Movies for the Masses: The British in the Second World War

2010 ◽  
pp. 107-126
Author(s):  
Ian Scott
1999 ◽  
Vol 25 (1) ◽  
pp. 107-122 ◽  
Author(s):  
CHRISTOPHER HILL

They tell us that the Pharoahs built the pyramids. Well, the Pharoahs didn't lift their little fingers. The pyramids were built by thousands of anonymous slaves . . . and it's the same thing for the Second World War. There were masses of books on the subject. But what was the war like for those who lived it, who fought? I want to hear their stories.Writing about international relations is in part a history of writing about the people. The subject sprang from a desire to prevent the horrors of the Great War once again being visited upon the masses and since then some of its main themes have been international cooperation, decolonisation, poverty and development, and more recently issues of gender.


1970 ◽  
Vol 41 ◽  
pp. 83-102 ◽  
Author(s):  
Michael R. Saso

Taiwan>, a fertile island lying approximately 120 miles off the coast of Fukien Province in South China, cut in half by the Tropic of Cancer, has recently come to the notice of western sinologists as a rich source for the study of traditional Chinese life and customs. Prior to the Second World War, during the Japanese occupation, the scholars of that learned nation devoted much effort and printed space to the study of the folk religion, customs and folklore of the Taiwanese, works which can still be purchased in the second-hand bookshops of Taipei. These works were perhaps the first to take notice of the existence of Taoism and Taoist priests in Taiwan, alongside Buddhism and “Confucianism.” But the reports were scanty, only a few pages being devoted to the two kinds of Taoists, “Red-head” and “Black-head,” and the rituals they performed. By far the greater part of the Japanese research was devoted to the “popular religion,” that nameless entity which the masses of China's peasants traditionally believed in, sometimes described as the “Three Religions in One,” an irenic mixture of Buddhism, Taoism and Confucianism.


2018 ◽  
Vol 20 (4) ◽  
pp. 619-636
Author(s):  
Bohdana Kurylo

This article reanimates the Adorno–Benjamin debate to investigate the potential of contemporary technologised consumer culture to become a space for bottom-up political agency and resistance. For both Theodor Adorno and Walter Benjamin, the technological advancement of the 20th century had an inherently irrational character, as evidenced by the self-destructive tendencies of humanity during the Second World War. Nonetheless, the thinkers famously disagreed when it came to the implications of the marriage between technology and mass culture. Discerning its potential for the mobilisation of the masses, Benjamin believed that technology would politicise mass culture, allowing society to employ it for its political ends – an idea which Adorno debunked. Technologised consumer culture has noticeably evolved since the time of the debate. Nevertheless, revisiting the debate is necessary to understand a contradiction between the expanded possibilities for political participation and the return of the ‘auratic’ or cultic function of technologised consumer culture. At the same time, the article shows that technology does politicise consumer culture. However, the pitfall lies in that the politicisation is done through technology as a tool, which is vulnerable to appropriation, granting those who are in the position to control it a substantial political resource. Consequently, the article argues that the politicisation of consumer culture risks having a reverse effect of facilitating the aestheticising of politics – turning politics into a spectacle.


Author(s):  
Moana Soto

Over time many have developed conceptions of museums, the old cabinets of curiosity to the public museums emerged in the post-French Revolution, designed to build national identity and 'enlighten the masses'. However, the emergence of a new design museum asan institution built by the community participation and for social change is recent, the second half of the twentieth century. This article aims to present the context of pregnancy and the development of the New Museology. For that, it starts showing the evolution ofmuseums until the Second World War. Then, presenting the advances entities within which arise the new design: UNESCO, ICOM and ICOMOS. And, finally, focuses on MINOM and developing their new ideas through their forums and resolutions, providing anoverview of them. Keywords: MINOM; ICOM; ICOMOS; Museums; New Museology


Author(s):  
Corinna Peniston-Bird ◽  
Emma Vickers

2016 ◽  
Vol 46 (185) ◽  
pp. 543-560 ◽  
Author(s):  
Ingo Schmidt

This article draws on Marxist theories of crises, imperialism, and class formation to identify commonalities and differences between the stagnation of the 1930s and today. Its key argument is that the anti-systemic movements that existed in the 1930s and gained ground after the Second World War pushed capitalists to turn from imperialist expansion and rivalry to the deep penetration of domestic markets. By doing so they unleashed strong economic growth that allowed for social compromise without hurting profits. Yet, once labour and other social movements threatened to shift the balance of class power into their favor, capitalist counter-reform began. In its course, global restructuring, and notably the integration of Russia and China into the world market, created space for accumulation. The cause for the current stagnation is that this space has been used up. In the absence of systemic challenges capitalists have little reason to seek a major overhaul of their accumulation strategies that could help to overcome stagnation. Instead they prop up profits at the expense of the subaltern classes even if this prolongs stagnation and leads to sharper social divisions.


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