scholarly journals The Post-Bellum Recovery of the South and the Cost of the Civil War

1976 ◽  
Vol 36 (4) ◽  
pp. 898-907 ◽  
Author(s):  
Peter Temin

In the last half of the nineteenth century the economy of the American South experienced three separate shocks which have been analyzed separately by different authors. This note synthesizes the literature and presents an integrated story in which the decline in the rate of growth of the demand for cotton (noted by Wright) and the results of emancipation on the southern labor supply (noted by Ransom and Sutch) had equal impacts on measured income in the post-bellum South. The Civil War itself had a much smaller and less lasting effect on southern income than Coldin and Lewis assumed; in the long run, it was the least important of the three shocks.

1979 ◽  
Vol 39 (4) ◽  
pp. 1015-1021 ◽  
Author(s):  
John R. Hanson

A low rate of growth of world demand for cotton figures prominently in recent attempts to understand the post-bellum retardation of the southern economy. Gavin Wright, especially, stresses this factor in several articles and a recent book.1 Using-sophisticated regression techniques to estimate the rate of growth of demand for American cotton during both the ante- and post-bellum eras and the magnitude of the change in the rate between them, Wright finds a decline of more than two thirds. Such an occurrence could hardly have helped the South make a prompt recovery from the Civil War.


2020 ◽  
pp. 84-99
Author(s):  
Charles Reagan Wilson

‘Creative words’ studies how the American South became the home to a vital cultural explosion, seen in such modernist writers as William Faulkner, Richard Wright, and Eudora Welty. Their themes of agrarian life, the memory of the Old South and the Civil War, religious values, the tensions of the biracial society, and the modernization of society connected their literary achievements with southern life itself. Early nineteenth-century writers generally became defenders of slavery against abolitionist attacks. By the 1920s, southern writers were incorporating aspects of modernism into their works. After 1980, a new term, “post-southernism,” became a descriptor for writers living in the most economically prosperous and racially integrated South ever.


Author(s):  
Victor Jew

Long regarded as a violent outburst significant mainly for California history, the 1871 Los Angeles anti-Chinese massacre raises themes central to America’s Civil War Reconstruction era between 1865 and 1877, namely, the resort to threats and violence to preserve traditionally conceived social and political authority and power. Although the Los Angeles events occurred far from the American South, the Los Angeles anti-Chinese massacre paralleled the anti-black violence that rose in the South during Reconstruction. Although the immediate causes of the violence in the post–Civil War South and California were far different, they shared one key characteristic: they employed racial disciplining to preserve traditional social orders that old elites saw as threatened by changing times and circumstances.


2020 ◽  
pp. 22-37
Author(s):  
Charles Reagan Wilson

‘Section to nation’ examines how, by 1830, the American South had long had a predominantly agricultural economy. Its people soon idealized the agrarian republic that had taken shape after the American Revolution as the basis for an emerging sectional identity. Slavery was the basis of a productive economic system, in which the South was enmeshed with northern merchants and traders and the whole financial world of England. The American Civil War undermined southern ideology dramatically through the emancipation of slaves. The Reconstruction era would be nearly equal to the Civil War in forging a self-conscious white southern identity.


1974 ◽  
Vol 34 (3) ◽  
pp. 610-635 ◽  
Author(s):  
Gavin Wright

As evidence has accumulated on the prosperity of the American South under slavery prior to the Civil War, attention has turned to a search for explanations for the apparent stagnation of the southern economy after the Civil War. One class of explanations involves the argument that the South experienced special difficulties in recovering her place in the international cotton market during the late 1860's and 1870's. In one version of this hypothesis, the presence of “new” sources of supply, stimulated by the cotton famine of 1861–65, acted to displace American cotton in world markets during this period. A second version, recently proposed by Mark Aldrich, argues that appreciation of the dollar resulting from capital imports and northern economic expansion forced American cotton to compete with the rest of the world on unfavorable terms prior to the resumption of specie payments in 1879.


1967 ◽  
Vol 41 (4) ◽  
pp. 358-377 ◽  
Author(s):  
Maury Klein ◽  
Kozo Yamamura

Railroads were unquestionably a leading sector of economic development in the American South following the Civil War. By appraising the growth strategies followed by southern roads as functions of their profitability, the authors illustrate how the supply of regional transport in the South was patterned by the decisions of competing groups of businessmen.


Author(s):  
William L. Andrews

In this study of an entire generation of slave narrators, more than sixty mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Andrews also reveals how class awareness shaped the views and values of some of the most celebrated African Americans of the nineteenth century. Slave narrators discerned class-based reasons for violence between “impudent,” “gentleman,” and “lady” slaves and their resentful “mean masters.” Status and class played key roles in the lives and liberation of the most celebrated fugitives from US slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. By examining the lives of the most- and least-acclaimed heroes and heroines of the African American slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers’ advantage, but at other times fueling convictions among even the most privileged of the enslaved that they deserved nothing less than complete freedom.


Elements ◽  
2015 ◽  
Vol 11 (1) ◽  
Author(s):  
Danielle Nista

For a slave living under the system of chattel slavery in the American South during the nineteenth century, avenues of self-expression were extremely limited. One of the few ways slaves could exert control over their own lives was through singing and dancing. These arts gave slaves a chance to relieve stress and establish a culture through the creation of musical instruments, songs, and dances. All of these contained hints at the true nature of slaves’ feelings towards the system that oppressed them, feelings that they had to frequently repress. However, despite slaves’ efforts to make this culture entirely their own, masters tried to find ways to use it to their advantage instead of to the slaves’ benefit. The resulting covert power struggle sometimes ended in favor of the masters, taking the form of regulations on slaves’ dances, requirement of the performance of songs and dances for the masters’ entertainment, and even abuse of slaves by using their own arts. Ultimately, however, slaves emerged victorious because of the hidden messages in their songs and dances. Though this method of coping could not erase all the masters did, it was at least one glimmer of hope.


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