Sino Caribbean Performance and Music

2020 ◽  
Author(s):  
Tzarina T. Prater
Keyword(s):  
Identity Formation ◽  
Cultural Production ◽  
Hip Hop ◽  
Historical Narratives ◽  
African Caribbean ◽  
Integral Role ◽  
Anglo American ◽  
Nationalism And Identity ◽  
Colonial Capitalism

Studying Sino Caribbean participation in the two cultural juggernauts of Caribbean cultural production, music and Carnival, reveals the vexed position of these modes of performance in relation to conventional historical narratives of colonialism, as well as struggles related to multiple and resilient essentialist discourses of nationalism and identity formation. The complex diasporic histories of music and Carnival are tied to violent exploitive labor formations at the core of colonial capitalism. Sino Caribbean experiences are marked by marginalization, conflict, and rebellion as well as acclimation, inclusion, and challenge to diasporic theories and critical praxis. This labor history is frequently ignored by cultural chauvinists whose critical lenses do not engage beyond the Anglo-American academic bastions. Outside of music aficionados and Caribbean communities, very few are familiar with the integral role of Sino Caribbean peoples in the production and dissemination of reggae, jazz, and by extension, hip-hop music. This historical and critical lacuna can be addressed by shifting away from Atlantic- and Pacific Rim–bound ideological articulations of diaspora that ignore the contiguities of African, Caribbean, and Asian experiences in the Caribbean, and by focusing on this history as integral to a greater understanding of colonial and neocolonial political and economic formations.

Unpacking the role of religion in political transnationalism: the case of the Shi'a Iraqi diaspora since 2003

2020 ◽  
Vol 96 (2) ◽  
pp. 305-322 ◽  
Author(s):  
Oula Kadhum
Keyword(s):  
Identity Formation ◽  
Identity Politics ◽  
Cultural Production ◽  
International Politics ◽  
National Unity ◽  
Civic Activism ◽  
Political Transnationalism ◽  
Role Of Religion

Abstract This article explores the role of religion in political transnationalism using the case of the Shi'a Iraqi diaspora since 2003. The article focuses on three areas that capture important trends in Shi'a transnationalism and their implications for transnational Shi'a identity politics. These include Shi'a diasporic politics, transnational Shi'a civic activism, and the cultural production of Iraqi Shi'a identity through pilgrimages, rituals and new practices. It is argued that understanding Shi'a Islam and identity formation requires adopting a transnational lens. The evolution of Shi'a Islam is not only a result of the dictates of the Shi'a clerical centres, and how they influence Shi'a populations abroad, but also the transnational interrelationships and links to holy shrine cities, Shi'i national and international politics, humanitarianism and commemorations and rituals. The article demonstrates that Shi'a political transnationalism is unexceptional in that it echoes much of the literature on diasporic politics and development where diaspora involve themselves from afar in the politics and societies of their countries of origin. At the same time, it shows the exceptionalism of Shi'a diasporic movements, in that their motivations and mobilizations are contributing to the reification of sectarian geographical and social borders, creating a transnationalism that is defined by largely Shi'a networks, spaces, actors and causes. The case of Shi'a political transnationalism towards Iraq shows that this is increasing the distance between Shi'is and Iraq's other communities, simultaneously fragmenting Iraq's national unity while deepening Shi'a identity and politics both nationally and supra-nationally.

How Brenda’s Baby Got California Love

2018 ◽  
Author(s):  
Marcus Anthony Hunter ◽  
Zandria F. Robinson
Keyword(s):  
Cultural Production ◽  
Hip Hop ◽  
Black People ◽  
Black Panther Party ◽  
Police Brutality ◽  
Black Music ◽  
Power Politics ◽  
Black Life ◽  
And Gender

Centering the lives, music, and experiences of Tupac Shakur and his mother, Afeni Shakur, this chapter explores the migration stories of black people across the Black Map through the lens of hip hop music, the Black Panther Party, the Up South, Out South, and West South. Emphasizing the importance of cultural production and black music, the authors highlight the role of race, place, police brutality, and gender in black life and politics. Focused on the connections across space and time, this chapter demonstrates the key role black power politics, police brutality, and hip hop in the politics and migrations of black people throughout the chocolate cities.

The impossibility of being Drake: Or, what it means to be a successful (Black) Canadian rapper

2020 ◽  
Vol 1 (1) ◽  
pp. 95-114 ◽  
Author(s):  
Alexandra Boutros
Keyword(s):  
Cultural Production ◽  
Hip Hop ◽  
The United States ◽  
Music Criticism ◽  
Public Performance ◽  
Discursive Analysis ◽  
Black Canadian ◽  
Imagined Nation ◽  
Discursive Constructions

This article takes Canadian hip hop artist Drake, his celebrity and his body of work as a point of departure for an examination of discursive constructions of race, hip hop and Canada in intersection. Canada’s role in the global hip hop movement has always been contested; circumscribed from abroad by its proximity to the United States and at home by its ideological positioning of Black citizens and Black cultural production vis-à-vis the imagined nation. Framed by broader questions of the role of hip hop in the Canadian public sphere, this discursive analysis analyses the work and utterances of Drake as well as discourses produced about Drake through music criticism and by other hip hop artists. Drake’s public performance of Blackness via hip hop is framed by overlapping and competing ideologies. Drake ‐ whose public persona seems to embody a number of seemingly competing identities ‐ is ‘impossible’ in so far as he is the product of intersecting, circulating conceptualizations of Blackness that render only some performances of Blackness both commercially viable and authentically hip hop, while others remain impossible, unacceptable, unutterable or unimaginable both inside and outside the nation state.

Speculative Realism and Science Fiction

2017 ◽  
Author(s):  
Brian Willems
Keyword(s):  
Science Fiction ◽  
Identity Formation ◽  
Cormac Mccarthy ◽  
Doris Lessing ◽  
Speculative Realism ◽  
Neil Gaiman ◽  
The World ◽  
The Difference ◽  
Quentin Meillassoux

A human-centred approach to the environment is leading to ecological collapse. One of the ways that speculative realism challenges anthropomorphism is by taking non-human things to be as valid objects of investivation as humans, allowing a more responsible and truthful view of the world to take place. Brian Willems uses a range of science fiction literature that questions anthropomorphism both to develop and challenge this philosophical position. He looks at how nonsense and sense exist together in science fiction, the way in which language is not a guarantee of personhood, the role of vision in relation to identity formation, the difference between metamorphosis and modulation, representations of non-human deaths and the function of plasticity within the Anthropocene. Willems considers the works of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Miéville, Doris Lessing and Kim Stanley Robinson are considered alongside some of the main figures of speculative materialism including Graham Harman, Quentin Meillassoux and Jane Bennett.

The Perils and Promises of Disability Biography

2018 ◽  
Author(s):  
Kim E. Nielsen
Keyword(s):  
Social Change ◽  
Historical Narratives ◽  
Disabled People ◽  
Cultural Discourses ◽  
The Past ◽  
Helen Keller ◽  
Rigorous Study ◽  
Franklin Delano Roosevelt

Biographical scholarship provides a means by which to understand the past. Disability biography writes disabled people into historical narratives and cultural discourses, acknowledging power, action, and consequence. Disability biography also analyzes the role of ableism in shaping relationships, systems of power, and societal ideals. When written with skilled storytelling, rigorous study, nuance, and insight, disability biography enriches analyses of people living in the past. Disability biography makes clear the multiple ways by which individuals and communities labor, make kinship, persevere, and both resist and create social change. When using a disability analysis, biographies of disabled people (particularly people famous for their disability, such as Franklin Delano Roosevelt and Helen Keller) reveal the relationality and historically embedded nature of disability. In an ableist world, such acts can be revolutionary.

Politics and Kingship in the Historical Books, with Attention to the Role of Political Theory in Interpretation

2020 ◽  
pp. 186-200
Author(s):  
Geoffrey Parsons Miller
Keyword(s):  
Political Philosophy ◽  
Comparative Analysis ◽  
Distributive Justice ◽  
Political Theory ◽  
Hebrew Bible ◽  
Historical Narratives ◽  
Political Organizations ◽  
Abstract Ideas ◽  
Theological Message

This chapter explores the thesis that the historical narratives of the Hebrew Bible address abstract ideas about politics, government, and law. Taking issue with critics who view the Bible’s spiritual and theological message as incommensurable with political philosophy, the chapter argues that the stories of politics and kingship in the Hebrew Bible’s historical books set forth set forth an impressive political theory that rivals, in some respects, the work of Plato, Aristotle, and other Greek thinkers. The key is to bring out the general ideas behind the specific narrative elements. The chapter illustrates this thesis by examining the Hebrew Bible’s treatment of a number of classic problems of political theory: anarchy, obligation and sovereignty, distributive justice, and the comparative analysis of political organizations.

Catching an Atom Spy: MI5 and the Investigation of Klaus Fuchs

2010 ◽  
pp. 554-567
Author(s):  
Timothy Gibbs
Keyword(s):  
Cold War ◽  
High Risk ◽  
Klaus Fuchs ◽  
Key Issues ◽  
Successful Approach ◽  
Anglo American ◽  
Atomic Espionage ◽  
Signals Intelligence

This article focuses on M15 organization and Klaus Fuchs, a German-born physicist and Soviet “Atom Spy” who was arrested in 1950 and served fourteen years for offences related to atomic espionage. It examines how Fuchs was identified as an “Atom Spy” in 1949 and describes the MI5's investigation, which ended in the early 1950 with the successful arrest, prosecution, and imprisonment of this highly significant Cold War figure. Key issues discussed in this article include the difficulties encountered by MI5 and the budding British atomic program in the sphere of security. It also discusses the role of Signals intelligence (SIGINT) in the investigation of Fuchs, and the high-risk but ultimately successful approach taken by MI5's key interrogator, William Skardon. This case study highlights both the unparalleled level of international intelligence cooperation between the British agencies and their American counterparts, which made the resolution of this case possible, and some of the frailties in the Anglo-American alliance that were brought to the fore by the exposure of Fuchs as an Atom Spy.

Internalization of Appearance Ideals and Appearance Comparison among Adolescent Boys and Girls: The Role of Identity Formation

Identity ◽  
2021 ◽  
pp. 1-19
Author(s):  
Nina Palmeroni ◽  
Laurence Claes ◽  
Margaux Verschueren ◽  
Leni Raemen ◽  
Koen Luyckx
Keyword(s):  
Identity Formation ◽  
Adolescent Boys ◽  
Appearance Comparison ◽  
Appearance Ideals

scholarly journals White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity

Religions ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 123
Author(s):  
Shannon Said
Keyword(s):  
Hip Hop ◽  
Minority Groups ◽  
Cultural Backgrounds ◽  
Congregational Song ◽  
Christian Worship ◽  
Pentecostal Churches ◽  
The Relationship ◽  
Sydney Australia

It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of pop, rock and hip hop, have allowed for a contemporisation of music that functions as worship within these settings, and although still debated within and across some denominations, there is a growing acceptance amongst Western churches of these styles. Whilst these developments have taken place over the past few decades, there is an ongoing resistance by Pentecostal churches to embrace Indigenous musical expressions of worship, which are usually treated as token recognitions of minority groups, and at worst, demonised as irredeemable musical forms. This article draws upon interview data with Christian-Māori leaders from New Zealand and focus group participants of a diaspora Māori church in southwest Sydney, Australia, who considered their views as Christian musicians and ministers. These perspectives seek to challenge the relationship between Indigenous and non-Indigenous relations within a church setting and create a more inclusive philosophy and practice towards being ‘one in Christ’ with the role of music as worship acting as a case study throughout. It also considers how Indigenous forms of worship impact cultural identity, where Christian worship drawing upon Māori language and music forms has led to deeper connections to congregants’ cultural backgrounds.

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