scholarly journals JEJAK DIASPORA DAN NARASI KEHIDUPAN PICTURE BRIDES DALAM NOVEL THE BUDDHA IN THE ATTIC KARYA JULIE OTSUKA

2019 ◽  
Vol 7 (2) ◽  
pp. 119
Author(s):  
Sindhy Sintya Mianani
Keyword(s):  
United States ◽  
United States Of America ◽  
Japanese Women ◽  
First Person ◽  
Third Generation ◽  
The Novel ◽  
Person Plural ◽  
The Third ◽  
First Person Plural ◽  
The Buddha

Amerika Serikat yang dikenal sebagai negeri para imigran telah menarik jutaan imigran yang bermimpi untuk memiliki masa depan cerah ke pesisir negaranya. Sebagai negeri para imigran, pengalaman diaspora para imigran di Amerika sejatinya merupakan topik yang telah banyak dieksplorasi dalam dunia kesusastraan. Akan tetapi, sedikit sekali yang berbicara mengenai diaspora warga Jepang di Amerika. Sebagai sebuah awalan, studi ini menguraikan pengalaman diaspora para perempuan Jepang yang mengadu nasib di daratan Amerika sebagai picture brides dalam novel The Buddha in the Attic karya Julie Otsuka. Tidak hanya berbicara mengenai kehidupan picture brides di Amerika, The Buddha in the Attic juga menceritakan pengalaman imigran Jepang pada masa Perang Dunia II yang berujung pada kamp-kamp konsentrasi. Untuk menguraikan permasalahan tersebut, studi ini menerapkan teori Historical Poetics yang diprakarsai oleh Alan Swingewood untuk memperoleh hasil analisis yang rigid. Dikemas dengan subjek orang pertama jamak (first person plural), Julie Otsuka menciptakan sebuah narasi tentang kehidupan para picture brides dan imigran Jepang secara kolektif. Tindakan yang dilakukan sang penulis ini, disinyalir sebagai bentuk post-memory-nya sebagai generasi ketiga imigran Jepang (sansei) di Amerika.  Kata kunci: diaspora, narasi, historical poetics, picture brides, post-memory United States of America which is acknowledged as the land of immigrants has lured millions of those who seek for a bright future to its coast. As the land of immigrants, diaporic phenomenon in America has been explored extensively in literary world. However, a very few number has yet to conduct a study on Japanese diasporic phenomenon in America. To begin with, this study attempts to describe the diaporic phenomenon of Japanese women who came to America as picture brides in Julie Otsuka’s The Buddha in the Attic. Not only narrating the the story of picture brides in America, The Buddha in the Attic also tells the story of Japanese migrants who ended up in concentracion camps during the Word War II period. To solve the problem aforementioned, this study applies Alan Swingewood’s Historical Poetics to get adequate results. As the novel is written in first person plural prounoun, Julie Otsuka is said to create narratives on Japanese picture brides and Japanese migrants collectively. What the author does is assumed as the post-memory of being the third generation of Japanese migrants (sansei) in America. Keywords: diaspora, narratives, historical poetics, picture brides, post-memory 

scholarly journals ANALISIS DEIKSIS DALAM BAHASA GORONTALO

2021 ◽  
Vol 22 (1) ◽  
pp. 68-80
Author(s):  
Aryati Hamzah ◽  
William I. S. Mooduto ◽  
Imam Mashudi
Keyword(s):  
First Person ◽  
Second Person ◽  
Person Plural ◽  
The Third ◽  
Third Person ◽  
First Person Plural ◽  
Two Stages ◽  
The Third Person

This research aims to describe the use of deixis in Gorontalo Language. This research was conducted in two stages namely the stage of preparation and implementation of the research. This research was conducted for 1 year. The result of the research showed that the form and meaning of deixis are person deixis, time and place. Persona deixis is divided into several types is deixis of first-person singular (wa’u ‘1sg’, watiya ‘1sg’), deixis of the first person plural (ami ‘1pl.excl’), deixis of the second person singular (yi’o ‘2sg’, tingoli ‘2sg’), deixis of the second person plural (tingoli ‘2pl’, timongoli ‘2pl’), and deixis of the third person singular (tio ‘3sg’) and timongolio ‘3pl’ as a deixis of the third person plural. Whereas, deixis of place are teye, teyamai ‘here’, tetomota ‘there’ this means to show the location of the room and the place of conversation or interlocutor. Deixis time among others yindhie ‘today’, lombu ‘tomorrow’, olango ‘yesterday’, dumodupo ‘morning’, mohulonu ‘afternoon’, hui ‘night’ which have the meaning to show the time when the speech or sentence is being delivered.

scholarly journals BENTUK DAN PENGGUNAAN PRONOMINA PERSONA BAGI MAHASISWA STKIP BANJARMASIN (THE FORM AND USE OF PERSONAL PRONOUNS BY STKIP STUDENT IN BANJARMASIN)

Kadera Bahasa ◽  
2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Eka Suryatin
Keyword(s):  
Short Form ◽  
First Person ◽  
Personal Pronouns ◽  
Second Person ◽  
Person Plural ◽  
The Third ◽  
Full Form ◽  
Third Person ◽  
First Person Plural ◽  
The Third Person

This study discusses the forms and variations in the use of personal pronouns by STKIP students in Banjarmasin. The purpose of this study is to describe the forms and variations in the use personal pronouns by STKIP students in Banjarmasin. This research is a qualitative descriptive study. The data collection is obtained by observation techniques, see, and record. Research data are in the form the speech used by STKIP students in Banjarmasin, Department of PBSID (Local or Indonesian Language and Literature Education). The results show that the using personal pronouns are three forms, namely the first person, second person, and third person. Based on the type of reference personal pronoun used by STKIP students in Banjarmasin are singular and plural pronoun.When it is viewed from the morphological distribution, there are a full form and a short form. The short forms are usually used in proclitic (appears before its host) and also enclitic (appear after its host). Personal pronouns used by the students in their speech are varied. Although they are in Banjar, they do not only use personal pronouns in Banjar language, a part of the students use the first person singular pronoun gue ‘aku’. Personal pronouns in Banjar language used by the STKIP students in Banjarmasin are the first person singular pronoun, ulun, unda, sorang, saurang and aku. First person singular pronoun aku has some variations –ku and ku- that are bound morpheme. First person plural is kami and kita. The second person pronouns are pian, ikam, nyawa, and kamu. Meanwhile, the third person singular pronouns are Inya and Sidin. The third person plural pronoun is bubuhannya. The use of personal pronouns by STKIP students in Banjarmasin are dominantly consist of five speech components only that are based on the situation, the partner, the intent, the content of the message, and how the speaker tells the speech.

“We Shall Overcome”: First-Person Plural Pronouns From Search Volume Data Predict Protest Mobilization Across the United States

2021 ◽  
pp. 194855062098767
Author(s):  
Jais Adam-Troian ◽  
Eric Bonetto ◽  
Thomas Arciszewski
Keyword(s):  
United States ◽  
Collective Action ◽  
The United States ◽  
Social Identification ◽  
Self Report ◽  
Current Evidence ◽  
First Person ◽  
Person Plural ◽  
Search Volume ◽  
First Person Plural

Collective action is a key driver of social and political change within societies. So far, the main factor mobilizing individuals into collective action remains the extent to which they feel identified with a protesting group (i.e., social identification). Although the link between social identification and collective action is well-established, current evidence relies mostly on self-report data. To tackle this issue, we combined real-life protest counts in the United States (2017–2020) with online search data (Google Trends) for pronouns indicating a “group” mind-set (first-person plural pronouns; e.g., “we,” “us”). Time series analyses indicated that weekly fluctuations in searches ( N = 164) predict both protest and protester counts over time. Confirmatory mixed models then showed that a 1% increase in pronoun searches was linked with +13.67% protests (95% CI [4.02, 23.32]) and +47.45% protesters (95% CI [26.54, 68.36]) the following week. These original results have important implications for the ecological study and quantification of collective action dynamics in psychology.

scholarly journals We narration in Chang-rae Lee’s On such a full sea and Julie Otsuka’s The Buddha in the attic: “Unnaturally” Asian American?

2018 ◽  
Vol 4 (1) ◽  
pp. 66-81 ◽  
Author(s):  
Delphine Munos
Keyword(s):  
Asian American ◽  
Narrative Theory ◽  
Community Building ◽  
First Person ◽  
Story Telling ◽  
Theoretical Level ◽  
Person Plural ◽  
First Person Plural ◽  
The Buddha

AbstractThis essay looks at two recent Asian American texts written in the first-person plural – namely Julie Otsuka’s The Buddha in the attic (2011) and Chang-rae Lee’s On such a full sea (2014). Its main goal is to show that the ambiguities and tensions here generated by we narration prove particularly apt when it comes to calling into question essentialist views concerning the anatomy of community-building. But my contention is that these two we texts are particularly interesting at a theoretical level, too, in that they help us challenge the orthodoxies of traditional narrative theory – among which Gérard Genette’s all-too-rigid distinction between the homo- and heterodiegetic levels in a text, or the generalized assumption, which has been notably challenged by Mieke Bal, that every act of story-telling is necessarily indebted to ‘a’ narrator, and a narrator of anthropomorphic standards at that.

scholarly journals Voices that Matter: The Attic Echoes Through the House

2018 ◽  
Vol 26 (3) ◽  
Author(s):  
Flávia Rodrigues Monteiro
Keyword(s):  
World War Ii ◽  
Japanese Americans ◽  
The Novel ◽  
Internment Camps ◽  
Person Plural ◽  
Women's Voices ◽  
Theoretical Approaches ◽  
Collective Experience ◽  
First Person Plural ◽  
The Buddha

Abstract: In The Buddha in the Attic, Julie Otsuka explores two main topics: the Picture Bride practice and the internment camps for Japanese Americans during World War II. An analysis of the development of both topics in the narrative reveals parallels with potential issues faced by women and diasporic subjects in contemporaneity, connecting with theoretical approaches on these topics. It is interesting to note that the narrative is mainly developed in first person plural with occasional expansion to other subjects such as “I”, “she”, “he”, and even “you”. The effect of this game between singular and plural is a narrative that describes a collective experience but avoids essentialisms. Even though it focuses on Women’s voices, the novel also explores different subjectivities involved in the diasporic experience. Thus, Otsuka’s narrative gives voice to disempowered subjects long locked in the attic of history and makes their voices echo through the houses of contemporaneity.

A deixis emocional em português europeu contemporâneo: alguns contributos

2019 ◽  
pp. 225-235
Author(s):  
Ana Cristina Macário Lopes
Keyword(s):  
Empirical Data ◽  
First Person ◽  
Person Plural ◽  
First Person Plural

This paper is a contribution to the description of the structures that express emotional deixis, in European contemporary Portuguese. The analysis of our empirical data show that, in Portuguese, demonstratives are not the only category that encodes emotional deictic meaning; possessives and first person plural display the same function, in some contexts. It is also discussed the semantic bleaching of the deictic space adverbs cá and lá and it is argued that it can only be described and explained in illocutionary terms, and not in the framework of emotional deixis.

Colloquial features in Word Englishes

2013 ◽  
Vol 18 (4) ◽  
pp. 479-505 ◽  
Author(s):  
Peter Collins ◽  
Xinyue Yao
Keyword(s):  
Twentieth Century ◽  
American English ◽  
World Englishes ◽  
Evolutionary Status ◽  
First Person ◽  
Functional Interpretation ◽  
Person Plural ◽  
World English ◽  
First Person Plural ◽  
Grammatical Change

A powerful discourse-pragmatic agent of grammatical change in English since the mid-twentieth century has been the increasing acceptance of colloquialism. Little is known, however, about its influence on grammatical developments in regional varieties of World English other than the two inner circle ‘supervarieties’, British and American English. This paper reports findings from a corpus-based study of three grammatical categories known to be undergoing a colloquialism-related rise in contemporary English, across a range of registers in ten World Englishes: quasi-modals (have to, have got to, be going to, want to), get-passives, and first person plural inclusive let’s. In each case comparisons are drawn with non-colloquial variants: modals (must, should, will, shall), be-passives, and let us. Subsequent functional interpretation of the data is used to explore the effect upon the quantitative patterns identified of the phenomenon of colloquialism and of further factors with which it interacts (including Americanism, prescriptivism, and evolutionary status).

Dimensions of Public Sector Pay Policies in the United States and Sweden

1988 ◽  
Vol 8 (3) ◽  
pp. 61-83 ◽  
Author(s):  
Lois Recascino Wise
Keyword(s):  
United States ◽  
Public Sector ◽  
United States Of America ◽  
Central Government ◽  
The United States ◽  
Three Dimensions ◽  
Social Orientation ◽  
Social Equality ◽  
The Third ◽  
Third Dimension

Three dimensions for analyzing public sector pay administration are used to examine central government pay administration in Sweden and the United States of America. On the first dimension, market posture, both countries are found to fall short of their espoused policy, comparability. Greater consistency is found on the second dimension, social orientation, where both countries have pursued the goal of social equality. The equilization of salary levels across society is far greater in Sweden in keeping with the socialist objectives of wage solidarity. The third dimension, reward structure, shows the greatest distance between the two countries with the struggle to implement performance-contingent pay underway in the U.S. while Swedes continue to rely on longevity for pay increases.

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