scholarly journals Erratum to: On the issue of defining the essence of the object of the intangible cultural heritage: historical retrospective and significance for the development of modern society

2018 ◽  
Vol 55 ◽  
pp. 05013
Author(s):  
Muminat Doguzhaeva ◽  
Nikolai Dorokhov ◽  
Tatiana Kochepasova ◽  
Natalia Nazarenko ◽  
Evgeniya Simaeva
Author(s):  
Kaloyan Nikolov ◽  

Contemporary festivity outlines the views of modern society on the way celebrations and celebrations of events of different magnitude and significance. Contemporary folk festivals are part of this celebration, combining traditional elements and modern components. Relying on the thesis that the existence of the song, dance, tradition is positioned at the moment of performance and practice, the elements put into the conditions of presentation - the intangible cultural heritage go through a preparatory phase of transmission, which has a significant impact on its preservation. Keywords: folklore festival, culinary festival, preservation of intangible cultural heritage, living heritage


Author(s):  
Stepan Dychkovskyy

The purpose of the article consists of the study of the activity of skansen in the intangible cultural heritage system. The methodology is the application of historical, bibliographic, and analytical methods. The scientific novelty of the work is to justify the appropriateness and application of the new concept of tourism activity of scans in the system of intangible cultural heritage. Conclusions. Features of the development of tourism in a post-industrial society influenced the conceptual approaches to the museum topes, which first broadcast chronological meaning, but with the proliferation of skansen museums was beyond the phenomenological limits of time and space. The proliferation of scansions as interactive open-air exhibits became a reflection of changes in the cultural and socio-economic life of modern society. The trends in the development of active consumerism in the social and economic spheres, globalization processes, the growth of cultural and creative industries have identified new areas of activity for museums - skansens, which transformed from museums that showed ethnographic collections in the space of the formation of a new cultural being.


2018 ◽  
Vol 55 ◽  
pp. 05009
Author(s):  
Muminat Doguzhaeva ◽  
Nikolai Dorokhov ◽  
Tatiana Kochemasova ◽  
Natalia Nazarenko ◽  
Evgeniya Simaeva

The authors attempt to consider the reflection of the issues of preserving the intangible cultural heritage in the normative legal acts of the Russian Federation in different historical periods. The paper traces the state position in relation to the manifestations of the intangible cultural heritage as to the unique products of the nation with its language and history. The Purpose (the object) of the paper is the following: on the basis of analysis of historical normative material, to consider the current state and forecast possible options for the formation of Russia’s socio-cultural policy with an emphasis on the importance of the intangible cultural heritage.


2021 ◽  
Vol 3 (1) ◽  
Author(s):  
Lingran Liu

The creative industry is an important path for the development of culture and art in modern society. The core of the creative industry is culture and artistic creativity. The protection and development of cultural heritage and creative industry are inseparable. This paper will analyze the protection and development of the two types of intangible cultural heritage in China and the West with creative industries as the backdrop, and try to analyze it from a culturological perspective.


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Bui Thuy Phuong

In the trend of Industry Revolution 4.0, tourism has been considered as one of the key and key economic sectors of the country and smokeless industry requires sustainable tourism development associated with the conservation and promotion of tangible and intangible cultural heritage values are becoming more and more important and urgent than ever. Author through deeply analysing the context and situation of developing a model linking sustainable tourism with preserving and promoting the specific tangible and intangible cultural heritage values of Quang Ninh province in the previous period thereby proposing a system of appropriate solutions to develop models of cultural tourism, heritage tourism, rural tourism, community tourism...in close association with specific values conservation and promotion of tangible and intangible cultural heritage, livelihood development and sustainable multidimensional poverty reduction for ethnic minorities groups in the current Industry Revolution 4.0 trend.


2016 ◽  
Vol 25 (2) ◽  
Author(s):  
James Tsaaior

Scholarship negotiating African folktales and the entire folkloric tradition in Africa has always been constituted as harbouring fundamental lacks. One of these lacks is the supposed incapacity of oral cultures to produce high literature. However, it is true that folktales and other oral forms in Africa can participate actively in the social, political and cultural process. In this paper, we engage folktales told by the Tiv of central Nigeria and situate them within the dynamic of history, culture, modernity and national construction in Nigeria. The paper adopts a historicist and culturalist perspective in its interpretation of the folktales which were collected in particular Tiv communities. This methodological approach helps to crystallize the historical and cultural lineaments embedded in the people’s experiences, values and worldviews. It also constitutes a contextual background for the understanding of the folktales as they offer informed commentaries on social currents and political contingencies in Nigeria. It argues that though folktales belong to a pre-scientific and pre-industrial dispensation, they are part of the people’s intangible cultural heritage and are capable of distilling powerful statements which negotiate Nigerian modernity and postcolonial condition. The paper underscores the dynamism and functionality of folktales even in an increasingly globalised ethos.


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