While resistance to Enlightenment thought occurring in the eighteenth century is often framed by the concept of ‘Counter-Enlightenment’, the term itself was not introduced before the twentieth century. The article first reconstructs the anti-Enlightenment polemic before and after the French Revolution to highlight that while the notion of Counter- Enlightenment is appropriate for the identification of hitherto unexplored strands of thought, in view of a broader and more differentiated approach to the intellectual history of the eighteenth and early nineteenth centuries, it does not allow for a substantial definition. Subsequently, the article examines the history of the concept in French, English and German linguistic contexts, the German sociology of the interwar period and discussions about the legacy of the Enlightenment after World War II, to retrace how the different iterations have to be understood as a key for the self-reflection of modern societies throughout the twentieth century.

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