The social classes attending Christian brothers schools in the nineteenth century

1990 ◽  
Vol 38 (1) ◽  
pp. 63-79
Author(s):  
Barry Coldrey
Keyword(s):  
Nineteenth Century ◽  
Social Classes ◽  
The Social ◽  
Christian Brothers

Étienne Geoffroy Saint-Hilaire, Richard Owen and monotreme oviparity.

2019 ◽  
Vol 40 (2) ◽  
pp. 272-289 ◽  
Author(s):  
Stewart Nicol
Keyword(s):  
Nineteenth Century ◽  
Social Context ◽  
Egg Laying ◽  
Social Classes ◽  
The Social ◽  
Late Eighteenth ◽  
Richard Owen ◽  
Initial Description ◽  
Social Conservatives

Most biologists, particularly Australian biologists, are aware that the initial description and attempts to classify the echidna and platypus were surrounded by controversy. Fewer are aware of the important roles played by two eminent scientists, Étienne Geoffroy Saint-Hilaire in Paris and Richard Owen in London, in the debate as to whether the platypus and echidna were really mammals, and whether they laid eggs. Geoffroy argued that they were egg-laying but could not possibly lactate; Owen argued that they lactated but could not possibly lay eggs. Because of these and many other aspects of their biology, monotremes featured prominently in debates about classification of animals and the transmutation of species, and involved many important scientists of the time. These arguments can only be understood in the context of the development of science in the late eighteenth and the nineteenth century, and how that was influenced by the social context. Early ideas of evolution, or transformism, were attractive to radical thinkers, whereas social conservatives were anxious to show that the boundaries between types of animals, just like the boundaries between social classes, were erected by God and could not be crossed.

Charity Bazaars In Nineteenth-Century England

1977 ◽  
Vol 16 (2) ◽  
pp. 62-84 ◽  
Author(s):  
F. K. Prochaska
Keyword(s):  
Nineteenth Century ◽  
Market Value ◽  
Social Classes ◽  
Men And Women ◽  
The Social ◽  
Drawing Room

Ladies and Gentlemen, I have the honour to announce a sale of many interesting, beautiful, rare, quaint, comical and necessary articles. Here you will find objects of taste, such as Babies' Shoes, Children's Petticoats, and Shetland Wool Cravats; objects of general usefulness, such as Tea-cosies, Bangles, Brahmin Beads, and Madras Baskets; and objects of imperious necessity, such as Pen-wipers, Indian Figures carefully repaired with glue, and Sealed Envelopes, containing a surprise. And all this is not to be sold by your common Shopkeepers, intent on small and legitimate profits, but by Ladies and Gentlemen, who would as soon think of picking your pocket of a cotton handkerchief, as of selling a single one of these many interesting, beautiful, rare, quaint, comical and necessary articles at less than twice its market value.Spoken amidst trumpet flourishes by Robert Louis Stevenson's “allegorical Tout,” these words introduce an institution familiar to all of us and one full of interest to the social historian — the charity bazaar. Tea-cosies, bangles, Brahmin beads, and Madras baskets may seem only quaint and comical, but they and similar trifles filled countless stalls in innumerable bazaars and raised tens of millions of pounds in nineteenth-century England for causes of every conceivable description. Men and women of all social classes found bazaars, fancy fairs, fancy sales, or ladies' sales as they were variously called, a most popular and fashionable way of making money for the charity of their choice. Many philanthropic societies depended on them for annual funds. Clergymen of all persuasions, not without a touch of compromise, looked to them as a last resort to build a church or to enlarge a school or drawing room.

Liszt at the Piano: The Impact of Iconography on mid-Nineteenth Century Musicology

2014 ◽  
Vol 55 (1-2) ◽  
pp. 131-144
Author(s):  
Suzanne Marie Francis
Keyword(s):  
Nineteenth Century ◽  
Music History ◽  
Collective Identities ◽  
Cultural Contexts ◽  
Maximum Benefit ◽  
Starting Point ◽  
The Social ◽  
Iconic Status ◽  
The Impact

By the time of his death in 1827, the image of Beethoven as we recognise him today was firmly fixed in the minds of his contemporaries, and the career of Liszt was beginning to flower into that of the virtuosic performer he would be recognised as by the end of the 1830s. By analysing the seminal artwork Liszt at the Piano of 1840 by Josef Danhauser, we can see how a seemingly unremarkable head-and-shoulders bust of Beethoven in fact holds the key to unlocking the layers of commentary on both Liszt and Beethoven beneath the surface of the image. Taking the analysis by Alessandra Comini as a starting point, this paper will look deeper into the subtle connections discernible between the protagonists of the picture. These reveal how the collective identities of the artist and his painted assembly contribute directly to Beethoven’s already iconic status within music history around 1840 and reflect the reception of Liszt at this time. Set against the background of Romanticism predominant in the social and cultural contexts of the mid 1800s, it becomes apparent that it is no longer enough to look at a picture of a composer or performer in isolation to understand its impact on the construction of an overall identity. Each image must be viewed in relation to those that preceded and came after it to gain the maximum benefit from what it can tell us.

Charles Dickens and the Properties of Fiction

2020 ◽  
Author(s):  
Ushashi Dasgupta
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
Real Estate ◽  
Charles Dickens ◽  
Dense Network ◽  
Social Psychological ◽  
Domestic Ideology ◽  
The Social ◽  
Literary Collaboration ◽  
Economic Relationship

This book explores the significance of rental culture in Charles Dickens’s fiction and journalism. It reveals tenancy, or the leasing of real estate in exchange for money, to be a governing force in everyday life in the nineteenth century. It casts a light into back attics and landladies’ parlours, and follows a host of characters—from slum landlords exploiting their tenants, to pairs of friends deciding to live together and share the rent. In this period, tenancy shaped individuals, structured communities, and fascinated writers. The vast majority of London’s population had an immediate economic relationship with the houses and rooms they inhabited, and Dickens was highly attuned to the social, psychological, and imaginative corollaries of this phenomenon. He may have been read as an overwhelming proponent of middle-class domestic ideology, but if we look closely, we see that his fictional universe is a dense network of rented spaces. He is comfortable in what he calls the ‘lodger world’, and he locates versions of home in a multitude of unlikely places. These are not mere settings, waiting to be recreated faithfully; rented space does not simply provide a backdrop for incident in the nineteenth-century novel. Instead, it plays an important part in influencing what takes place. For Dickens, to write about tenancy can often mean to write about writing—character, authorship, and literary collaboration. More than anything, he celebrates the fact that unassuming houses brim with narrative potential: comedies, romances, mysteries, and comings-of-age take place behind their doors.

Insolvent Women

2018 ◽  
Author(s):  
Asiya Siddiqi
Keyword(s):  
Nineteenth Century ◽  
Family Life ◽  
Social Classes ◽  
Social Standing ◽  
Indian Women

Our study of insolvency records affords a rare glimpse into the lives of women from different social classes and milieus in Bombay during the mid-nineteenth century. Contrary to colonial stereotypes of Indian women as trapped in oppressive patriarchal relationships, and as weak and helpless, we find that many had independent incomes, owned property, and enjoyed power in the domain of the home and family life. Women from wealthy merchant families actually owned and controlled much of the borrowed capital. We infer from the insolvency records that women who were not wealthy and worked for their livelihood also had considerable agency. In our study, about 38% of the women who petitioned the insolvency courts for protections were dancing girls, courtesans, and prostitutes who had independent incomes and were directly affected by the crash. The incomes of dancing girls and courtesans were low as a whole but varied greatly, as did their social standing and levels of literacy.

Who Was This Man?

2017 ◽  
Author(s):  
Mitch Kachun
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social Order ◽  
Atlantic World ◽  
Life Experiences ◽  
Broad Context ◽  
Military Power ◽  
The Social ◽  
The Revolution

Chapter 1 introduces the broad context of the eighteenth-century Atlantic world in which Crispus Attucks lived, describes the events of the Boston Massacre, and assesses what we know about Attucks’s life. It also addresses some of the most widely known speculations and unsupported stories about Attucks’s life, experiences, and family. Much of what is assumed about Attucks today is drawn from a fictionalized juvenile biography from 1965, which was based largely on research in nineteenth-century sources. Attucks’s characterization as an unsavory outsider and a threat to the social order emerged during the soldiers’ trial. Subsequently, American Revolutionaries in Boston began the construction of a heroic Attucks as they used the memory of the massacre and all its victims to serve their own political agendas during the Revolution by portraying the victims as respectable, innocent citizens struck down by a tyrannical military power.

Resurrection

2009 ◽  
Author(s):  
Leo Tolstoy
Keyword(s):  
Nineteenth Century ◽  
Social Life ◽  
The Novel ◽  
Recent Scholarship ◽  
The Social ◽  
The World

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field.

Landscape and Ecology

2020 ◽  
pp. 342-368
Author(s):  
Daniel M. Grimley
Keyword(s):  
Nineteenth Century ◽  
Economic Development ◽  
Cultural Transformation ◽  
Colonial Era ◽  
Musical Thought ◽  
The Social ◽  
Representational Practice ◽  
Raymond Williams ◽  
The City ◽  
Privileged Site

Images of landscape lie at the heart of nineteenth-century musical thought. From frozen winter fields, mountain echoes, distant horn calls, and the sound of the wind moving among the pines, landscape was a vivid representational practice, a creative resource, and a privileged site for immersion, gothic horror, and the Romantic sublime. As Raymond Williams observed, however, the nineteenth century also witnessed an unforeseen transformation of artistic responses to landscape, which paralleled the social and cultural transformation of the country and the city under processes of intense industrialization and economic development. This chapter attends to several musical landscapes, from the Beethovenian “Pastoral” to Delius’s colonial-era evocation of an exoticized American idyll, as a means of mapping nineteenth-century music’s obsession with the idea of landscape and place. Distance recurs repeatedly as a form of subjective presence and through paradoxical connections with proximity and intimacy.

Sufis and the Sufi Lodges in Istanbul in the Late Nineteenth Century: A Socio-Spatial Analysis

2021 ◽  
pp. 009614422110252
Author(s):  
Ahmet Yusuf Yüksek
Keyword(s):  
Nineteenth Century ◽  
Spatial Analysis ◽  
Natural Disasters ◽  
Late Nineteenth Century ◽  
Religion And Spirituality ◽  
Spatial History ◽  
The Social ◽  
History Of ◽  
Late Nineteenth ◽  
Social Profiles

This study investigates the socio-spatial history of Sufism in Istanbul during 1880s. Drawing on a unique population registry, it reconstructs the locations of Sufi lodges and the social profiles of Sufis to question how visible Sufism was in the Ottoman capital, and what this visibility demonstrates the historical realities of Sufism. It claims that Sufism was an integral part of the Ottoman life since Sufi lodges were space of religion and spirituality, art, housing, and health. Despite their large presence in Istanbul, Sufi lodges were extensively missing in two main areas: the districts of Unkapanı-Bayezid and Galata-Pera. While the lack of lodgess in the latter area can be explained by the Western encroachment in the Ottoman capital, the explanation for the absence of Sufis in Unkapanı-Bayezid is more complex: natural disasters, two opposing views about Sufi sociability, and the locations of the central lodges.

Sign in / Sign up

Export Citation Format

Share Document