scholarly journals Let’s be open about this

2020 ◽  
Vol 42 (2) ◽  
pp. 3-3
Author(s):  
Chris Willmott

Despite the emergence of new media, publication of peer-reviewed papers remains the principal way by which scientific research is disseminated. For those of us with British sensibilities about discussing money, it is an uncomfortable truth that publication is not a zero-cost enterprise; articles need to go through various editorial processes, as well as being made available via electronic and/or printed format. All of those stages incur costs. Science Editor Chris Willmott discusses the Biochemical Society's new transformative Read and Publish model.

This chapter examines many types of new media art that are being created with computing. Displaying art becomes a tool for exchanging information and ideas that also creates channels for the viewers’ input through digital art interactive events. Biology inspired computing applied for artistic tasks has often a mutual relationship with scientific research involving evolutionary computing. Net art, along with other electronic art media, may be seen closely related to the semantic networks and social networking media. Many times these media provide computational solutions for entertainment.


Author(s):  
Joseph A. Goguen

Virtual worlds, construed in a broad enough sense to include text-based systems, as well as video games, new media, augmented reality, and user interfaces of all kinds, are increasingly important in scientific research, entertainment, communication, commerce, and art. However, we lack scientific theories that can adequately support the design of such virtual worlds, even in simple cases. Semiotics would seem a natural source for such theories, but this field lacks the precision needed for engineering applications, and also fails to addresses interaction and social issues, both of which are crucial for applications to communication and collaboration. This chapter suggests an approach called algebraic semiotics to help solve these and related problems, by providing precise application-oriented basic concepts such as sign, representation, and representation quality, and a calculus of representation that includes blending. This chapter also includes some theory for narrative and metaphor, and case studies on information visualization, proof presentation, humor, and user interaction.


Author(s):  
Olga Trishchuk ◽  
Oksana Grytsenko ◽  
Nadija Figol ◽  
Tetiana Faichuk ◽  
Vasyl Teremko

This article defines the main characteristics of the media during quarantine, analyzes the peculiarity of online media during the crisis caused by the coronavirus pandemic COVID-19 and highlights changes in the content of media platforms during the spread of the coronavirus pandemic, considering changes in user interests and new media projects offered especially during this pandemic. General scientific research methods (analysis, synthesis) and special research methods of online media characteristics (content analysis) have been used. Based on the results of the survey, the most popular online platforms were identified during quarantine restrictions, the most vulnerable areas of online media were identified during the crisis, and details of the presentation of material on OVID-19 were analyzed by various means. It is concluded that social quarantine restrictions have led to an increase in activity among users of online media, now focusing on the content of the information and the constant monitoring of the situation of the pandemic, as well as ways to defend against it.


Author(s):  
Marta Menezes

Throughout art history numerous artists have explored connections to science. In the society of today, the relationship between art and biology has been acquiring special visibility. Moreover, the current importance given to science and technology by today's public opinion directly drives an increased awareness about the relationship between art and science. The public eagerly follows any breakthroughs of scientific research that reach the public sphere, with mixed feelings: simultaneously awe, hope, and fear for potential misuse. Such awareness about biological sciences and biotechnology has been having an increasing influence over artists, with a strong emphasis on the biological sciences. Nowadays, the position of artists as mere interpreters and observers is obsolete, and is reminiscent of a time before the term “science” was created. Now the artist is no longer a passive observer of the scientific research, but does not quite fit the current definition of a basic science researcher. The artist is, rather, an art researcher. This particular position, has been developed within the academic environment and within a growing and trendy artscience community. It has led to the development of strategies to promote the exploration of research possibilities deriving from a cross-talk between artists and scientists. While art and science seems to be establishing itself as a new art practice, as a research field it has been rooted on the timeless investigation strategy of science (as interpreted by artists) in order to develop its own new methods of practice, new media and installation strategies, and new ways to manipulate the materials for artistic expression. Art and Science (and especially art and biology) is itself, in my view, a great example for the setting of brackets to the field of art research.


2016 ◽  
Vol 15 (06) ◽  
pp. A02 ◽  
Author(s):  
Kristian Martiny ◽  
David Budtz Pedersen ◽  
Alfred Birkegaard

In this article, we present three challenges to the emerging Open Science (OS) movement: the challenge of communication, collaboration and cultivation of scientific research. We argue that to address these challenges OS needs to include other forms of data than what can be captured in a text and extend into a fully-fledged Open Media movement engaging with new media and non-traditional formats of science communication. We discuss two cases where experiments with open media have driven new collaborations between scientists and documentarists. We use the cases to illustrate different advantages of using open media to face the challenges of OS.


1966 ◽  
Vol 24 ◽  
pp. 188-189
Author(s):  
T. J. Deeming

If we make a set of measurements, such as narrow-band or multicolour photo-electric measurements, which are designed to improve a scheme of classification, and in particular if they are designed to extend the number of dimensions of classification, i.e. the number of classification parameters, then some important problems of analytical procedure arise. First, it is important not to reproduce the errors of the classification scheme which we are trying to improve. Second, when trying to extend the number of dimensions of classification we have little or nothing with which to test the validity of the new parameters.Problems similar to these have occurred in other areas of scientific research (notably psychology and education) and the branch of Statistics called Multivariate Analysis has been developed to deal with them. The techniques of this subject are largely unknown to astronomers, but, if carefully applied, they should at the very least ensure that the astronomer gets the maximum amount of information out of his data and does not waste his time looking for information which is not there. More optimistically, these techniques are potentially capable of indicating the number of classification parameters necessary and giving specific formulas for computing them, as well as pinpointing those particular measurements which are most crucial for determining the classification parameters.


2006 ◽  
Vol 37 (2) ◽  
pp. 57-57
Author(s):  
Bernad Batinic ◽  
Anja Goeritz

2019 ◽  
Vol 35 (5) ◽  
pp. 737-750 ◽  
Author(s):  
Christopher Gess ◽  
Christoph Geiger ◽  
Matthias Ziegler

Abstract. Although the development of research competency is an important goal of higher education in social sciences, instruments to measure this outcome often depend on the students’ self-ratings. To provide empirical evidence for the utility of a newly developed instrument for the objective measurement of social-scientific research competency, two validation studies across two independent samples were conducted. Study 1 ( n = 675) provided evidence for unidimensionality, expected differences in test scores between differently advanced groups of students as well as incremental validities over and above self-perceived research self-efficacy. In Study 2 ( n = 82) it was demonstrated that the competency measured indeed is social-scientific and relations to facets of fluid and crystallized intelligence were analyzed. Overall, the results indicate that the test scores reflected a trainable, social-scientific, knowledge-related construct relevant to research performance. These are promising results for the application of the instrument in the evaluation of research education courses in higher education.


1967 ◽  
Vol 12 (10) ◽  
pp. 525-525
Author(s):  
MORTON DEUTSCH
Keyword(s):  

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