Art and Curiosity Cabinets of the Late Renaissance: A Contribution to the History of Collecting

2021 ◽  
pp. 1-2
Author(s):  
Jeffrey Abt
Author(s):  
Tom Hamilton

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.


Author(s):  
Stefan Bauer

How was the history of post-classical Rome and of the Church written in the Catholic Reformation? Historical texts composed in Rome at this time have been considered secondary to the city’s significance for the history of art. The Invention of Papal History corrects this distorting emphasis and shows how history-writing became part of a comprehensive formation of the image and self-perception of the papacy. By presenting and fully contextualizing the path-breaking works of the Augustinian historian Onofrio Panvinio (1530–68), this book shows what type of historical research was possible in the late Renaissance and the Catholic Reformation. Historiography in this period by no means consisted entirely of commissioned works written for patrons; rather, a creative interplay existed between, on the one hand, the endeavours of authors to explore the past and, on the other hand, the constraints of patronage and ideology placed on them. This book sheds new light on the changing priorities, mentalities, and cultural standards that flourished in the transition from the Renaissance to the Catholic Reformation.


2021 ◽  
pp. 82-99
Author(s):  
Nina I. Khimina ◽  

The article examines the history of collecting documentary and cultural heritage since 1917 and the participation of archives, museums and libraries in the creation of the Archival Fund of the country. In the 1920s and 1930s, archival institutions were established through the efforts of outstanding representatives of Russian culture. At the same period, the structure and activities of the museums created earlier in the Russian state in the 18th – 19th centuries were improved. The new museums that had been opened in various regions of Russia received rescued archival funds, collections and occasional papers. It is shown that during this period there was a discussion about the differentiation of the concepts of an “archive”, “library” and a “museum”. The present work reveals the difficulties in the interaction between museums, libraries and archives in the process of saving the cultural heritage of the state and arranging archival documents; the article also discusses the problems and complications in the formation of the State Archival Fund of the USSR. During this period, the development of normative and methodological documents regulating the main areas of work on the description and registration of records received by state repositories contributed to a more efficient use and publication of the documents stored in the state archives. It is noted that museums and libraries had problems connected with the description of the archival documents accepted for storage, with record keeping and the creation of the finding aids for them, as well as with the possibilities of effective use of the papers. The documents of the manuscript departments of museums and libraries have become part of the unified archival heritage of Russia and, together with the state archives, they now provide information resources for conducting various kinds of historical research.


2017 ◽  
Vol 2017 (2) ◽  
Author(s):  
Alberto Zanatta ◽  
Fabio Zampieri ◽  
Cristina Basso ◽  
Gaetano Thiene

[first paragraph of article]Galileo Galilei (1564–1642), professor of mathematics at the University of Padua from 1592 to 1610, was a pillar in the history of our University and a symbol of freedom for research and teaching, well stated in the university motto ‘‘Universa Universis Patavina Libertas’’ (Total freedom in Padua, open to all the world). He invented the experimental method, based on evidence and calculation (‘‘science is measure’’) and was able, by using the telescope, to confirm the Copernican heliocentric theory, a challenge to the Bible. Bertrand Russell (1872–1970), in his book ‘‘The Problems of Philosophy’’ stated: ‘‘Almost everything that distinguishes modern world from earlier centuries is attributable to science, which achieved the most spectacular triumphs in the seventeenth century. Together with Harvey, Newton and Keplero, Galileo was a protagonist of this scientific revolution in the late Renaissance’’. 


Author(s):  
Noah Millstone

This essay traces the development of a particular way of writing the history of parliament: the politic history. A creation of the late Renaissance, politic histories preferred to explain events neither through divine intervention, nor through imperceptible forces and contingency, but rather through human intentionality. Following classical and contemporary models such as Tacitus, Commynes and Guicciardini, English politic historians wove narratives of vice, secrecy and dissimulation. The essay explores how, in the early seventeenth century, historians appropriated the modes of politic composition and applied them to new institutional settings: university elections, church councils and especially parliaments. It concludes with an analysis of the most impressive politic history of the early Stuart parliament, Sir John Eliot’s Negotium posterorum. Composed during Eliot’s imprisonment after 1629, the Negotium posterorurm is clearly the first part of a formal, politic history of Charles I’s reign, heavily modelled on Tacitus and with parliament as its central stage. Eliot’s project suggests how politic narration could be applied to the recent past, helping to produce historicised accounts of the present.


2019 ◽  
Vol 32 (2) ◽  
pp. 275-288
Author(s):  
Leah R Clark

Abstract The Medici of Florence have long been acknowledged as possessing the largest collection of Chinese porcelain in the fifteenth century, but this article reveals that in fact Eleonora d’Aragona, Duchess of Ferrara had the largest such collection in Italy at this time. In fifteenth-century Europe, porcelain came not directly from China but rather through trade and diplomacy with foreign courts, so that its peregrinations gave rise to entangled histories and reception. Taking porcelain as a case-study, it is argued here that examining collecting through the lens of trade and diplomacy provides new interpretations of – and demands new approaches to – the history of collecting.


2018 ◽  
Vol 31 (2) ◽  
pp. 333-341
Author(s):  
Cristiano Giometti ◽  
Loredana Lorizzo

Abstract The Rondinini family is important for having developed a well-defined taste in collecting during the fifteenth to eighteenth centuries, with an interest in ancient sculpture and painting staged in their palaces and villas in Rome and its surroundings. The most eminent artists active in seventeenth-century Rome worked for them. The paintings presented here are the most relevant examples of a great number of works that have re-emerged during a collaborative research project conducted by the universities of Florence and Salerno on the family’s contributions to the history of collecting. The first is a signed self-portrait by the Flemish artist Paul Bril, a pioneer amongst the landscape painters active in Rome between the late 1500s and early 1600s – a work of large size for the artist (110.0 x 81.5 cm); the second is a ‘witchcraft crowded with figures’ painted by Pieter van Laer, an eminent Dutch painter and leader of the group of masters called the ‘Bamboccianti’.


2016 ◽  
Vol 32 (1) ◽  
pp. 41-54
Author(s):  
Marcin Tymiński ◽  
Marcin Szuflicki ◽  
Agnieszka Malon ◽  
Krzysztof Szamałek

Abstract The article presents the history of collecting data on mineral raw materials export and import in Poland and balancing mineral raw materials resources. The methodology of gathering data was analyzed on the basis of the publication “The Balance of Mineral Resources Deposits in Poland”. This is the current title of the yearbook, the back issues of which are collected in the Polish Geological Institute-National Research Institute headquarters. During the last decades the institutions responsible for collecting and delivering data have changed and they were cited in the article along with the names of general editors of the publication and the authors of the chapter devoted to the exports and imports. As a result, data on mineral raw materials international trade have been presented every year. Moreover, the scope of data and the manner of their presentation were covered in the article. The information on Polish export and import of mineral raw materials has been compiled since the 1960s. Significant changes took place for more than 50 years not only within Polish but also in the world economy, and these economic conditions – the growing number of trade partners, changes in accounting for commodities or currency changes – were the main factors influencing the successive conversions of data presentations. The range of data grew significantly, the source of data altered several times and the methodology of data presentation changed a lot. Over time, there were data presented in longer hindsight and not only on exports and imports but also on the turnover balance. The balance is treated as a reflection of the domestic mineral raw materials sector and of a situation in world mineral economy. Thus, tendencies in the trade turnover have been presented for the last 30 years, for export, import and balance. Graphs were also included in the article showing such changes in relation to the value and magnitude of the trade turnover for all mineral resources and for particular groups – energy, metallic, chemical and rock raw materials. The most important raw materials – in terms of affecting the total balance in Poland – were also specified in the article.


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