Informing the public about psychological health through public art

2005 ◽  
Author(s):  
Keyword(s):  
Psychological Health ◽  
Public Art ◽  
The Public

Remembering How to Forget: An Artist's Exploration of Sound

2001 ◽  
Vol 11 ◽  
pp. 65-69 ◽  
Author(s):  
Scanner
Keyword(s):  
Public Art ◽  
Cellular Phone ◽  
Sound Art ◽  
The Public ◽  
Electronic Sound ◽  
Significant Performance ◽  
The Relationship ◽  
Digital Landscape

This article is an introduction to the work of electronic sound artist Scanner, which explores the place of memory, the cityscape and the relationship between the public and the private within contemporary sound art. Beginning with a historical look at his CD releases a decade ago, the article explores his move from his cellular phone works to his more collaborative digital projects in recent times. With descriptions of several significant performance works, public art commissions and film soundtrack work, the piece explores the resonances and meanings with the ever-changing digital landscape of a contemporary sound artist.

Lowercase Strategies in Public Sound Art: celebrating the transient audience

2013 ◽  
Vol 18 (1) ◽  
pp. 14-21 ◽  
Author(s):  
Peter Batchelor
Keyword(s):  
Public Art ◽  
Public Domain ◽  
Sound Art ◽  
Acoustic Ecology ◽  
Public Places ◽  
The Public ◽  
Everyday Lives ◽  
A Site

Public art invariably involves the drawing of individuals into the roles of audience and participant by virtue of it being in the public domain – in public places where those individuals are getting on with their everyday lives. As such, a large proportion of the ‘audience’ is an unwitting one, subjected to the art rather than subscribing to it. This is equally true of public sound art, where response to an intervention may vary from engagement to non-engagement to indifference to unawareness, along with a variety of transitional states between. This essay seeks to investigate this ambiguous territory in public sound art, proposing it both as an area rich in possibility for creative exploration and as a means by which artists may reveal and encourage sensitivity to the existing characteristics of a site (thus accommodating the pursuit of agendas relating to acoustic ecology). In particular it investigates and presents a case for the use of lowercase strategies in sound art as ways in which the public might be invited into a dialogue with works (invitation rather than imposition) and thus empowered as partakers of public sound art.

scholarly journals The Islamic Concept of Happiness: Psychological Analysis

2022 ◽  
Vol 14 (4) ◽  
pp. 923-950
Author(s):  
O. S. Pavlova
Keyword(s):  
Moral Psychology ◽  
Psychological Health ◽  
Well Being ◽  
The Public ◽  
Psychological Science ◽  
Psychological Analysis ◽  
Modern Psychology ◽  
Muslim Communities ◽  
And Behavior ◽  
Health And Well Being

The article is devoted to the study of the Islamic concept of happiness from the standpoint of psychological science. Two approaches to the understanding of happiness, originating in Antiquity, are considered: hedonistic and eudemonistic; the cultural specifi city of happiness is investigated through the prism of ethnocultural values. It outlines the views on psychological health and well-being in Islam, as well as the views on social and individual predictors of happiness of medieval and modern Muslim scholars. The author concludes that the concept of happiness and the idea of it has its own specifi city in diff erent cultures. The concept of happiness among Muslims is directly related to their religious values and worldview, as well as to the peculiarities of ethnic culture. Since Muslim communities are collectivist, the happiness of an individual is seen as closely related to the public good. For a Muslim, the path to happiness is associated with improving his character and the formation of moral values and behavior. Modern Psychology and Psychotherapy are developing the ideas about moral psychology and the ways of its formation as the basis for the psychological wellbeing of an individual.

Strategies to Mitigate the COVID-19 Challenges of Universities in Bangladesh

2021 ◽  
pp. 563-587
Author(s):  
Sheikh Mohammed Rafiul Huque ◽  
Tasnima Aziza ◽  
Tahira Farzana ◽  
Mohammad Nazmul Islam
Keyword(s):  
Graduate Students ◽  
Psychological Health ◽  
Private Universities ◽  
Mitigation Strategies ◽  
Public And Private ◽  
The Public ◽  
Key Stakeholders ◽  
Teaching Learning ◽  
Privately Owned ◽  
Depth Interviews

The education sector in Bangladesh has been affected severely by the COVID-19 pandemic crisis like many other countries around the globe. Both the public and private universities faced different types of challenges to continue the teaching-learning process during this time. The chapter has explored these challenges and mitigation strategies based on quantitative and qualitative studies with undergraduate and graduate students of public and private universities. The study has covered both public and privately owned general and engineering universities to explore more specific issues and directives. Moreover, in-depth interviews were conducted with teachers to learn the problems they faced and subsequent strategies to cope with the challenges to minimize these challenges and educational loss. The study identified the infrastructural, technical, psychological, health, educational policy, and financial-related challenges faced by key stakeholders. The study incorporated directives to overcome these challenges and provide guidelines for policymakers at home and abroad.

Encountering public art: monumental breasts and the Skywhale

2018 ◽  
pp. 205-218
Author(s):  
Alison Bartlett
Keyword(s):  
Social Media ◽  
Public Art ◽  
Visual Imagery ◽  
Public Domain ◽  
Affective Domain ◽  
The Public ◽  
Hot Air

This chapter is grounded in the idea that more visual imagery of breastfeeding will contribute to its normalisation, and counter the commercial sexualisation of breasts. It suggests, however, that this strategy is not just about seeing but also about feeling. To demonstrate this the chapter turns to a controversial piece of public art — Patricia Piccinini's Skywhale — which was launched in Australia in 2013 and has been touring internationally. The Skywhale is a hot-air balloon in the shape of a fantastical creature of the imagination, which features five giant breasts on each side. This unexpected flying mammal provokes responses wherever it goes, and arguably provides productive ways of engaging public responses to breastfeeding and maternity. This chapter examines responses to Skywhale through broadsheet and social media, and then analyses its affective domain through psychoanalytic concepts and its materiality through the tradition of public art and monuments. The extremes of intimacy and monumentality configured through Skywhale offer an object par excellence for seeing breastfeeding writ large in the public domain, and for feeling the return of the maternal. The chapter argues that this is fundamental to a shift in perceiving breasts as maternal, and breastfeeding as normative.

The Ambiguity of Repose: Sculpture and the Public Art of W. B. Yeats

ELH ◽  
1983 ◽  
Vol 50 (2) ◽  
pp. 379 ◽  
Author(s):  
Michael North
Keyword(s):  
Public Art ◽  
The Public

Public Art and Contemporary Urban Culture – Research of Embodiment of Core Value of Urban Public Art in the Construction of Urban Culture

2014 ◽  
Vol 919-921 ◽  
pp. 1634-1637
Author(s):  
Zhi Guo Li ◽  
Jing Sun
Keyword(s):  
Urban Space ◽  
Public Art ◽  
Urban Culture ◽  
City Image ◽  
Cultural Interpretation ◽  
The Public ◽  
City Culture ◽  
Core Value ◽  
The Masses ◽  
The Relationship

As the cultural interpretation and the most intuitionist expression vector, urban public art explain the urban space morphology, aesthetic function by the visual art, construct contemporary aesthetic culture and the public service system of the masses, manifest characteristics of urban culture value and the trend in period of social transition increasingly. It explained the relationship between public art and urban culture core value and construction of Public art in city culture construction in detail. In the end, it presented the realization of culture value taken from public art and the creation of city image by public art.

Public art libraries and artists and designers: a symbiotic scheme for success

1987 ◽  
Vol 12 (3) ◽  
pp. 29-34 ◽  
Author(s):  
William J. Dane
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Public Art ◽  
Public Library ◽  
Early 20Th Century ◽  
Symbiotic Relationship ◽  
Art Exhibitions ◽  
The Public ◽  
Special Collections ◽  
Career Opportunities

The inter-relationship between art librarians and artists/designers in the public library sector in America has been a reality since the early 20th century when libraries were organized into subject departments. This specialized clientele is eclectic and ranges from novices to the most accomplished artists and includes architects, art directors, illustrators, calligraphers, craftspeople and photographers in addition to painters, sculptors and graphic artists. Materials and services in public art libraries are highly diversified and the literature of other disciplines is also readily available. The increase in art exhibitions and special collections is noted in addition to a new focus on information for career opportunities, art law and the handicapped. Current developments set the stage for the continuing symbiotic relationship between public art librarians and artists/designers into the 21st century.

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