A New Wave of Innovations in Psychology: High Intellectual and Creative Educational Multimedia Technologies

2001 ◽  
Vol 5 (3) ◽  
pp. 291-315 ◽  
Author(s):  
Larisa V. Shavinina
Keyword(s):  
21St Century ◽  
Science And Technology ◽  
New Wave ◽  
Specific Nature ◽  
Educational Multimedia ◽  
Multimedia Technologies ◽  
Applied Education

This article describes high intellectual and creative educational multimedia technologies (HICEMTs), which will constitute one of the innovative breakthroughs in science and technology of the 21st century and will lead to a new wave of innovations in psychology. HICEMTs appear at the intersection of many subdisciplines of psychology (including general, cognitive, developmental, educational, personality, media, cyber, and applied), education, and multimedia. The general and specific nature of HICEMTs is considered. The importance of HICEMTs is discussed from technological, economic, societal, educational, and psychological perspectives.

Odyssey without Nostos, or, From Globe to Planet

2018 ◽  
Vol 9 (1) ◽  
pp. 147-156
Author(s):  
Hans-Christian von Herrmann
Keyword(s):  
21St Century ◽  
Human Life ◽  
Science And Technology ◽  
Ancient Greek ◽  
Cosmic Scale

We are witnessing a return of cosmology in 20th and 21st century thinking. It is cosmology in the ancient greek sense of the word which addressed the entirety of what surrounds and carries us. Another term for this ongoing transformation is the ›planetary‹ which isn’t simply a synonym for the ›global‹. The planetary means a kind of boundless pervasion based on science and technology and transposing planet earth and human life from a culture-historical to a cosmic scale.

scholarly journals Reflections on a Science and Technology Agenda for 21st Century Disaster Risk Reduction

2016 ◽  
Vol 7 (1) ◽  
pp. 1-29 ◽  
Author(s):  
Amina Aitsi-Selmi ◽  
Virginia Murray ◽  
Chadia Wannous ◽  
Chloe Dickinson ◽  
David Johnston ◽  
...  
Keyword(s):  
Risk Reduction ◽  
21St Century ◽  
Disaster Risk Reduction ◽  
Science And Technology ◽  
Disaster Risk

scholarly journals Riña de Gatos. Madrid 1936: Mendoza desde la óptica de la memoria histórica en el siglo XXI

2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Durba Banerjee
Keyword(s):  
Civil War ◽  
21St Century ◽  
Historical Novel ◽  
Transition Period ◽  
Historical Memory ◽  
War Literature ◽  
New Wave ◽  
Eduardo Mendoza ◽  
The Past ◽  
Civil War Literature

Abstract: 21st century Spain has witnessed a re-awakening of the past with Zapatero’s Historical Memory Law legislated in 2007 and a clamor to re-visit the Civil War (1936-39) and the Transition period with a critical stance. This new historical conscious has also resulted in a new wave of literature published on the Civil War. The objective of this paper is to explore how a work like Riña de Gatos. Madrid 1936 challenges the traditional boundaries of what is known as Civil War literature in Spain. The paper would encompass a thorough reading of the work authored by Eduardo Mendoza. In the process, it shall demonstrate the ability of this contemporary historical novel to transcend the boundaries of Civil War literature through a "rediscovery" of the Falange leader, Primo de Rivera (1903 – 1936) who was instrumental in the coup of 1936. Reseña: La España del siglo XXI ha atestiguado una vuelta del pasado con la Ley de Memoria Histórica de Zapatero (2007) y un clamor de retomar la Guerra Civil (1936-39) y el período de la Transición desde una postura crítica. Esta nueva consciencia histórica también ha resultado en una nueva ola de literatura publicada sobre la Guerra Civil. El objetivo de este trabajo es explorar cómo la obra Riña de Gatos. Madrid 1936 (2010) desafía los límites tradicionales de lo que se conoce como literatura de la Guerra Civil en España. El trabajo pretende una lectura detallada de esta obra de Eduardo Mendoza. En el proceso, demostraría su capacidad de trascender los límites de la literatura de la Guerra Civil a través de un "redescubrimiento" del líder de Falange, Primo de Rivera (1903 - 1936), que jugó un papel fundamental en el golpe de estado de 1936.

Terminological polysemy in the prose of Mariia Matios

2019 ◽  
pp. 291-298
Author(s):  
Liudmyla Marchuk
Keyword(s):  
21St Century ◽  
Science And Technology ◽  
Scientific Research ◽  
Present Stage ◽  
Linguistic Features ◽  
Full Inclusion ◽  
Literal Sense ◽  
Universal Language ◽  
Creative Individual ◽  
Gradual Development

The article is one of the attempts to analyze the linguistic features of modern Ukrainian female prose. Despite the fact that in recent decades literary scholars have revealed some important features of the works of this genre, the language of feminine prose remains poorly understood. The obtained results supplemented the information about the general patterns of the use of terminological vocabulary in the artistic text. In the article, we distinguish the main ways of using terminology as an artistic means of language of Ukrainian writers. The urgency of the topic of scientific research is determined by the increased attention to the genres of contemporary women’s prose and the creation of a separate term “female prose”. A thorough linguistic study of the language of Ukrainian novels by Mariya Matios will help to understand the influence of science and technology on the fiction language of the 21st century. Creative individual and author’s use of terms by an artist is the reflection of the main characteristic processes not only in the language of fiction, but also in the whole contemporary commonly used language. Scientific and technical terminology is at the present stage the leading place in the enrichment of expressive means of language, therefore, in our work, we highlight some of the most relevant aspects. First of all, from the standpoint of styles interaction the modern Ukrainian language, since terminology is a product of scientific style. The study of the place and functions of terminological vocabulary in the language of Ukrainian prose deserves attention also in terms of stylistics of artistic speech. It is important to establish certain regularities in the gradual development of the terms of modern prose – from their use in the literal sense to full inclusion in the artistic text, use in the form of tropes. The work will contribute to further study of the functional and stylistic features of the terminological vocabulary in prose, to reveal the main characteristic processes not only in the prose text, but also in the modern universal language.

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