scholarly journals Riña de Gatos. Madrid 1936: Mendoza desde la óptica de la memoria histórica en el siglo XXI

2016 ◽  
Vol 6 (1) ◽  
Author(s):  
Durba Banerjee
Keyword(s):  
Civil War ◽  
21St Century ◽  
Historical Novel ◽  
Transition Period ◽  
Historical Memory ◽  
War Literature ◽  
New Wave ◽  
Eduardo Mendoza ◽  
The Past ◽  
Civil War Literature

Abstract: 21st century Spain has witnessed a re-awakening of the past with Zapatero’s Historical Memory Law legislated in 2007 and a clamor to re-visit the Civil War (1936-39) and the Transition period with a critical stance. This new historical conscious has also resulted in a new wave of literature published on the Civil War. The objective of this paper is to explore how a work like Riña de Gatos. Madrid 1936 challenges the traditional boundaries of what is known as Civil War literature in Spain. The paper would encompass a thorough reading of the work authored by Eduardo Mendoza. In the process, it shall demonstrate the ability of this contemporary historical novel to transcend the boundaries of Civil War literature through a "rediscovery" of the Falange leader, Primo de Rivera (1903 – 1936) who was instrumental in the coup of 1936. Reseña: La España del siglo XXI ha atestiguado una vuelta del pasado con la Ley de Memoria Histórica de Zapatero (2007) y un clamor de retomar la Guerra Civil (1936-39) y el período de la Transición desde una postura crítica. Esta nueva consciencia histórica también ha resultado en una nueva ola de literatura publicada sobre la Guerra Civil. El objetivo de este trabajo es explorar cómo la obra Riña de Gatos. Madrid 1936 (2010) desafía los límites tradicionales de lo que se conoce como literatura de la Guerra Civil en España. El trabajo pretende una lectura detallada de esta obra de Eduardo Mendoza. En el proceso, demostraría su capacidad de trascender los límites de la literatura de la Guerra Civil a través de un "redescubrimiento" del líder de Falange, Primo de Rivera (1903 - 1936), que jugó un papel fundamental en el golpe de estado de 1936.

VT ET HOSTEM AMAREM: JOCASTA AND THE POETICS OF CIVIL WAR IN SENECA'S PHOENISSAE

Ramus ◽  
2017 ◽  
Vol 46 (1-2) ◽  
pp. 58-74
Author(s):  
Lauren Donovan Ginsberg
Keyword(s):  
Civil War ◽  
War Literature ◽  
The State ◽  
The Other ◽  
Next Generation ◽  
The Past ◽  
Civil War Literature ◽  
Two Generations ◽  
The One ◽  
Roman Civil War

Over the past two decades, scholars have devoted increasing attention to Roman civil war literature and its poetics, from the vocabulary of nefas, paradox, and hyperbole to the pervasive imagery of the state as a body violated by its citizens. Thebes and especially the civil war between Oedipus’ sons became prominent lenses through which Romans explored their country's strife-ridden past. Seneca's Phoenissae, however, has received comparatively little attention in this regard, often overshadowed by Statius’ epic Thebaid of the next generation. This paper investigates Seneca's contribution to the wider poetics of civil war through his expansion of the theme of incest, which Seneca uses to articulate civil war's most invasive, penetrative, and disintegrative effects. In particular, Seneca capitalizes on both the metaphorical potential of maternal violation and the eroticized imagery of Roman conquest to create disturbing points of contact between two generations of Jocasta's sons: the one who invaded her bed in the past, and the other who will soon invade his mother city. Seneca writes his Phoenissae to be an escalated return to the original sins of Oedipus’ incesta domus as another of Thebes’ native sons prepares to conquer his motherland.

Editor's Note

2017 ◽  
Vol 8 (1) ◽  
Author(s):  
Emily Kaliel
Keyword(s):  
Civil War ◽  
Public Memory ◽  
Historical Memory ◽  
Historical Analysis ◽  
Red River ◽  
Cultural Institutions ◽  
Economic Rights ◽  
The Past ◽  
Relationship Of

The articles published in our Fall 2016 edition are connected loosely under the themes of public memory and the uses of identity in the past. We are thrilled to present to you three excellent articles in our Fall 2016 edition: The article "Dentro de la Revolución: Mobilizing the Artist in Alfredo Sosa Bravo's Libertad, Cultura, Igualdad (1961)" analyzes Cuban artwork as multi-layered work of propaganda whose conditions of creation, content, and exhibition reinforce a relationship of collaboration between artists and the state-run cultural institutions of post-revolutionary Cuba; moving through fifty years of history “’I Shall Never Forget’: The Civil War in American Historical Memory, 1863-1915" provides a captivating look at the role of reconciliationist and emancipationist intellectuals, politicians, and organizations as they contested and shaped the enduring memory of the Civil War; and finally, the article “Politics as Metis Ethnogenesis in Red River: Instrumental Ethnogenesis in the 1830s and 1840s in Red River” takes the reader through a historical analysis of the development of the Metis identity as a means to further their economic rights. We wholly hope you enjoy our Fall 2016 edition as much as our staff has enjoyed curating it. Editors  Jean Middleton and Emily Kaliel Assistant Editors Magie Aiken and Hannah Rudderham Senior Reviewers Emily Tran Connor Thompson Callum McDonald James Matiko Bronte Wells

Learning about... the Civil War: Literature and Other Resources for Young People

2000 ◽  
Vol 33 (2) ◽  
pp. 262
Author(s):  
Christopher B. Harrod ◽  
Elaine C. Stephens ◽  
Jean E. Brown
Keyword(s):  
Civil War ◽  
Young People ◽  
War Literature ◽  
Civil War Literature

Revisiting the Past: History and Historical Memory during the Leningrad Blockade

2011 ◽  
Vol 38 (2) ◽  
pp. 105-129
Author(s):  
Alexis Peri
Keyword(s):  
Civil War ◽  
Past History ◽  
Historical Memory ◽  
Crimean War ◽  
Collective Memories ◽  
The Past ◽  
Everyday Practices ◽  
The Everyday ◽  
Historical Reflection

AbstractThis article examines the everyday practices of historical reflection, recollection, and reconstruction as revealed in diaries of the Leningrad Blockade. In particular, it focuses on how Leningraders who chose to keep diaries of their experiences worked to make sense of the siege by situating it historically and comparing it to two other historical moments, the blockade of Petrograd during the Civil War and the siege of Sevastopol' during the Crimean War. Their evaluations of these historical analogies were based on a combination of personal and collective memories as well as on their understandings of state-sanctioned accounts of these events. Ultimately, these historical refl ections alerted the diarists to what they came to see as the unique and incomparable aspects of Blockade.

scholarly journals Fragmentación en la novela histórica contemporánea sobre la Guerra Civil española

2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Durba Banerjee
Keyword(s):  
Civil War ◽  
Historical Novel ◽  
Narrative Structure ◽  
Historical Novels ◽  
New Wave ◽  
Fictional Narratives ◽  
Javier Cercas ◽  
History Of ◽  
Novela Historica ◽  
Soldados De Salamina

RESUMEN España ha visto una nueva ola de literatura publicada en la primera década de este siglo que trata el tema de la Guerra Civil y que se nutre de las preocupaciones y debates que rodean al movimiento de la recuperación de la memoria de la guerra y la posguerra. Este trabajo pretende indagar en la representación de la Guerra Civil en la novela histórica en particular, centrándose en su estructura narrativa fragmentada. El artículo reconoce la yuxtaposición de diferentes elementos del discurso político, periodístico y historiográfico dentro de las narrativas histórico-ficcionales y la estudia según la idea posmoderna de fragmentación. A manera de ejemplo, toma el caso de dos escritores – Javier Cercas y Alberto Méndez – y sus obras Soldados de Salamina (2001) y El impostor (2014), y Los girasoles ciegos (2004) respectivamente. Se utilizan los ejemplos tomados de las tres novelas históricas contemporáneas para demostrar cómo los textos se convierten en sitios de recuperación de la memoria de la guerra y en herramientas de una reconstrucción novedosa pero crítica de la historia de España mediante la adopción de la fragmentación de manera textual, temática y discursiva. ABSTRACT Spain has witnessed a new wave of literature published in the first decade of this century that deals with the theme of the Civil War and that draws upon the concerns and debates surrounding the movement of recover the memory of the war and the postwar. This work attempts to analyze the representation of the Civil War in the historical novel in particular by focusing on its fragmented narrative structure. The article acknowledges the juxtaposition of different elements from political, journalistic and historiographic discourse within the historical-fictional narratives and studies it according to the postmodern idea of fragmentation. For the purpose of explanation, it takes the case of two writers – Javier Cercas and Alberto Méndez – and their works Soldados de Salamina (2001) y El impostor (2014), and Los girasoles ciegos (2004) respectively. The examples taken from the three contemporary historical novels are used to demonstrate how the texts become sites of recovery of the memory of the war and tools of a novel yet critical reconstruction of the history of Spain by adopting textual, thematic and argumentative fragmentation.

Civil War Literature and the News

2020 ◽  
Vol 32 (3) ◽  
pp. 564-572
Author(s):  
Travis M Foster
Keyword(s):  
Civil War ◽  
War Literature ◽  
Civil War Literature

Fatality Thresholds, Causal Heterogeneity, and Civil War Research: Reconsidering the Link Between Narcotics and Conflict

2016 ◽  
Vol 7 (1) ◽  
pp. 85-105 ◽  
Author(s):  
Noel Anderson ◽  
Alec Worsnop
Keyword(s):  
Civil War ◽  
Dynamic Theory ◽  
War Literature ◽  
Rebel Groups ◽  
Case Selection ◽  
Multiple Thresholds ◽  
Civil War Literature ◽  
Threshold Criteria ◽  
The Relationship ◽  
Conflict Intensity

Determining the appropriate fatality threshold criteria for case selection in the civil war literature has proven contentious. Yet, despite continued debate, our survey of the literature finds that scholars rarely examine their findings across multiple thresholds. Of those that did evaluate their findings in this way, nearly half found that their results changed at different thresholds. Because minor and major conflicts often exhibit different causal patterns, scholars should explore their empirical findings across a range of theoretically motivated thresholds. To illustrate the utility of this approach, we demonstrate that the relationship between narcotics and conflict intensity varies across thresholds. We then introduce a dynamic theory that emphasizes the endogeneity of rebel groups’ decisions to turn to drug cultivation during civil war.

scholarly journals Desventuras do Pós-independência em Moçambique: nacionalismo, guerra civil e memória coletiva

2021 ◽  
Vol 5 (9) ◽  
pp. 55
Author(s):  
Andressa Da Silva Machado
Keyword(s):  
Civil War ◽  
Collective Memory ◽  
War Literature ◽  
National Consciousness ◽  
The Novel ◽  
Historical Source ◽  
Civil War Literature ◽  
History Of ◽  
Literature History ◽  
Literary Narrative

O presente artigo apresenta as principais contradições do projeto político nacional da Frelimo, em sua tentativa de construção de uma consciência nacional no pós-independência em Moçambique. É possível  identificar alguns aspectos que interagiam e moldaram a memória coletiva do povo moçambicano com relação à guerra civil, como no romance Ventos do Apocalipse de Paulina Chiziane, onde a autora enuncia, de forma crítica ao governo socialista e unipartidarista em Moçambique, uma narrativa literária que pode ser analisada como fonte histórica.Palavras-chaves: Moçambique. Nacionalismo. Guerra civil. Literatura.Abstract This paper presents the main contradictions of Frelimo's national political project, in its attempt to build a national consciousness post-independence in Mozambique. It is possible to identify some aspects that interacted and shaped the collective memory of the Mozambican people in relation to the civil war, as in the novel Ventos do Apocalipse by Paulina Chiziane, where the author critically enunciates the socialist and unipartisan government in Mozambique, a literary narrative that can be analyzed as a historical source. Keywords: Mozambique; Nationalism; Civil war; Literature; History of Africa

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