Visual Exploration through Visual Communication Design Work Creation as an Introduction Attempt of Marine Biodiversity phase 2 – Nudibranchs

AbstractIn the scientific field of visual communication design, the logo is one of the most frequently made designs and has a good market share. Along with the times, designing a logo work has undergone various forms and forms of transitions. The design process has also undergone innovation from various aspects ranging from concepts to the final results. The amount of market demand for a good logo makes the logo designers try to maximize the logo making process to match the expected results. One form of the logo-making process is by applying the golden ratio as a benchmark in determining the proportion and order of a harmonious and regular form to produce an aesthetic visual form. Understanding of the golden ratio is needed as a guide for graphic designers to be able to create a design work that has a basis for structured patterns and arrangements.Keywords : Logo, Graphic Design, Visual Communication Design, Golden Ratio, DKV AbstrakDalam bidang desain komunikasi visual, logo merupakan salah satu karya desain yang paling sering dibuat dan memiliki pangsa pasar yang baik. Seiring dengan perkembangan jaman, perancangan sebuah karya logo telah mengalami berbagai macam transisi bentuk dan rupa. Proses perancangannya pun telah mengalami inovasi dari berbagai aspek mulai dari konsep hingga hasil akhirnya. Banyaknya permintaan pasar akan logo yang baik membuat para perancang logo berusaha memaksimalkan proses pembuatan logo agar sesuai dengan hasil yang diharapkan. Salah satu bentuk proses pembuatan logo adalah dengan cara mengaplikasikan golden ratio sebagai patokan dalam menentukan proporsi dan tatanan bentuk yang harmonis dan teratur untuk menghasilkan bentuk visual yang estetis. Pemahaman akan golden ratio dibutuhkan sebagai panduan para desainer grafis untuk dapat menciptakan suatu karya desain yang memiliki landasan akan pola dan tatanan yang terstruktur.Kata Kunci : Logo, Desain Grafis, Desain Komunikasi Visual, Golden Ratio, DKV

Download Full-text

TOKOH WAYANG SEMAR SEBAGAI BUDAYA LOKAL INDONESIA DALAM RANGKA MEMPERKAYA IMAJINASI DAN SUMBER KREATIVITAS DEKAVE

TANRA: Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar ◽

10.26858/tanra.v7i3.16162 ◽

2020 ◽

Vol 7 (3) ◽

pp. 128

Author(s):

Endro Tri Susdarwono

Keyword(s):

Qualitative Research ◽

Visual Communication ◽

Analytical Study ◽

Target Audience ◽

Local Culture ◽

Human Beings ◽

Design Work ◽

Normative Approach ◽

Visual Communication Design ◽

Communication Design

The purpose of this study is to discuss the Semar puppet characters who are Indonesian local culture as a wealth of imagination and a source of creativity in the creation of visual communication design works. This research is a qualitative research, the type of research uses a comprehensive analytical study and analytical normative approach. Indonesian local culture needs to be embraced into a wealth of imagination and a source of creativity for the process of creating advertising design works. By following the prevailing customs, upholding morality, and prioritizing local cultural wisdom to be later appointed as inspiration, source of ideas and ideas, as well as software to communicate various commercial, social, or moral messages to the target audience, existence A visual communication design work will accentuate people's lives, in the end it is expected to be able to enlighten the thoughts and feelings of human beings who live and fill their lives according to their respective talents. The mysterious Semar wayang figure is also part of the religious mythological figure loved by the Javanese people in particular. Therefore, Semar is considered to have high value and value in wayang as part of Javanese life. So, of course the character Semar will be interesting to study more carefully and more deeply in terms of philosophy in an effort to unravel the mystery that surrounds him.

Download Full-text

ESTETIKA (DALAM) DESAIN

DeKaVe ◽

10.24821/dkv.v1i3.863 ◽

2012 ◽

Vol 1 (3) ◽

Author(s):

FX Widyatmoko

Keyword(s):

Visual Communication ◽

Aesthetic Experience ◽

Fine Arts ◽

Academic Research ◽

Great Distance ◽

Concept Design ◽

Design Work ◽

Visual Communication Design ◽

Communication Design ◽

The Aesthetic

Aesthetics is a word that is often present in the areas of art, including fine art. However, in thearea of visual communication design aesthetic rarely spoken words compared with the area of fine arts(fine arts). Not that there are no problems in the design aesthetic. Aesthetic issue still exists, but it is rarelyused as a design concept design. Even the design of the study area, there are aesthetic studies. However,the study could have imagined aesthetic has a great distance to the aesthetics of everyday design. There isalso an effort to facilitate the understanding of aesthetics is to provide the name of a visual strategy(Andry Masri, Jalasutra, 2010). However, the strategy also has not explained the visual aesthetic studiesare very diverse. The phrase is intended to facilitate common aesthetic learned, particularly for the needsof design planning (especially product design).This paper aims to offer a way to understand the aesthetic rather than through understanding, butto find the position of each design aesthetic in visual communication design. The objects that wereexamined in the two final ISI Visual Communication Design (one object assessment, the object creation),as well as a book cover design. The goal is clear, to give an overview of the aesthetic. Hopefully, thegrowing diversity of aesthetic closer to the day-to-day. In short, bringing together academic research,design work, the aesthetic experience everyday.

Download Full-text

Memilih dan Memanfaatkan Tipografi

Humaniora ◽

10.21512/humaniora.v6i3.3352 ◽

2015 ◽

Vol 6 (3) ◽

pp. 312

Author(s):

Rina Kartika

Keyword(s):

Visual Communication ◽

Product Knowledge ◽

Media Planning ◽

Design Work ◽

Visual Communication Design ◽

Overall Design ◽

Communication Design ◽

Main Components ◽

The Right ◽

Design Result

Typography is one of the main components of a visual communication design work as a means to convey the message to its target audiences. In delivering the information, typography stabilizes visual and verbal aspect of the overall design. The understanding of the messages (including its related aspects, such as: product knowledge, target audience’s profile, media planning, etc) is the most important thing that will help define the combination of typeface needed. This study was conducted by observation, information gathering, and typography design study of several examples. Furthermore, the understanding of typography was linked on how to choose the right typography for visual design. Result showed that the combination should have a good balance of ‘legibility’ and ‘readability’. As a conclusion, a good typography design will deliver such perception, as well as express desired impression, in a visual communication design work.

Download Full-text

Mengkaji Karakteristik Media Televisi untuk Memudahkan Merancang Komunikasi Visual yang Tepat

Humaniora ◽

10.21512/humaniora.v1i2.2911 ◽

2010 ◽

Vol 1 (2) ◽

pp. 705

Author(s):

Tunjung Riyadi

Keyword(s):

Graphic Design ◽

Visual Communication ◽

Print Media ◽

Literature Study ◽

Visual Communication Design ◽

Communication Design ◽

Television Screen

A work of visual communication design which aired on the television screen has a different perspective in its interpretation in the eyes of the audience when compared to other media. By understanding the characteristics and nature of media, proper exploration of graphic design can easily be created. Through literature study, observations of the author as a practitioner of graphic design for television and comparisons with the print media will facilitate the understanding of this study.

Download Full-text