scholarly journals Counter-terrorism training “at your kitchen table”: the promotion of “CT citizens” and the securitisation of everyday life in the UK

Author(s):  
Itoiz Rodrigo Jusué
2011 ◽  
Vol 5 (1) ◽  
pp. 121-138 ◽  
Author(s):  
Nick Prior

This paper reviews the status, position and legacy of Bourdieu in the sociology of music, the waxing and waning of his influence and the recent move away from Bourdieu towards something like a post-critical engagement with musical forms and practices. The idea is to show the reaction to and treatment of Bourdieu’s ideas as a gauge of where we are in the sociology of culture, the various strands of influence that emanate from his work, and to assess what is at stake in a ‘post-Bourdieu’ moment when a position once considered progressive and critical now acts as the foil against which new work is being conducted. The article engages with some recent contributions to the music/society debate from figures in the UK and France, and points to the ways these contributions move debates on musico-social relations into territories more sensitive to the complex mediating qualities of music. Such work is better placed, it is argued, to represent music as an animating force in everyday life, including its specific mediating qualities ‘in action’. At the same time, however, the construction of a new sociology of music is not without its perils. The article will conclude with some potential problems with these approaches, and take stock of what might be lost as well as gained by adherence to them.


2016 ◽  
Vol 40 (2) ◽  
pp. 87-88 ◽  
Author(s):  
Derek Summerfield

SummaryThis is a brief exploration of the ethical issues raised for psychiatrists, and for universities, schools and wider society, by the demand that they attend mandatory training as part of the UK government's Prevent counter-terrorism strategy. The silence on this matter to date on the part of the General Medical Council, medical Royal Colleges, and the British Medical Association is a failure of ethical leadership. There is also a civil liberties issue, reminiscent of the McCarthyism of 1950s USA. We should refuse to attend.


2018 ◽  
Vol 45 (3) ◽  
pp. 379-392
Author(s):  
Thomas W. Cawkwell

Britain’s war in Afghanistan – specifically its latter stages, where the UK’s role and casualties sustained in the conflict rose dramatically – coincided with the institutional emergence of Ministry of Defence-led ‘Strategic Communication’. This article examines the circumstances through which domestic strategic communication developed within the UK state and the manner in which the ‘narratives’ supporting Britain’s role in Afghanistan were altered, streamlined and ‘securitised’. I argue that securitising the Afghanistan narrative was undertaken with the intention of misdirecting an increasingly sceptical UK public from the failure of certain aspects of UK counter-insurgency strategy – specifically its counter-narcotics and stabilisation efforts – by focusing on counter-terrorism, and of avoiding difficult questions about the UK’s transnational foreign and defence policy outlook vis-à-vis the United States by asserting that Afghanistan was primarily a ‘national security’ issue. I conclude this article by arguing that the UK’s domestic strategic communication approach of emphasising ‘national security interests’ may have created the conditions for institutionalised confusion by reinforcing a narrow, self-interested narrative of Britain’s role in the world that runs counter to its ongoing, ‘transnationalised’ commitments to collective security through the United States and NATO.


Popular Music ◽  
2019 ◽  
Vol 38 (2) ◽  
pp. 219-236
Author(s):  
Ulrik Volgsten

AbstractThis inquiry deals with the changing role of the technology and the use of phonographs and gramophones during the first half of the 20th century. Rather than looking at the UK or USA, which much previous research has done, the focus is on peripheral Sweden. More specifically the question is how phonography turned from being a scientific curiosity into becoming an everyday media technology, and how it thereby influenced culture and everyday musical communication. The findings show two distinct approaches to recorded music, which intermingle in today's unprecedented musicalisation of culture and everyday life around the globe – approaches respectively described as utilitarian and solipsistic.


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