scholarly journals Culturological Interpretation of the Protection and Development of Intangible Cultural Heritage under the Background of Creative Industries—— Taking Nanjing Baiju and Sardinian Pastoral Songs as Examples

2021 ◽  
Vol 3 (1) ◽  
Author(s):  
Lingran Liu
Keyword(s):  
Cultural Heritage ◽  
Modern Society ◽  
Creative Industries ◽  
Intangible Cultural Heritage ◽  
Creative Industry ◽  
The West ◽  
Artistic Creativity ◽  
The Core

The creative industry is an important path for the development of culture and art in modern society. The core of the creative industry is culture and artistic creativity. The protection and development of cultural heritage and creative industry are inseparable. This paper will analyze the protection and development of the two types of intangible cultural heritage in China and the West with creative industries as the backdrop, and try to analyze it from a culturological perspective.

scholarly journals Skansen tourist activity in the system of updating the resources of cultural intangible heritage

2020 ◽  
Author(s):  
Stepan Dychkovskyy
Keyword(s):  
Cultural Heritage ◽  
Modern Society ◽  
Creative Industries ◽  
Economic Life ◽  
Industrial Society ◽  
Intangible Cultural Heritage ◽  
Intangible Heritage ◽  
The Social ◽  
Tourism Activity ◽  
Post Industrial

The purpose of the article consists of the study of the activity of skansen in the intangible cultural heritage system. The methodology is the application of historical, bibliographic, and analytical methods. The scientific novelty of the work is to justify the appropriateness and application of the new concept of tourism activity of scans in the system of intangible cultural heritage. Conclusions. Features of the development of tourism in a post-industrial society influenced the conceptual approaches to the museum topes, which first broadcast chronological meaning, but with the proliferation of skansen museums was beyond the phenomenological limits of time and space. The proliferation of scansions as interactive open-air exhibits became a reflection of changes in the cultural and socio-economic life of modern society. The trends in the development of active consumerism in the social and economic spheres, globalization processes, the growth of cultural and creative industries have identified new areas of activity for museums - skansens, which transformed from museums that showed ethnographic collections in the space of the formation of a new cultural being.

Impact of diversifying media content on country's economic potential: case study of South Korea

2021 ◽  
Vol 7 (Extra-D) ◽  
pp. 187-199
Author(s):  
Alina Vitalievna Fadeeva ◽  
Daria Anatolevna Puiu ◽  
Pavel Yurievich Gurushkin ◽  
Sergey Borisovich Nikonov ◽  
Iuliia Valerievna Puiu
Keyword(s):  
South Korea ◽  
Effective Interaction ◽  
Modern Society ◽  
Creative Industries ◽  
Practical Significance ◽  
Creative Industry ◽  
Art Cinema ◽  
Software Products ◽  
Scientific Potential ◽  
The Moment

The popularity of Korean pop culture in the world can be considered an exceptional phenomenon of 2020. One should note that processes reflecting the effective interaction of state structures with the spheres of the creative industry in the modern economy have a special scientific potential at the moment. These creative industry spheres include art, cinema, animation, music, game development and software products. The most successful case in this area is the developed system of cultural media export in South Korea. Research into the economic opportunities of creative industries as a new stage in modern society is becoming a practically significant way to solve the problems of increasing the country's economic power in the Digital Age. The experience of South Korea is still insufficiently covered in Russian research. The practical significance of research in this field is associated with the study of the use of cultural products as a tool for economic growth.

scholarly journals The role of cultural industries in modern cultural life of the region (on the example of N. D. Neustroev's comedy “Tieteybit”)

2021 ◽  
pp. 47-52
Author(s):  
Nurgun Vyacheslavovich Afanasev ◽  
Ul'yana Valer'evna Titova
Keyword(s):  
Cultural Heritage ◽  
Social Life ◽  
Creative Industries ◽  
Creative Industry ◽  
Young Generation ◽  
Regional Culture ◽  
Classical Literature ◽  
Cultural Life ◽  
The Impact

The object of this research is the role of the comedy “Tieteybit” by N. D. Neustroev in cultural life of the Sakha Republic (Yakutia). The subject is the impact of modern creative industries upon cultural life of the region. On the example of Nikolay Denisovich Neustroev's comedy play “Tieteybit”, the authors examine the use of creative approaches towards preservation and popularization of cultural heritage of the Sakha people. It is noted that over the recent years, a major event in the development of spiritual culture and cultural life of the region overall has become the innovations introduced by the contemporaries in staging the Yakut comedies. Motifs of the comedy “Tieteybit” served as the prototype for staging the the first Yakut musical comedy, and even a film. A survey was conducted touching upon the following questions: are the innovations introduced in culture in form of a screen version of classical literature with the elements of innovation encourage the young generation to studying the Yakut cultural heritage?; what is the relevance of the work by N. D. Neustroev “Tieteybit”? The conclusions is made that in the XXI century, N. D. Neustroev's comedy “Tieteybit” has become one of the basics for the development of creative industry of the region. As an instrument for the development of regional culture, creative industry may play the strongest and highly effective role in the development of social life of the region.

INTANGIBLE HERITAGE AS A SOCIAL FACTOR OF THE DEVELOPMENT OF URBAN AREAS IN A SERVICE ECONOMY

2016 ◽  
Vol 10 (3) ◽  
pp. 18-25 ◽  
Author(s):  
Светлана Хуснутдинова ◽  
Svetlana Khusnutdinova ◽  
Мария Сафонова ◽  
Mariya Safonova
Keyword(s):  
Cultural Heritage ◽  
Urban Areas ◽  
Social Factor ◽  
Creative Industries ◽  
General Level ◽  
Intangible Cultural Heritage ◽  
Intangible Heritage ◽  
City Tourism ◽  
The Republic ◽  
The City

The article is devoted to study the role of intangible cultural heritage in the development of modern urban areas. Modern cities are experiencing a transformational load associated with the transition from industry to the post-in- dustry – service industry comes on the place of the plants, and one of the leading sectors becomes tourism. Social and environmental factors on the one hand, reflect the general level of development of the city and, on the other hand, in a post-industrial economy are the main actors in the development of all areas, including city tourism. Intangible cultural heritage is seen as a social factor, the formation of which is related to the environment (natural- ecological spheres), and history of the city. Intangible cultural heritage serves as a catalyst for the creative economy and the events of the city, which in turn have a positive impact on city tourism. The city squares, streets, parks are becoming the immediate territorial areas, where the intangible cultural heritage are demonstrated to the citizens and tourists and their level of status, comfort and attractiveness depends largely on the implementation of the tourism potential of the intangible heritage. Cities skillfully combining the intangible heritage, creative industries, event and educational tourism receive an additional impulse for the development of city tourism and the whole economy of the city. The Republic of Tatarstan last decade is actively moving towards the formation of territorial attractive tourism product. Kazan has ranked among the leading cities of domestic tourism sector. Moreover, any tourism city is interested in attracting more tourists for longer periods, which is possible due to the diversity of the program in the city or region. Intangible cultural heritage can play an important role in solving this problem. In the article using the example of the three cities of the republic – Kazan, Chistopol and Elabuga – is shown as a combination of social factors, such as intangible cultural heritage, and natural factors can create an attractive tourism route. Publication of the article was supported by Russian Humanitarian Research Foundation and government of the Republic of Tatarstan as part of scientific project № 15–13–16004.

scholarly journals A Study of the Chinese-English Translation of Culture-specific Items in Publicity Texts of Guangzhou’s Intangible Cultural Heritage

2021 ◽  
Vol 11 (6) ◽  
pp. 749-755
Author(s):  
Shaohui Zheng
Keyword(s):  
Cultural Heritage ◽  
English Translation ◽  
Soft Power ◽  
Target Language ◽  
Intangible Cultural Heritage ◽  
Translation Strategies ◽  
The Core ◽  
Literal Translation ◽  
Free Translation ◽  
Pedagogical Application

Intangible cultural heritage is the core of Guangzhou’s cultural “soft power”. The Chinese-English translation of intangible cultural heritage is an important way to promote Guangzhou’s culture and to arouse the awareness of protecting intangible cultural heritage in the whole society. The culture-specific items in the publicity texts of intangible cultural heritage reflect the charm and heterogeneity of Guangzhou’s culture. This paper proposes that while translating cultural-specific items of Guangzhou’s intangible cultural heritage, in order to ensure that the translation can retain the cultural characteristics of the source language and be understood and accepted by the target language readers, translators should combine the translation strategies of Domestication and Foreignization and flexibly adopt seven methods, i.e., literal translation, literal translation plus transliteration, literal translation plus explanation, transliteration plus explanation, transliteration plus category words, transliteration plus intra-text explanation and transliteration plus free translation. Suggestions are also given aiming to provide reference for the researches and practice of the translation of intangible cultural heritage in Guangzhou and other cities. It is also hoped that this study can provide some implications for pedagogical application and be helpful for those who follow closely the translation of intangible cultural heritage.

scholarly journals Folklore Festivals - A Modern Method of Safeguarding the Living Cultural Heritage

2020 ◽  
Vol 6 (1) ◽  
pp. 43-51
Author(s):  
Kaloyan Nikolov ◽  
Keyword(s):  
Cultural Heritage ◽  
Modern Society ◽  
Modern Method ◽  
Intangible Cultural Heritage ◽  
Preparatory Phase ◽  
The Moment ◽  
The Way

Contemporary festivity outlines the views of modern society on the way celebrations and celebrations of events of different magnitude and significance. Contemporary folk festivals are part of this celebration, combining traditional elements and modern components. Relying on the thesis that the existence of the song, dance, tradition is positioned at the moment of performance and practice, the elements put into the conditions of presentation - the intangible cultural heritage go through a preparatory phase of transmission, which has a significant impact on its preservation. Keywords: folklore festival, culinary festival, preservation of intangible cultural heritage, living heritage

scholarly journals Antithesis versus Inspiration: Chinese Clothing in the Eyes of Western Theorists and Fashion Designers

2021 ◽  
Vol 4 (2(8)) ◽  
pp. 81-95
Author(s):  
Magdalena Grela-Chen
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
Fashion History ◽  
The West ◽  
Fashion Theory ◽  
Fashion Designers

Dress is a part of Chinese cultural heritage that has fascinated Western audiences for centuries. On the National List of Intangible Cultural Heritage of China, there are items related to textiles, embroideries and certain examples of Chinese clothing. This article analyses issues connected with the different uses of Chinese dress in the West. To fashion theorists such as Bell, Wilson, Sapir and Veblen, Chinese dress was the opposite of modern Western clothing and did not deserve to be called fashion. However, researchers such as Welters, Lillethun and Craik have opposed viewing fashion theory through a Eurocentric prism in their desire to rewrite fashion history. Fashion designers drew ideas from China, treating it as a source of inspiration to create their own original designs. For some of them, such as Yves Saint Laurent, it was a China of their imagination. In certain cases, they made use of porcelain designs or dragon motifs in their own collections, for instance, in designs by Cavalli and Ford. The incorporation of Chinese garments into Western collections has also become visible.

scholarly journals Traditional music protection from the perspective of intangible cultural heritage

2021 ◽  
Vol 9 (4) ◽  
Author(s):  
Jie Zhang
Keyword(s):  
Economic Development ◽  
Cultural Heritage ◽  
National Culture ◽  
Traditional Music ◽  
Intangible Cultural Heritage ◽  
The West ◽  
Key Points ◽  
National Music

Music is a very important part of national culture, and also an important intangible cultural heritage. In the contemporary era of rapid economic development and increasingly prosperous exchanges between China and the west, the inheritance and promotion of national music has attracted unprecedented attention and become an important topic in the protection of intangible cultural heritage in China. Starting from the context of intangible cultural heritage, this paper analyzes the key points of inheritance and promotion of national music in the context of intangible cultural heritage, hoping to contribute to the protection of intangible cultural heritage in China.

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