FUNCTION OF THE CHURCH IN THE CITY COMMUNITY

1918 ◽  
Vol 13 (1) ◽  
pp. 35-36
Author(s):  
Worth M. Tippy∗
Keyword(s):  
The City ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 36
Author(s):  
Selvester Melanton Tacoy

Urban community service is a service that must be done by the church. City context services require a contextual service approach, therefore the authors conducted a literature analysis to present an idea of the service of the city context. In serving the city context, the church must begin by equipping the congregation to witness, because the church has a role in a pluralistic society. Because of the complexity of services in the city, we need a counseling center that can help individuals who are vulnerable to mental-psychological disorders. Because poverty is a problem in the city, the church needs to be present by carrying out social actions in an effort to present God's love to others. Educational institutions also play an important role in alleviating poverty in cities, therefore educational institutions need to answer this need. The condition of the city community who keeps trying to interact and build friendships can be facilitated by creating sports groups.  AbstrakPelayanan masyarkaat perkotaan adalah sebuah pelayanan yang harus dilakukan oleh gereja. Pelayanan konteks kota memerlukan pendekatan pelayanan yang kontekstual, oleh sebab itu penulis melakukan analisis pustaka untuk menyajikan sebuah gagasan pelayanan konkteks kota. Dalam pelayanan konteks kota, gereja harus memulainya dengan memperlengkapi jemaat untuk bersaksi,  sebab jemaat memiliki peran dalam masyarakat yang majemuk. Karena kompleksitas pelayanan di kota maka dibutuhkan sebuah pusat konseling yang dapat membantu individu yang rentan terhadap gangguan mental-psikologis. Karena kondisi kemisikinan menjadi masalah di kota maka gereja perlu hadir dengan melakukan aksi Sosial sebagai upaya menghadirkan kasih Allah pada sesama. Lembaga pendidikan juga berperan penting dalam mengentaskan kemiskinan di kota, oleh sebab itu perlu lembaga pendidikan yang menjawab kebutuhan ini. Kondisi masyarakat kota yang terus berusaha berinteraksi dan membangun persahabatan dapat difasilitasi dengan membuat grup olah raga.


1911 ◽  
Vol 16 (6) ◽  
pp. 794-804
Author(s):  
Walter Laidlaw
Keyword(s):  
The City ◽  

2013 ◽  
Vol 54 (4-5) ◽  
pp. 405-424
Author(s):  
Alina Nowicka -Jeżowa

Summary The article tries to outline the position of Piotr Skarga in the Jesuit debates about the legacy of humanist Renaissance. The author argues that Skarga was fully committed to the adaptation of humanist and even medieval ideas into the revitalized post-Tridentine Catholicism. Skarga’s aim was to reformulate the humanist worldview, its idea of man, system of values and political views so that they would fit the doctrine of the Roman Catholic church. In effect, though, it meant supplanting the pluralist and open humanist culture by a construct as solidly Catholic as possible. He sifted through, verified, and re-interpreted the humanist material: as a result the humanist myth of the City of the Sun was eclipsed by reminders of the transience of all earthly goods and pursuits; elements of the Greek and Roman tradition were reconnected with the authoritative Biblical account of world history; and man was reinscribed into the theocentric perspective. Skarga brought back the dogmas of the original sin and sanctifying grace, reiterated the importance of asceticism and self-discipline, redefined the ideas of human dignity and freedom, and, in consequence, came up with a clear-cut, integrist view of the meaning and goal of the good life as well as the proper mission of the citizen and the nation. The polemical edge of Piotr Skarga’s cultural project was aimed both at Protestantism and the Erasmian tendency within the Catholic church. While strongly coloured by the Ignatian spirituality with its insistence on rigorous discipline, a sense of responsibility for the lives of other people and the culture of the community, and a commitment to the heroic ideal of a miles Christi, taking headon the challenges of the flesh, the world, Satan, and the enemies of the patria and the Church, it also went a long way to adapt the Jesuit model to Poland’s socio-cultural conditions and the mentality of its inhabitants.


2017 ◽  
Vol 72 (1) ◽  
pp. 101-111
Author(s):  
Florian Mazel

Dominique Iogna-Prat’s latest book, Cité de Dieu, cité des hommes. L’Église et l’architecture de la société, 1200–1500, follows on both intellectually and chronologically from La Maison Dieu. Une histoire monumentale de l’Église au Moyen Âge (v. 800–v. 1200). It presents an essay on the emergence of the town as a symbolic and political figure of society (the “city of man”) between 1200 and 1700, and on the effects of this development on the Church, which had held this function before 1200. This feeds into an ambitious reflection on the origins of modernity, seeking to move beyond the impasse of political philosophy—too quick to ignore the medieval centuries and the Scholastic moment—and to relativize the effacement of the institutional Church from the Renaissance on. In so doing, it rejects the binary opposition between the Church and the state, proposes a new periodization of the “transition to modernity,” and underlines the importance of spatial issues (mainly in terms of representation). This last element inscribes the book in the current of French historiography that for more than a decade has sought to reintroduce the question of space at the heart of social and political history. Iogna-Prat’s stimulating demonstration nevertheless raises some questions, notably relating to the effects of the Protestant Reformation, the increasing power of states, and the process of “secularization.” Above all, it raises the issue of how a logic of the polarization of space was articulated with one of territorialization in the practices of government and the structuring of society—two logics that were promoted by the ecclesial institution even before states themselves.


2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.


2011 ◽  
Vol 122 (6) ◽  
pp. 297-298
Author(s):  
Christopher Cocksworth
Keyword(s):  
The City ◽  

Urban History ◽  
2010 ◽  
Vol 37 (3) ◽  
pp. 419-433
Author(s):  
FLAMINIA BARDATI

ABSTRACT:On account of their dual function as princes of the church and agents for the king of France, the French cardinals in Rome constitute a well-defined and self-contained community. They were governed by complex internal dynamics as well as by the need to present a unified front to the pope, in addition to the College of Cardinals and the citizenry of Rome. French cardinals present in Rome between 1490 and 1560 were mobile, as their physical presence in the city was not continuous: a number of them were stable residents in Rome, charged with diplomatic missions, while others only attended the conclaves. A special case is that of Jean du Bellay, who became fully integrated into the life of the city, established a literary salon open to artists and poets, and was involved in the study of Antiquities and the construction of a villa-garden complex, the Horti Bellayani.


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