scholarly journals Indigenous histories of the American South during the long nineteenth century

2016 ◽  
Vol 17 (2) ◽  
pp. 129-137
Author(s):  
Gregory D. Smithers
Author(s):  
William L. Andrews

In this study of an entire generation of slave narrators, more than sixty mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Andrews also reveals how class awareness shaped the views and values of some of the most celebrated African Americans of the nineteenth century. Slave narrators discerned class-based reasons for violence between “impudent,” “gentleman,” and “lady” slaves and their resentful “mean masters.” Status and class played key roles in the lives and liberation of the most celebrated fugitives from US slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. By examining the lives of the most- and least-acclaimed heroes and heroines of the African American slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers’ advantage, but at other times fueling convictions among even the most privileged of the enslaved that they deserved nothing less than complete freedom.


Elements ◽  
2015 ◽  
Vol 11 (1) ◽  
Author(s):  
Danielle Nista

For a slave living under the system of chattel slavery in the American South during the nineteenth century, avenues of self-expression were extremely limited. One of the few ways slaves could exert control over their own lives was through singing and dancing. These arts gave slaves a chance to relieve stress and establish a culture through the creation of musical instruments, songs, and dances. All of these contained hints at the true nature of slaves’ feelings towards the system that oppressed them, feelings that they had to frequently repress. However, despite slaves’ efforts to make this culture entirely their own, masters tried to find ways to use it to their advantage instead of to the slaves’ benefit. The resulting covert power struggle sometimes ended in favor of the masters, taking the form of regulations on slaves’ dances, requirement of the performance of songs and dances for the masters’ entertainment, and even abuse of slaves by using their own arts. Ultimately, however, slaves emerged victorious because of the hidden messages in their songs and dances. Though this method of coping could not erase all the masters did, it was at least one glimmer of hope.


1976 ◽  
Vol 36 (4) ◽  
pp. 898-907 ◽  
Author(s):  
Peter Temin

In the last half of the nineteenth century the economy of the American South experienced three separate shocks which have been analyzed separately by different authors. This note synthesizes the literature and presents an integrated story in which the decline in the rate of growth of the demand for cotton (noted by Wright) and the results of emancipation on the southern labor supply (noted by Ransom and Sutch) had equal impacts on measured income in the post-bellum South. The Civil War itself had a much smaller and less lasting effect on southern income than Coldin and Lewis assumed; in the long run, it was the least important of the three shocks.


Author(s):  
J. R. Oldfield

This book explores the close affinities that bound together anti-slavery activists in Britain and the USA during the mid-nineteenth century, years that witnessed the overthrow of slavery in both the British Caribbean and the American South. Drawing on a wide variety of sources, the book sheds important new light on the dynamics of abolitionist opinion building during the Age of Reform, from books and artefacts to anti-slavery songs, lectures and placards. Building an anti-slavery public required patience and perseverance. It also involved an engagement with politics, even if anti-slavery activists disagreed about what form that engagement should take. This is a book about the importance of transatlantic co-operation and the transmission of ideas and practices. Yet, at the same time, it is also alert to the tensions that underlay these Atlantic affinities, particularly when it came to what was sometimes perceived as the increasing Americanization of anti-slavery protest culture. Above all, the book stresses the importance of personality, perhaps best exemplified in the enduring transatlantic friendship between George Thompson and William Lloyd Garrison.


2020 ◽  
pp. 84-99
Author(s):  
Charles Reagan Wilson

‘Creative words’ studies how the American South became the home to a vital cultural explosion, seen in such modernist writers as William Faulkner, Richard Wright, and Eudora Welty. Their themes of agrarian life, the memory of the Old South and the Civil War, religious values, the tensions of the biracial society, and the modernization of society connected their literary achievements with southern life itself. Early nineteenth-century writers generally became defenders of slavery against abolitionist attacks. By the 1920s, southern writers were incorporating aspects of modernism into their works. After 1980, a new term, “post-southernism,” became a descriptor for writers living in the most economically prosperous and racially integrated South ever.


1985 ◽  
Vol 27 (4) ◽  
pp. 579-607 ◽  
Author(s):  
Donald Reid

In recent years paternalism has become one of the most discussed concepts in social history. While historians of women invoke paternalism and patriarchy to help explain relations of male domination, Marxist historians have found paternalism useful in expanding their analyses of class consciousness. Eugene Genovese organized his interpretation of slavery in the American south around paternalism. For E. P. Thompson, the breakdown of the ideology and practice of rural paternalism underlay the development of “class struggle without class” in eighteenth-century England. Despite Genovese's warning that paternalism is an inappropriate concept for understanding industrial society, several recent studies have identified paternalism as an important factor in the history of industrial labor during the nineteenth century. Daniel Walkowitz and Tamara Haraven have analyzed paternalism in the textile industries of upstate New York and southern New Hampshire. Lawrence Schofer and David Crew have studied paternalism in nineteenth-century German heavy industry, and Patrick Joyce has recently argued for its centrality in the restructuring of class relations in the late Victorian textile industry.


2013 ◽  
Vol 52 (2) ◽  
pp. 415-440 ◽  
Author(s):  
V. Markham Lester

AbstractBritish officials' largely negative impression of the United States caused by America's intransigence in allowing renegotiation of Britain's First World War debts must be viewed against a backdrop of a longstanding debtor-creditor relationship between the two nations. Since the mid-nineteenth century, British creditors, largely through the efforts of the London-based Corporation of Foreign Bondholders, vigorously yet unsuccessfully attempted to collect large debts on repudiated American state bonds. This article provides greater understanding of this history and shows that the nineteenth-century debt controversy might well have been avoided to the economic benefit of the British and particularly the American South.


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