The Religion of the Child in Edwardian Methodism: Institutional Reform and Pedagogical Reappraisal in the West Riding of Yorkshire

1991 ◽  
Vol 30 (4) ◽  
pp. 377-398 ◽  
Author(s):  
S. J. D. Green

Much has been written in recent years about the history of childhood in Edwardian Britain. To some extent, that concentration of scholarly effort reflects a profound shift in academic concerns away from the superficially extraordinary and noteworthy to the apparently mundane and neglected that has characterized much of the so-called new social history, and from which redirection of academic attention the history of childhood in modern Britain has been only one of many beneficiaries. But perhaps to a greater extent, the outpourings of recent historiography on the changing nature and changing significance of childhood in Britain during the first decade of the twentieth century and in the years immediately leading up to the outbreak of the Great War reflect an intellectual preoccupation that would have been perfectly comprehensible to the Edwardians themselves: a preoccupation, during the first decade of the twentieth century, with the discovery of “child life,” that is, with a form of mental, emotional, and psychological life peculiar to the child.Precisely what that life consisted in, how it was discovered, and what, having unearthed it, the Edwardians made of it, is a subject too vast to be explored here. This article draws attention to only one aspect of that life and of the Edwardian discovery of and uses of it that has been largely neglected in modern historical writing. This is the religious life, religious education, and religious development of the child, particularly of that life as it was lived, nurtured, and brought (or not brought) to fruition in the Sunday schools of Edwardian England.

Author(s):  
Marek Korczynski

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.


2015 ◽  
Vol 39 (156) ◽  
pp. 643-658 ◽  
Author(s):  
David Fitzpatrick

AbstractIt is now widely admitted that the Great War was also Ireland’s war, with profound consequences for every element of Irish life after 1914. Its impact may be discerned in aberrant aspects of Ireland’s demographic, economic and social history, as well as in the more familiar political and military convulsions of the war years. This article surveys recent scholarship, assesses statistical evidence of the war’s social and economic impact (both positive and negative), and explores its far-reaching political repercussions. These include the postponement of expected civil conflict, the unexpected occurrence of an unpopular rebellion in 1916, and public response to the consequent coercion. The speculative final section outlines a number of plausible outcomes for Irish history in the absence of war, concluding that no single counterfactual history of a warless Ireland is defensible.


2020 ◽  
Vol 16 (1) ◽  
pp. 3-29
Author(s):  
Luisa Levi D’Ancona Modena

With a focus on art donations, this article explores several case studies of Jewish Italian patrons such as Sforni, Uzielli, Sarfatti, Castelfranco, Vitali, and others who supported artists of movements that were considered modern at their time: the Macchiaioli (1850-1870), the Futurists (1910s), the Metaphysical painters (1920s), the Novecento group (1920-1930s), and several post WWII cases. It reflects on differences in art donations by Jews in Italy and other European countries, modes of reception, taste, meanings and strategy of donations, thus contributing to the social history of Italian and European Jewry and the history of collections and donations to public museums.


2021 ◽  
Vol 15 (3) ◽  
pp. 347-363
Author(s):  
Elizabeth Tilley ◽  
Paul Christian ◽  
Susan Ledger ◽  
Jan Walmsley

Until the very end of the twentieth century the history of learning difficulties was subsumed into other histories, of psychiatry, of special education and, indeed, of disability. Initiatives to enable people with learning difficulties and their families to record their own histories and contribute to the historical record are both recent and powerful. Much of this work has been led or supported by The Open University’s Social History of Learning Disability Research (SHLD) group and its commitment to developing “inclusive history.” The article tells the story of the Madhouse Project in which actors with learning difficulties, stimulated by the story of historian activist Mabel Cooper and supported by the SHLD group, learned about and then offered their own interpretations of that history, including its present-day resonances. Through a museum exhibition they curated, and through an immersive theatre performance, the actors used the history of institutions to alert a wider public to the abuses of the past, and the continuing marginalization and exclusion of people with learning difficulties. This is an outstanding example of history’s potential to stimulate activism.


Latin Jazz ◽  
2020 ◽  
pp. 36-63
Author(s):  
Christopher Washburne

This chapter documents the strong ties of the Caribbean and Latin America to the formative period of jazz and how that influence reverberated throughout the twentieth century. It argues that the strong foundational influence of Caribbean and Latin American music on pre-jazz styles makes the birth of jazz synchronous with the birth of Latin jazz. By building on the work of a number of scholars who have recently begun to tackle this complexity through historical studies of immigration patterns and the social and political development of New Orleans throughout the 1700s and 1800s and by conducting a “sonic archeology” of jazz styles throughout the twentieth century, reverberations of jazz’s pre-history are uncovered and shown to resound loudly. Along with a discussion of the social history of New Orleans, the focus is on the function of certain rhythmic cells in the jazz repertoire that are most typically associated with Caribbean and Latin American styles.


1988 ◽  
Vol 13 (3) ◽  
pp. 347-358 ◽  
Author(s):  
Bruce Bellingham

One approach to the history of childhood examines change in private dispositions toward the young. Another approach concentrates on the proliferation of public institutions for managing child life. The history of sentiments has led to a futile debate over the relative extent of dispositional change or continuity in feeling for children without considering the ways in which notionally primordial or elemental dispositions were constructed or contaminated by the normative, politicized meanings of childhood. The upshot is that the symbolic politics of childhood arising from intergroup moral conflict, returns to haunt current interpretations in the guise of timeless psychological or bio-social truths. Study of the official processing of children errs in the opposite direction, losing sight of the personal thought and action of children and their parents, as if their historical experiences were fundamentally comprised of policy and administration. Actual children vanish and an implausibly intrusive account is offered of policy itself. Family history, especially accounts of agrarian and working class family strategies, helps put each history of childhood in a more realistic context and may bridge the two.


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