From Civil Servant to Little King: An Indigenous Construction of Colonial Authority in Early Nineteenth-Century South India

2012 ◽  
pp. 163-183 ◽  
Author(s):  
Niels Brimnes
2021 ◽  
Vol 155 (1) ◽  
pp. 29-54
Author(s):  
SJ Zhang

Spanning a long literary history, from 1742 to 1934, this essay argues for the military epaulette as an important material signifier through which the arbitrary nature of rank and colonial authority was revealed and challenged. This essay connects the anxieties attending the introduction of epaulettes in newly nationalized European armies to the historical and rhetorical impact of such uniforms on depictions of so-called Black chiefs, including Toussaint Louverture, Lamour Derance, and Nat Turner. In the context of eighteenth- and early nineteenth-century slave revolts and imperial and colonial war fronts, this otherwise semiotic feature of the military uniform was a catalyst for a particular kind of confrontation over authority of signification in the tug-of-war between rank and race. This essay tracks a consistent rhetoric of violence and ridicule in these confrontations as they appear in histories, novels, and plays. In the work of Walter Scott, Victor Hugo, William Wells Brown, and Martin Delany, attempts to read epaulettes produce a violent form of colonial desire that is only permitted when couched in the rhetoric of ridicule and the ridiculous. The essay’s final pages turn to the first half of the twentieth century, when the still violent stakes of subverting the uniform persist through an ambivalence stemming from the literal and figural “costuming” of the Black chief.


2017 ◽  
Vol 51 (2) ◽  
pp. 485-510 ◽  
Author(s):  
PRASANNAN PARTHASARATHI

AbstractWith a focus by scholars on states and classes, the environment of India and its impact on agriculture has been neglected, except to provide a context—which was largely unchanging—in which states extracted and classes struggled. One example of environment as the backdrop is the distinction between ‘wet’ and ‘dry’ areas in Tamilnad and South India more widely. This distinction is based on the availability of water and on the local categorization of agricultural activity (nanjai versus punjai). There are two problems with this approach, however. First, it is a narrow treatment of the environment as it neglects other features of the land such as forests, grasslands, scrublands, and other so-called wasteland. Second, it sees the environment as a fixed entity, but the landscape has changed dramatically in the past, especially in the nineteenth and twentieth centuries. If changes in the environment are included in the mix, the development of agriculture in nineteenth-century Tamilnad may be seen in some new ways. Agricultural production existed in symbiosis with the complex and varied environment of the region. In the early nineteenth century Tamilnad contained extensive tracts of forests, widespread wastelands, and abundant surface water. This diverse environment made it possible to maintain high levels of agricultural productivity as it provided the resources to maintain the fertility of the soil and the supplies of water that were critical for agricultural enterprise, as well as the well-being of the rural population. The consequences of changing regimes of water is the focus of this article.


2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


2017 ◽  
Vol 10 (2) ◽  
pp. 197-216
Author(s):  
Sarah Irving-Stonebraker

Through an examination of the extensive papers, manuscripts and correspondence of American physician Benjamin Rush and his friends, this article argues that it is possible to map a network of Scottish-trained physicians in the late eighteenth and early nineteenth-century Atlantic world. These physicians, whose members included Benjamin Rush, John Redman, John Morgan, Adam Kuhn, and others, not only brought the Edinburgh model for medical pedagogy across the Atlantic, but also disseminated Scottish stadial theories of development, which they applied to their study of the natural history and medical practices of Native Americans and slaves. In doing so, these physicians developed theories about the relationship between civilization, historical progress and the practice of medicine. Exploring this network deepens our understanding of the transnational intellectual geography of the eighteenth and early nineteenth century British World. This article develops, in relation to Scotland, a current strand of scholarship that maps the colonial and global contexts of Enlightenment thought.


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