scholarly journals From Alhambra to Digital Projection: Designing a Digital Media Cultural Heritage Project Based on the Transformative Qualities of Islamic Calligraphy

2018 ◽  
Vol 364 ◽  
pp. 012053 ◽  
Author(s):  
M J Khajavi
Keyword(s):  
Cultural Heritage ◽  
Digital Media ◽  
Digital Projection

Afterword

Traversals ◽  
2017 ◽  
Author(s):  
Dene Grigar
Keyword(s):  
Cultural Heritage ◽  
Digital Media ◽  
Digital Humanities ◽  
Call To Action ◽  
And Migration

This chapter concludes by raising the issue of the Sappho Syndrome, whereby whole works disappear and only are known through fragments and references to them. In doing so, the chapter provides a call to action for Digital Humanities to take on the task of preserving the cultural heritage reflected in born-digital media through a multi-faceted approach involving not just emulation and migration of media but also collection and documentation.

scholarly journals Cinema memories in 3D modelling and virtual reality storytelling

2021 ◽  
pp. 113-130
Author(s):  
Eleonora Roaro
Keyword(s):  
Virtual Reality ◽  
Cultural Heritage ◽  
Digital Media ◽  
3D Modelling ◽  
Historical Reconstruction ◽  
Public And Private ◽  
Oculus Rift ◽  
Final Output ◽  
The Moment ◽  
Artistic Heritage

This paper focuses on the project VR and AR in the valorisation of cultural and artistic heritage within the New Cinema History framework, aims to combine microhistory related to local cinema theatres and Cinema Heritage, and to investigate the possibilities that digital media – in this case Augmented and Virtual Reality – have in the valorisation and preservation of cultural heritage. The final output of the project is the Virtual Reality reconstruction of the Odeon cinema’s architecture and habits of cinemagoing that, thanks to an immersive experience via the Oculus Rift headset, could evoke and simulate historical spectatorship that dealt both with the moment of watching a movie and its peripheral practice. the development of the project, at least four different perspectives on the Odeon cinema converged to form the basis of the VR reconstruction: the literature on the topic, the consultation of public and private archives, the oral sources, and photographs taken on site. This paper focuses mostly on the documents and sources used in the VR project and it aims to investigate how various and heterogeneous documents can be woven together into a philologically reliable historical reconstruction, and how they can be used in 3D modelling and VR storytelling related to Cinema Heritage.

scholarly journals Comparative analysis of information tendency and application features for projection mapping technologies at cultural heritage sites

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Hengyi Li ◽  
Hiromu Ito
Keyword(s):  
Cultural Heritage ◽  
Rapid Development ◽  
Interactive Technologies ◽  
Projection Mapping ◽  
Heritage Sites ◽  
The Past ◽  
Heritage Site ◽  
Information Characteristics ◽  
Digital Projection ◽  
The Relationship

AbstractWith the rapid development of interactive technologies using projection mapping (PJM), these digital technologies have introduced new interpretative possibilities for the presentation of cultural heritage sites. PJM attracts more visitors with greater expectations to cultural heritage sites through its excellent visual effects and guidance capabilities. In the past decade, especially after 2015, design events have frequently introduced digital projections to cultural heritage sightseeing spots worldwide. However, this trend has also led to the emergence of many digital projection events that merely exhibit beautiful projection effects on buildings and neglect to show the history and value of the cultural heritage site. Based on this phenomenon, this study compiled and analyzed 45 related cases of PJM applications at cultural heritage sites around the world from the past 5 years. These 45 examples were studied by disassembling the projection content, analyzing the information characteristics exhibited in each projection video, and arranging the obtained data on a timeline chart for analysis. According to the data, two information characteristics of PJM at cultural heritage sites can be observed: “the relationship between projection content and heritage” and “information tendency.” The advantages and limitations of these characteristics were distinguished and suggestions for the application of PJM on cultural heritage sites were derived. These results can be used as a reference for other research studies on visitors to cultural heritage sites and improving digital interpretation and presentation designs.

scholarly journals The Digital Heritage of Covid-19 's Governance: How to Upgrade and Use the "Health Code" in the Post-Epidemic Era

2021 ◽  
Vol 2 (2) ◽  
pp. 235-241
Author(s):  
Wu Siqi ◽  
Wu Yi
Keyword(s):  
Digital Media ◽  
The Body ◽  
Ethical Problems ◽  
Digital Heritage ◽  
Full State ◽  
The Media ◽  
Digital Projection ◽  
And Control ◽  
The Relationship

The outbreak of Covid-19 accelerated the practice of digital survival, and the "health code" launched based on the needs of epidemic prevention and control has become the representative of digital survival media, which is jointly built by science and technology enterprises and government departments. it has realized the full-state use in China, and accumulated long-term digital survival experience for the country, enterprises and individuals. At the same time, there are some media ethical problems in the use of Health Code, such as distinguishing users, leaking information, imprisoning the body and leading to the lack of subjects. In order to resolve the risk, we should re-examine the relationship between people and the media from the perspective of the subject, treat "health code" as a digital projection of personal health, and regain the service principle of digital technology. Humanize the "health code" and other digital media.

scholarly journals Berbudaya Melalui Media Digital

Humaniora ◽  
2014 ◽  
Vol 5 (2) ◽  
pp. 1009
Author(s):  
Meilani Meilani
Keyword(s):  
Cultural Heritage ◽  
Digital Media ◽  
Cultural Patterns ◽  
Media Technology ◽  
Changing Times ◽  
Different Cultures ◽  
Digital Media Technology

Understanding and knowing the meaning of culture that shape the culture of a nation is the first step. Indonesia as a country that has various shades of different cultures from Sabang to Merauke, the diversity of cultural patterns is a matter of pride that should be preserved and passed on to generations of recipients so that its presence can be maintained. Do not let the culture of Indonesia is claimed by other countries simply because of ignorance and indifference to the Indonesian cultural heritage. Various means have been taken to promote the culture of the archipelago in conventional media such as magazines, books and even articles. Generations who have lived in abundance world of digital media technology is the next target of inheritance. So it would be nice if steps are taken to a great start to focus more on the spread of culture and passed it along the changing times and of course without losing the identity of the nation. 

scholarly journals Delphi4Delphi: first results of the digital archaeology initiative for ancient Delphi, Greece

Antiquity ◽  
2016 ◽  
Vol 90 (354) ◽  
Author(s):  
Ioannis Liritzis ◽  
George Pavlidis ◽  
Spyros Vosynakis ◽  
Anestis Koutsoudis ◽  
Pantelis Volonakis ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Digital Media ◽  
Virtual Worlds ◽  
Collaborative Environments ◽  
First Results ◽  
Digital Archaeology ◽  
Definition Of

Digital media and learning initiatives for virtual collaborative environments are contributing to the definition of new (sub-)disciplines in archaeological and heritage sciences. New nomenclature and terminology is emerging such as cyber archaeology, cyber archaeometry, virtual worlds and augmented and immersive realities; and all of them are related to museums and cultural heritage—tangible, intangible or natural (Forte 2010; Liritziset al. 2015).

scholarly journals Embodied Engagement with Narrative: A Design Framework for Presenting Cultural Heritage Artifacts

2019 ◽  
Vol 3 (1) ◽  
pp. 1 ◽  
Author(s):  
Jean Ho Chu ◽  
Ali Mazalek
Keyword(s):  
Cultural Heritage ◽  
Digital Media ◽  
Cultural Context ◽  
Cultural Practices ◽  
Pilot Project ◽  
Interactive Narrative ◽  
Museum Exhibit ◽  
Museum Exhibits ◽  
Narrative Scholarship ◽  
Embodied Engagement

An increasing number of museum exhibits incorporate multi-modal technologies and interactions; yet these media divert visitors’ attention away from the cultural heritage artifacts on display. This paper proposes an overarching conceptual structure for designing tangible and embodied narrative interaction with cultural heritage artifacts within a museum exhibit so that visitors can interact with them to comprehend their cultural context. The Tangible and Embodied Narrative Framework (TENF) consists of three spectra (diegetic vs. non-diegetic, internal vs. external, and ontological vs. exploratory) and, considering how different interactions map along these three spectra, can guide designers in the way they integrate digital media, narrative, and embodiment. In this paper, we examine interactive narrative scholarship, existing frameworks for tangible and embodied interactions, and tangible and embodied narrative projects. We then describe the design of the TENF and its application to the pilot project, Mapping Place, and to the case study project, Multi-Sensory Prayer Nuts. The findings indicate that embodied engagement with artifacts through a narrative role can help visitors (1) contextualize the meaning of artifacts and (2) make personalized connections to the artifacts. Based on this work, we suggest design recommendations for tailoring the use of the TENF in the cultural heritage domain: simulate cultural practices, associate visitors with cultural perspectives, and provide simultaneous digital feedback. We conclude by describing future directions for the research, which include generating other possible projects using the TENF; collaborating with other designers and museum professionals; and exploring applications of the TENF in museum spaces.

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