Creationist Purpose and Irreducible Complexity Rebutted

Author(s):  
Paul F. Lurquin ◽  
Linda Stone
2005 ◽  
Vol 2005 (1) ◽  
pp. 69-85 ◽  
Author(s):  
J. P. Lampreia ◽  
R. Severino ◽  
J. Sousa Ramos

We introduce a tree structure for the iterates of symmetric bimodal maps and identify a subset which we prove to be isomorphic to the family of unimodal maps. This subset is used as a second factor for a∗-product that we define in the space of bimodal kneading sequences. Finally, we give some properties for this product and study the∗-product induced on the associated Markov shifts.


Author(s):  
Bob Hodge

Semiotics refers to an intellectual tradition that deals with processes of making and interpreting meaning in all kinds of text, in all modes. However, semiotics was never integrated into mainstream disciplinary structures. Because of this marginal status semiotic tendencies flourished outside and between the major disciplines. As a discipline semiotics seems small, vulnerable and out-of-date. But as a broad intellectual tradition semiotics can be seen as a meta-theory which encompasses literary theory. This second perspective makes semiotics more useful for literary readers, and hence is emphasized in this chapter. Semiotics’ value is enhanced when it is seen as a complex, heterogeneous field with fuzzy boundaries and productive entanglements with literary objects and theories. “Semiotics” comes from Greek semeion (sign, omen, or trace), something that points towards important, often hidden meanings. Signs in this sense go beyond words and verbal media. This scope gives “semiotics” a radically disruptive quality. Western culture in the modern era has been based on the primacy of words as carriers of all meaning and thought. Semiotics is the site of a radical challenge to this dominance. Semiotics sees signs and meanings everywhere, in every mode, not just in words. The changing media of literature in the present and past raise many semiotic issues for literary theory. Poetry always carried meanings through sound as well as words. Drama needs to be performed. Film and multimedia carry the role of print fiction in new contexts. In the multimedia 21st century, literature has gone beyond writing, and its theories need a semiotic dimension. Semiotics has a divided history, with two founding fathers. Peirce emphasized complexity and flow, and Saussure emphasized structure. Before 1960 structuralism dominated, but by the end of the 20th century post-structuralism prevailed. Semiotics went underground, but left traces everywhere of the intellectual revolution it participated in. It helped to trigger the turn to meaning across the social sciences and celebrated the irreducible complexity and diversity of forms and meanings in literature and life in the modern world.


2021 ◽  
Author(s):  
◽  
Louise Wotton

<p>Computational simulations are generally built upon a form or design that is near or mostly complete. Agent-based simulations are ones where the rules and behaviours are designed, creating an unpredictable output. In this research, these rules are derived from the complex systems in nature, utilising cross-disciplinary principles between architecture and biology. The abstraction of data and rules from biological structures are used to inform computational rule-sets for modelling 3D printed structures.  The simulations in this paper explore the concept of emergence: where systems have an irreducible complexity and adaptability - a series of smaller parts combined acting as a whole. The concept of agent-based simulations as a form of emergence is a tool used greatly within many areas of research as a speculative method to build form and space.  Computation rule-sets define a design intent for each simulation, demonstrating the ability to use agent-based systems and a spatial design driver. Informing the agents with design intent, allows them to adapt to their environment and to the ability and limitations of a freeform 3D printer.  The focus in this project is the design of emergent principles in nature and how they can be applied to optimize structures for use with digital fabrication methods, thus producing a new approach to designing fabricated forms.  Using a design by research approach, this research demonstrates the potential of free-form 3D printing as a technique for an integrated fabrication system. It outlines computational design techniques including the simulation of emergent phenomena to define a digital workflow that supports the integration of both emergent structures and free-form printing.</p>


2020 ◽  
Vol 3 (1) ◽  
pp. 1-13
Author(s):  
Yahya Afandi

This article examines: is science and theology so wide apart from each other; is the suffering of bible scholars who have a "second class" status in academic conversation impossible to end? The advancement of science which should illuminate the theological-biblical notions which are textually unexplainable in scientific detail has in fact created such a sharp split point. The idea of Intelligent design: irreducible complexity promoted by Michael J. Behe provides a kind of “theistic interstice" that can be used as a lens to see the existence of an intelligent designer of the universe narrated in Psalms 19: 1-6. The existed complexity, cannot be reduced because the condition itself is threatening the universal system. This article concludes with the identification: if the assumptions of an intelligent designer who refers to God is considered too premature; the framework of an intelligent designer then provides an imaginative space to grapple with the possibility of His involvement in the universe. Abstrak Artikel ini mempertanyakan ulang: Apakah ilmu pengetahuan dan teologi alkitabiah sudah sedemikian jauh terpisah satu sama lain? Apakah penderitaan para sarjana kitab suci yang diklaim berstasus “kelas dua” dalam percakapan akademik mustahil diakhiri? Kemajuan ilmu pengetahuan yang semestinya menerangi terminologi teologis-alkitabiah, yang barangkali memang secara tekstual tidak dijelaskan secara detail-ilmiah khususnya isu kosmologi dan kosmogoni, nyatanya justru telah menciptakan titik pisah yang begitu tajam. Gagasan kosmologi Intelligent design: irreducible complexity yang diusung oleh Michael J. Behe memberi semacam “celah teistik” yang dapat dipergunakan sebagai lensa untuk melihat kemungkinan keberadaan Sang Perancang Cerdas semesta raya dalam narasi Mazmur 19:1-6. Kerumitan yang ada, tidak dapat dikurangi, tidak boleh tidak ada. Mengingat situasi tersebut justru berpeluang mengancam sistem semesta. Artikel ini diakhiri dengan identifikasi, bahwa jika dugaan perancang cerdas yang merujuk kepada keberadaan Tuhan dinilai terlalu prematur, maka pemikiran intelligent designer menyediakan ruang imajinatif-intelektual untuk menggumuli kemungkinan keberadaan dan keterlibatan-Nya atas semesta.


Philosophy ◽  
2019 ◽  
Author(s):  
Fred D'Agostino

Objectivity has two aspects. It means, in the metaphysical sense, a correspondence between a statement and the way the world is independently of human conceptual activities. It refers, in the methodological sense, to products of processes of inquiry disciplined by the demand to exclude all that would render those products dependent on prejudice or bias. Already in Immanuel Kant’s Critique of Pure Reason, we see that the convergence from multiple unbiased perspectives that we expect from a methodologically objective process might be seen as evidence of correspondence with underlying independent realities. In some domains, convergence may be all that’s on offer, there being no mind-independent reality with which correspondence might be sought. This was the view of John Rawls, as for example in his “Kantian Constructivism in Moral Theory.” Among the many unquestioned certainties of the postwar scientistic settlement was that the pursuit of objectivity in science, ethics, and the professions was the key to the success of these enterprises. This was disturbed by scholarly developments, of which the profoundest was the feminist critique of objectivity from the mid-1970s. Another important development was the sociological and historiographical interrogation of objectivity, as manifested in “the strong programme” or “social studies of science,” but most strikingly exemplified in Lorraine Daston and Peter Galison’s Objectivity, which gave the idea of objectivity a history that showed how much intellectual work had to be done to develop an idea that we later came to take for granted. Of course, the fact of the historical contingency and social entanglement of “objectivity” shows nothing about its usefulness, indeed effectiveness. It may, despite its historicity, still be effective in disciplining our inquiries. Among the more interesting aspects of the concept of objectivity is its perhaps essentially contestable character as a concept, as shown in its multiple manifestations, as identified by Heather Douglas, “The Irreducible Complexity of Objectivity.” As Daston put it (“Objectivity and the Escape from Perspective,” p. 598), “its thick layering of oddly matched meanings . . . betrays signs of a complicated and contingent history.” While the idea of objectivity has played an important philosophical role, its general cultural significance spiked in the aftermath of the 2016 US presidential election. Oxford University Press has noted this phenomenon. “After much discussion, debate, and research, the Oxford Dictionaries Word of the Year 2016 is post-truth—an adjective defined as ‘relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.’”


Criminology ◽  
2015 ◽  
Vol 53 (1) ◽  
pp. 113-120 ◽  
Author(s):  
JOHN PAUL WRIGHT ◽  
J. C. BARNES ◽  
BRIAN B. BOUTWELL ◽  
JOSEPH A. SCHWARTZ ◽  
ERIC J. CONNOLLY ◽  
...  

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