Three Turnings of the Wheel of Doctrine (Dharma-Cakra)

Author(s):  
John Powers

The three turnings of the “wheel of doctrine” (dharma-cakra) is a Buddhist concept that has its origins in the Discourse Explaining the Thought (Saṃdhinirmocana-sūtra), a 3rd–4th century Indian Mahāyāna work. According to the schema described in this text, in the first turning the Buddha laid out fundamental precepts such as the four noble truths and dependent arising. The Buddha subsequently taught a second wheel, comprising the Perfection of Wisdom (Prajñā-pāramitā) discourses and related works, in which the teachings of the first wheel were subjected to the critique of emptiness (śūnyatā): the Buddha corrected the false impression some followers had developed that his words have a privileged truth status and transcend the limitations of mundane words and concepts. But in so doing he moved some followers toward an extreme of nihilism. And so in the third wheel he differentiated what is and is not being negated. This framework, only sketchily outlined in the Sūtra, was later extended and reinterpreted by Buddhist exegetes, most often as a polemical and sectarian strategy by which they valorized their own doctrines and preferred scriptures and relegated those of rivals to lower status while still acknowledging them as valid teachings of the Buddha delivered for the benefit of particular types of trainees with specific proclivities. In some tantric sources, Vajrayāna is characterized as part of the third wheel. As with the Discourse Explaining the Thought’s formulation, the tantric version of the three wheels presents them as sequential, with each requiring the others. Subsequent wheels build on and correct misconceptions in earlier ones, and the schema construes each successive dispensation as more profound than the preceding one(s) and as better representing the Buddha’s final thought.

1983 ◽  
Vol 49 (1) ◽  
pp. 177-193 ◽  
Author(s):  
Richard Bradley ◽  
Clive Hart

This paper investigates the distribution of artefacts and monuments in one part of the Peak District, in relation to the land use models put forward by Hawke-Smith in 1979. Although these distributions are generally consistent with his predictions, they suggest that communities in newly settled areas may have been of lower status than those near the henge monument of Arbor Low. This distinction is emphasized in the burial rite and by differential access to imported materials.


Antiquity ◽  
2013 ◽  
Vol 87 (338) ◽  
pp. 1104-1123 ◽  
Author(s):  
R.A.E. Coningham ◽  
K.P. Acharya ◽  
K.M. Strickland ◽  
C.E. Davis ◽  
M.J. Manuel ◽  
...  

Key locations identified with the lives of important religious founders have often been extensively remodelled in later periods, entraining the destruction of many of the earlier remains. Recent UNESCO-sponsored work at the major Buddhist centre of Lumbini in Nepal has sought to overcome these limitations, providing direct archaeological evidence of the nature of an early Buddhist shrine and a secure chronology. The excavations revealed a sequence of early structures preceding the major rebuilding by Asoka during the third century BC. The sequence of durable brick architecture supplanting non-durable timber was foreseen by British prehistorian Stuart Piggott when he was stationed in India over 70 years ago. Lumbini provides a rare and valuable insight into the structure and character of the earliest Buddhist shrines.


2019 ◽  
Author(s):  
Waluyo

This study is based on the absence of a comprehensive description of the symbol of Dhammacakkappavattana Sutta (Sermon on the Dhamma Wheel) in the Mendut Monastery. This study aims to describe the holistic meaning of the symbolization of the first sermon containing the core of the Buddha's teachings, namely the Dhammacakkappavattana Sutta carved on the wooden window of the main dhammasālā at the Mendut Monastery complex.This study uses analytical methods of interpretation (understanding and interpretation) with procedures: (a) inventory of empirical data objects as simple ideas; (b) the granting and excavation of the meaning contained in the object; (c) understanding through insight; and (d) interpretation. The object material of this study is the twelve symbols of the first preaching of the Buddha, the Dhammacakkappavattana Sutta, carved in the wooden windows as a series arranged in sequence as an explanation of the content of the sermon. The validity of the study is based on a confirmability that reflects the objectivity of the study.The results of the study show that: (a) the Dhammacakkappavattana Sutta's sermon is symbolized into twelve icons or characters, namely the dharmacakra with thirty spokes (thirty-dharma wheels) and the dharmacakra with twelve spokes as an introduction, then the dharmacakra with three strings, the dharmacakra with eight spokes, the dharmacakra with four blades in which each has thick and thin sides, the dharmacakra with twenty four spokes, the dharmacakra with eight spokes, the lotus symbol, the striped circle, the eye symbol seeing waves, the single eye symbols, and the broken gongs; (b) the symbols of the Dhammacakkappavattana Sutta are understood and interpreted as a well-organized meaningful explanations reflecting the content of the sermon. They are commenced by cultivating the pāramitā (virtue) which is ten in number, each of which has three levels, the comprehension of the law of dependent origination, the two extremes namely self-mortification and self-indulgence, the Noble Eightfold Path as the middle way, the realization of the Four Noble Truths, the details of the Four Noble Truths, the Noble Eightfold Path as a path to be developed, the implementation of sīla as the basis, tranquility meditation, vipassanā meditation, the manifestation of paññā, and the attainment of Nibbāna.The consequence of the Dhammacakkappavattana Symbolization simplified into a particular icon makes it easy to understand the content of the sermon. It can be used as a medium of Dharma education which is more contextual with an easy and powerful language.


Religions ◽  
2021 ◽  
Vol 12 (12) ◽  
pp. 1081
Author(s):  
Pradeep P. Gokhale

The doctrine of impermanence can be called the most salient feature of the Buddha’s teaching. The early Buddhist doctrine of impermanence can be understood in four different but interrelated contexts: Buddha’s empiricism, the notion of conditioned/constituted objects, the idea of dependent arising, and the practical context of suffering and emancipation. While asserting the impermanence of all phenomena, the Buddha was silent on the questions of the so-called transcendent entities and truths. Moreover, though the Buddha described Nibbāṇa/Nirvāṇa as a ‘deathless state’ (‘amataṃ padam’), it does not imply eternality in a metaphysical sense. Whereas the early Buddhist approach to impermanence can be called ‘phenomenal’, the post-Buddhist approach was concerned with naumena (things in themselves). Hence, Sarvāstivāda (along with Pudgalavāda) is marked by absolutism in the form of the doctrines of substantial continuity, atomism, momentariness, and personalism. The paper also deals with the approaches to impermanence of Dharmakīrti and Nāgārjuna, which can be called naumenal rather than strictly phenomenal. For Dharmakīrti, non-eternality was in fact momentariness and it was not a matter of experience but derivable conceptually or analytically from the concept of real. Nāgārjuna stood not for impermanence, but emptiness (śūnyatā), the concept which transcended both impermanence and permanence, substantiality and non-substantiality.


Author(s):  
Dan Lusthaus

Yogācāra is one of the two schools of Indian Mahāyāna Buddhism. Its founding is ascribed to two brothers, Asaṅga and Vasubandhu, but its basic tenets and doctrines were already in circulation for at least a century before the brothers lived. In order to overcome the ignorance that prevented one from attaining liberation from the karmic rounds of birth and death, Yogācāra focused on the processes involved in cognition. Their sustained attention to issues such as cognition, consciousness, perception and epistemology, coupled with claims such as ‘external objects do not exist’ has led some to misinterpret Yogācāra as a form of metaphysical idealism. They did not focus on consciousness to assert it as ultimately real (Yogācāra claims consciousness is only conventionally real), but rather because it is the cause of the karmic problem they are seeking to eliminate. Yogācāra introduced several important new doctrines to Buddhism, including vijñaptimātra, three self-natures, three turnings of the dharma-wheel and a system of eight consciousnesses. Their close scrutiny of cognition spawned two important developments: an elaborate psychological therapeutic system mapping out the problems in cognition with antidotes to correct them and an earnest epistemological endeavour that led to some of the most sophisticated work on perception and logic ever engaged in by Buddhists or Indians. Although the founding of Yogācāra is traditionally ascribed to two half-brothers, Asaṅga and Vasubandhu (fourth–fifth century bc), most of its fundamental doctrines had already appeared in a number of scriptures a century or more earlier, most notably the Saṃdhinirmocanasūtra (Elucidating the Hidden Connections) (third–fourth century bc). Among the key Yogācāra concepts introduced in the Saṃdhinirmocanasūtra are the notions of ’only-cognition’ (vijñaptimātra), three self-natures (trisvabhāva), warehouse consciousness (ālayavijñāna), overturning the basis (āśrayaparāvṛtti) and the theory of eight consciousnesses. The Saṃdhinirmocanasūtra proclaimed its teachings to be the third turning of the wheel of dharma. Buddha lived around sixth–fifth century bc, but Mahāyāna Sūtra did not begin to appear probably until five hundred years later. New Mahāyāna Sūtra continued to be composed for many centuries. Indian Mahāyānists treated these Sūtras as documents which recorded actual discourses of the Buddha. By the third or fourth century a wide and sometimes incommensurate range of Buddhist doctrines had emerged, but whichever doctrines appeared in Sūtras could be ascribed to the authority of Buddha himself. According to the earliest Pāli Sutta, when Buddha became enlightened he turned the wheel of dharma, that is, began to teach the path to enlightenment. While Buddhists had always maintained that Buddha had geared specific teachings to the specific capacities of specific audiences, the Saṃdhinirmocanasūtra established the idea that Buddha had taught significantly different doctrines to different audiences according to their levels of understanding; and that these different doctrines led from provisional antidotes (pratipakṣa) for certain wrong views up to a comprehensive teaching that finally made explicit what was only implicit in the earlier teachings. In its view, the first two turnings of the wheel – the teachings of the Four Noble Truths in Nikāya and Abhidharma Buddhism and the teachings of the Madhyamaka school, respectively – had expressed the dharma through incomplete formulations that required further elucidation (neyārtha) to be properly understood and thus effective. The first turning, by emphasizing entities (such as dharmas and aggregates) while ’hiding’ emptiness, might lead one to hold a substantialistic view; the second turning, by emphasizing negation while ’hiding’ the positive qualities of the dharma, might be misconstrued as nihilism. The third turning was a middle way between these extremes that finally made everything explicit and definitive (nīthartha). In order to leave nothing hidden, the Yogācārins embarked on a massive, systematic synthesis of all the Buddhist teachings that had preceded them, scrutinizing and evaluating them down to the most trivial details in an attempt to formulate the definitive Buddhist teaching. Stated another way, to be effective all of Buddhism required a Yogācārin reinterpretation. Innovations in abhidharma analysis, logic, cosmology, meditation methods, psychology, philosophy and ethics are among their most important contributions. Asaṅga’s magnum opus, the Yogācārabhūmiśāstra (Treatise on the Stages of Yoga Practice), is a comprehensive encyclopedia of Buddhist terms and models, mapped out according to his Yogācārin view of how one progresses along the stages of the path to enlightenment.


2012 ◽  
Vol 29 (1) ◽  
pp. 17-33
Author(s):  
John S. Strong
Keyword(s):  

The Buddha’s final illness, brought on by his last meal prior to his death, was traditionally seen as one of a set of ailments suffered by him at various points during his lifetime. This paper looks at different Buddhist explications of the causes of these ailments and applies them to the episode of the Buddha’s final illness. In both instances, three explanatory strategies are detected: the first stresses the causative importance of the Buddha’s own negative karmic deeds in past lives; the second looks to the negative deeds and karma of others than the Buddha; the third offers non-karmic explanations. The first two engendered two rather different kinds of j?taka stories; the last did not involve any j?takas but highlighted various kinds of ‘natural’ explanations.


2010 ◽  
Vol 66 ◽  
pp. 187-217 ◽  
Author(s):  
David Burton

It seems uncontroversial that Buddhism is therapeutic in intent. The word ‘therapy’ is often used, however, to denote methods of treating medically defined mental illnesses, while in the Buddhist context it refers to the treatment of deep-seated dissatisfaction and confusion that, it is claimed, afflict us all. The Buddha is likened to a doctor who offers a medicine to cure the spiritual ills of the suffering world. In the Pāli scriptures, one of the epithets of the Buddha is ‘the Great Physician’ and the therapeutic regimen or healing treatment is his teaching, the Dhamma. This metaphor is continued in later literature, most famously in the Saddharmapuṇḍarīka Sūtra, where the Buddha is said to be like a benevolent doctor who attempts to administer appropriate medicine to his sons. In the Mahāyāna pantheon, one of the most popular of the celestial Buddhas is Bhaiṣajyaguru, the master of healing, who is believed to offer cures for both the spiritual and more mundane ailments of sentient beings. The four truths, possibly the most pervasive of all Buddhist teachings, are expressed in the form of a medical diagnosis. The first truth, that there is suffering (dukkha), is the diagnosis of the disease. The second truth, that suffering arises from a cause (or causes), seeks to identify the root source of the disease. The third truth, that suffering can be ended, is a prognosis that the disease is curable. The fourth truth describes the path to end suffering, and is the prescription of treatment.


Author(s):  
Yufi Shofiyani ◽  
Henrikus Joko Yulianto

This study is the analysis of the character Siddhartha’s pilgrimage journey in the novel entitled Siddhartha. There are three objectives of this study. The first is to describe the conflict between human’s worldly desires and his spiritual quest in Hermann Hesse’s novel, Siddhartha. The second is to explain how Siddhartha’s conflict between his worldly affairs and spiritual journey in view of Gadamer’s hermeneutics. And, the third is to explain how Siddhartha’s worldly and spiritual duality as a revelation of human’s conflict in general. The analysis and the description of the data are provided to find the conclusion. The analysis of this study is using Gadamer’s Hermeneutics theory. The study shows that the main character Siddhartha is searching for salvation through the ordeal life. He learned many teachings from Hinduism, being ascetic Samana, learned Buddha’s teachings, being worldly slave as the courtesan adherent, and finally he finds salvation from the river. In his journey to find salvation, Siddhartha is difficult to find teachings can satisfy him. He got the internal conflict between his worldly and spiritual quest when he became courtesan’s adherent. However, all the inner conflicts that Siddhartha felt have big roles and led him to make the next decision in his life. In the end of Siddhartha’s journey, finally he found salvation. The river has succeeded to change Siddhartha by its voice and “listen” became the key why he gets salvation in his life. Besides, there is the fact that Siddhartha’s story modelled itself on the journey of Siddhartha Gautama the Buddha. Hesse’s Siddhartha was written based on the author’s travel experience in India. The conflict that Hesse portrayed in that story mostly faced by people. In the novel, Hesse characterized Siddhartha as an individual who later found his life wisdom in an act of listening to the voices of nature. Listening means everything for Siddhartha. Keywords: Gadamer’s hermeneutics, internal conflict, pilgrim’s journey


2019 ◽  
Vol 7 (2) ◽  
pp. 119
Author(s):  
Sindhy Sintya Mianani

Amerika Serikat yang dikenal sebagai negeri para imigran telah menarik jutaan imigran yang bermimpi untuk memiliki masa depan cerah ke pesisir negaranya. Sebagai negeri para imigran, pengalaman diaspora para imigran di Amerika sejatinya merupakan topik yang telah banyak dieksplorasi dalam dunia kesusastraan. Akan tetapi, sedikit sekali yang berbicara mengenai diaspora warga Jepang di Amerika. Sebagai sebuah awalan, studi ini menguraikan pengalaman diaspora para perempuan Jepang yang mengadu nasib di daratan Amerika sebagai picture brides dalam novel The Buddha in the Attic karya Julie Otsuka. Tidak hanya berbicara mengenai kehidupan picture brides di Amerika, The Buddha in the Attic juga menceritakan pengalaman imigran Jepang pada masa Perang Dunia II yang berujung pada kamp-kamp konsentrasi. Untuk menguraikan permasalahan tersebut, studi ini menerapkan teori Historical Poetics yang diprakarsai oleh Alan Swingewood untuk memperoleh hasil analisis yang rigid. Dikemas dengan subjek orang pertama jamak (first person plural), Julie Otsuka menciptakan sebuah narasi tentang kehidupan para picture brides dan imigran Jepang secara kolektif. Tindakan yang dilakukan sang penulis ini, disinyalir sebagai bentuk post-memory-nya sebagai generasi ketiga imigran Jepang (sansei) di Amerika.  Kata kunci: diaspora, narasi, historical poetics, picture brides, post-memory United States of America which is acknowledged as the land of immigrants has lured millions of those who seek for a bright future to its coast. As the land of immigrants, diaporic phenomenon in America has been explored extensively in literary world. However, a very few number has yet to conduct a study on Japanese diasporic phenomenon in America. To begin with, this study attempts to describe the diaporic phenomenon of Japanese women who came to America as picture brides in Julie Otsuka’s The Buddha in the Attic. Not only narrating the the story of picture brides in America, The Buddha in the Attic also tells the story of Japanese migrants who ended up in concentracion camps during the Word War II period. To solve the problem aforementioned, this study applies Alan Swingewood’s Historical Poetics to get adequate results. As the novel is written in first person plural prounoun, Julie Otsuka is said to create narratives on Japanese picture brides and Japanese migrants collectively. What the author does is assumed as the post-memory of being the third generation of Japanese migrants (sansei) in America. Keywords: diaspora, narratives, historical poetics, picture brides, post-memory 


Author(s):  
Michael Suk-Young Chwe

This chapter examines how Jane Austen deals with cluelessness in her novels. It discusses the five explanations offered by Austen for cluelessness. The first is lack of natural ability and the second is social distance. In the latter case, an unmarried person for example is not so good at understanding married people because he has not yet had the experience of being married. The third is excessive self-reference, using yourself too much as a template for understanding others. The fourth is status maintenance: a higher-status person is not supposed to think about the intentions of a lower-status person, and risks blurring the status distinction if she does. The fifth is that sometimes presumption, believing that one can directly manipulate another's preferences, actually works. The chapter applies these explanations to the decisive blunders of superiors such as Lady Catherine and General Tilney in Northanger Abbey.


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