Explicating the Buddha’s Final Illness in the Context of his Other Ailments: the Making and Unmaking of some J?taka Tales

2012 ◽  
Vol 29 (1) ◽  
pp. 17-33
Author(s):  
John S. Strong
Keyword(s):  

The Buddha’s final illness, brought on by his last meal prior to his death, was traditionally seen as one of a set of ailments suffered by him at various points during his lifetime. This paper looks at different Buddhist explications of the causes of these ailments and applies them to the episode of the Buddha’s final illness. In both instances, three explanatory strategies are detected: the first stresses the causative importance of the Buddha’s own negative karmic deeds in past lives; the second looks to the negative deeds and karma of others than the Buddha; the third offers non-karmic explanations. The first two engendered two rather different kinds of j?taka stories; the last did not involve any j?takas but highlighted various kinds of ‘natural’ explanations.

Antiquity ◽  
2013 ◽  
Vol 87 (338) ◽  
pp. 1104-1123 ◽  
Author(s):  
R.A.E. Coningham ◽  
K.P. Acharya ◽  
K.M. Strickland ◽  
C.E. Davis ◽  
M.J. Manuel ◽  
...  

Key locations identified with the lives of important religious founders have often been extensively remodelled in later periods, entraining the destruction of many of the earlier remains. Recent UNESCO-sponsored work at the major Buddhist centre of Lumbini in Nepal has sought to overcome these limitations, providing direct archaeological evidence of the nature of an early Buddhist shrine and a secure chronology. The excavations revealed a sequence of early structures preceding the major rebuilding by Asoka during the third century BC. The sequence of durable brick architecture supplanting non-durable timber was foreseen by British prehistorian Stuart Piggott when he was stationed in India over 70 years ago. Lumbini provides a rare and valuable insight into the structure and character of the earliest Buddhist shrines.


Author(s):  
Dan Lusthaus

Yogācāra is one of the two schools of Indian Mahāyāna Buddhism. Its founding is ascribed to two brothers, Asaṅga and Vasubandhu, but its basic tenets and doctrines were already in circulation for at least a century before the brothers lived. In order to overcome the ignorance that prevented one from attaining liberation from the karmic rounds of birth and death, Yogācāra focused on the processes involved in cognition. Their sustained attention to issues such as cognition, consciousness, perception and epistemology, coupled with claims such as ‘external objects do not exist’ has led some to misinterpret Yogācāra as a form of metaphysical idealism. They did not focus on consciousness to assert it as ultimately real (Yogācāra claims consciousness is only conventionally real), but rather because it is the cause of the karmic problem they are seeking to eliminate. Yogācāra introduced several important new doctrines to Buddhism, including vijñaptimātra, three self-natures, three turnings of the dharma-wheel and a system of eight consciousnesses. Their close scrutiny of cognition spawned two important developments: an elaborate psychological therapeutic system mapping out the problems in cognition with antidotes to correct them and an earnest epistemological endeavour that led to some of the most sophisticated work on perception and logic ever engaged in by Buddhists or Indians. Although the founding of Yogācāra is traditionally ascribed to two half-brothers, Asaṅga and Vasubandhu (fourth–fifth century bc), most of its fundamental doctrines had already appeared in a number of scriptures a century or more earlier, most notably the Saṃdhinirmocanasūtra (Elucidating the Hidden Connections) (third–fourth century bc). Among the key Yogācāra concepts introduced in the Saṃdhinirmocanasūtra are the notions of ’only-cognition’ (vijñaptimātra), three self-natures (trisvabhāva), warehouse consciousness (ālayavijñāna), overturning the basis (āśrayaparāvṛtti) and the theory of eight consciousnesses. The Saṃdhinirmocanasūtra proclaimed its teachings to be the third turning of the wheel of dharma. Buddha lived around sixth–fifth century bc, but Mahāyāna Sūtra did not begin to appear probably until five hundred years later. New Mahāyāna Sūtra continued to be composed for many centuries. Indian Mahāyānists treated these Sūtras as documents which recorded actual discourses of the Buddha. By the third or fourth century a wide and sometimes incommensurate range of Buddhist doctrines had emerged, but whichever doctrines appeared in Sūtras could be ascribed to the authority of Buddha himself. According to the earliest Pāli Sutta, when Buddha became enlightened he turned the wheel of dharma, that is, began to teach the path to enlightenment. While Buddhists had always maintained that Buddha had geared specific teachings to the specific capacities of specific audiences, the Saṃdhinirmocanasūtra established the idea that Buddha had taught significantly different doctrines to different audiences according to their levels of understanding; and that these different doctrines led from provisional antidotes (pratipakṣa) for certain wrong views up to a comprehensive teaching that finally made explicit what was only implicit in the earlier teachings. In its view, the first two turnings of the wheel – the teachings of the Four Noble Truths in Nikāya and Abhidharma Buddhism and the teachings of the Madhyamaka school, respectively – had expressed the dharma through incomplete formulations that required further elucidation (neyārtha) to be properly understood and thus effective. The first turning, by emphasizing entities (such as dharmas and aggregates) while ’hiding’ emptiness, might lead one to hold a substantialistic view; the second turning, by emphasizing negation while ’hiding’ the positive qualities of the dharma, might be misconstrued as nihilism. The third turning was a middle way between these extremes that finally made everything explicit and definitive (nīthartha). In order to leave nothing hidden, the Yogācārins embarked on a massive, systematic synthesis of all the Buddhist teachings that had preceded them, scrutinizing and evaluating them down to the most trivial details in an attempt to formulate the definitive Buddhist teaching. Stated another way, to be effective all of Buddhism required a Yogācārin reinterpretation. Innovations in abhidharma analysis, logic, cosmology, meditation methods, psychology, philosophy and ethics are among their most important contributions. Asaṅga’s magnum opus, the Yogācārabhūmiśāstra (Treatise on the Stages of Yoga Practice), is a comprehensive encyclopedia of Buddhist terms and models, mapped out according to his Yogācārin view of how one progresses along the stages of the path to enlightenment.


2010 ◽  
Vol 66 ◽  
pp. 187-217 ◽  
Author(s):  
David Burton

It seems uncontroversial that Buddhism is therapeutic in intent. The word ‘therapy’ is often used, however, to denote methods of treating medically defined mental illnesses, while in the Buddhist context it refers to the treatment of deep-seated dissatisfaction and confusion that, it is claimed, afflict us all. The Buddha is likened to a doctor who offers a medicine to cure the spiritual ills of the suffering world. In the Pāli scriptures, one of the epithets of the Buddha is ‘the Great Physician’ and the therapeutic regimen or healing treatment is his teaching, the Dhamma. This metaphor is continued in later literature, most famously in the Saddharmapuṇḍarīka Sūtra, where the Buddha is said to be like a benevolent doctor who attempts to administer appropriate medicine to his sons. In the Mahāyāna pantheon, one of the most popular of the celestial Buddhas is Bhaiṣajyaguru, the master of healing, who is believed to offer cures for both the spiritual and more mundane ailments of sentient beings. The four truths, possibly the most pervasive of all Buddhist teachings, are expressed in the form of a medical diagnosis. The first truth, that there is suffering (dukkha), is the diagnosis of the disease. The second truth, that suffering arises from a cause (or causes), seeks to identify the root source of the disease. The third truth, that suffering can be ended, is a prognosis that the disease is curable. The fourth truth describes the path to end suffering, and is the prescription of treatment.


Author(s):  
Yufi Shofiyani ◽  
Henrikus Joko Yulianto

This study is the analysis of the character Siddhartha’s pilgrimage journey in the novel entitled Siddhartha. There are three objectives of this study. The first is to describe the conflict between human’s worldly desires and his spiritual quest in Hermann Hesse’s novel, Siddhartha. The second is to explain how Siddhartha’s conflict between his worldly affairs and spiritual journey in view of Gadamer’s hermeneutics. And, the third is to explain how Siddhartha’s worldly and spiritual duality as a revelation of human’s conflict in general. The analysis and the description of the data are provided to find the conclusion. The analysis of this study is using Gadamer’s Hermeneutics theory. The study shows that the main character Siddhartha is searching for salvation through the ordeal life. He learned many teachings from Hinduism, being ascetic Samana, learned Buddha’s teachings, being worldly slave as the courtesan adherent, and finally he finds salvation from the river. In his journey to find salvation, Siddhartha is difficult to find teachings can satisfy him. He got the internal conflict between his worldly and spiritual quest when he became courtesan’s adherent. However, all the inner conflicts that Siddhartha felt have big roles and led him to make the next decision in his life. In the end of Siddhartha’s journey, finally he found salvation. The river has succeeded to change Siddhartha by its voice and “listen” became the key why he gets salvation in his life. Besides, there is the fact that Siddhartha’s story modelled itself on the journey of Siddhartha Gautama the Buddha. Hesse’s Siddhartha was written based on the author’s travel experience in India. The conflict that Hesse portrayed in that story mostly faced by people. In the novel, Hesse characterized Siddhartha as an individual who later found his life wisdom in an act of listening to the voices of nature. Listening means everything for Siddhartha. Keywords: Gadamer’s hermeneutics, internal conflict, pilgrim’s journey


2019 ◽  
Vol 7 (2) ◽  
pp. 119
Author(s):  
Sindhy Sintya Mianani

Amerika Serikat yang dikenal sebagai negeri para imigran telah menarik jutaan imigran yang bermimpi untuk memiliki masa depan cerah ke pesisir negaranya. Sebagai negeri para imigran, pengalaman diaspora para imigran di Amerika sejatinya merupakan topik yang telah banyak dieksplorasi dalam dunia kesusastraan. Akan tetapi, sedikit sekali yang berbicara mengenai diaspora warga Jepang di Amerika. Sebagai sebuah awalan, studi ini menguraikan pengalaman diaspora para perempuan Jepang yang mengadu nasib di daratan Amerika sebagai picture brides dalam novel The Buddha in the Attic karya Julie Otsuka. Tidak hanya berbicara mengenai kehidupan picture brides di Amerika, The Buddha in the Attic juga menceritakan pengalaman imigran Jepang pada masa Perang Dunia II yang berujung pada kamp-kamp konsentrasi. Untuk menguraikan permasalahan tersebut, studi ini menerapkan teori Historical Poetics yang diprakarsai oleh Alan Swingewood untuk memperoleh hasil analisis yang rigid. Dikemas dengan subjek orang pertama jamak (first person plural), Julie Otsuka menciptakan sebuah narasi tentang kehidupan para picture brides dan imigran Jepang secara kolektif. Tindakan yang dilakukan sang penulis ini, disinyalir sebagai bentuk post-memory-nya sebagai generasi ketiga imigran Jepang (sansei) di Amerika.  Kata kunci: diaspora, narasi, historical poetics, picture brides, post-memory United States of America which is acknowledged as the land of immigrants has lured millions of those who seek for a bright future to its coast. As the land of immigrants, diaporic phenomenon in America has been explored extensively in literary world. However, a very few number has yet to conduct a study on Japanese diasporic phenomenon in America. To begin with, this study attempts to describe the diaporic phenomenon of Japanese women who came to America as picture brides in Julie Otsuka’s The Buddha in the Attic. Not only narrating the the story of picture brides in America, The Buddha in the Attic also tells the story of Japanese migrants who ended up in concentracion camps during the Word War II period. To solve the problem aforementioned, this study applies Alan Swingewood’s Historical Poetics to get adequate results. As the novel is written in first person plural prounoun, Julie Otsuka is said to create narratives on Japanese picture brides and Japanese migrants collectively. What the author does is assumed as the post-memory of being the third generation of Japanese migrants (sansei) in America. Keywords: diaspora, narratives, historical poetics, picture brides, post-memory 


2021 ◽  
Vol 14 (2) ◽  
pp. 80-91
Author(s):  
E.A. Papkova ◽  

Statement of the problem. The article is a continuation of our work devoted to the problems of the history of culture in the creative work of Vsevolod Ivanov in the 1940s–1960s. A new stage in the formulation of the problem, which makes it possible to trace the origins of the theme of culture in Ivanov’s creative work, became possible thanks to the publication of unknown texts by the writer of his early Siberian period. The purpose of the article is to analyze the theme of culture in Ivanov’s early work, to examine the evolution of the writer’s views. Methodology. The article uses comparative historical textual methods, the method of historical and cultural commentary. Research results. The theme of culture is considered for the first time on the material of Ivanov’s works of the 1910s, the evolution of his views is traced, which were formed in a dialogue with re- gional ideas and the concept of the East and West by A.M. Gorky. It is noted that the early works of the writer reflected anxiety for the fate of cultural values in the modern world. Particular attention is paid to the spiritual values of the culture of the East, understood by Ivanov in his own way and found embodiment in his work. The analysis of the story “The Return of the Buddha” and the third the edition of the novel “The Edessa Shrine” shows how the writer’s attitude to the East changed. Conclusions. The analysis of Ivanov’s works devoted to the theme of culture shows that this problem interested the writer from the very beginning of his creative path. Reflecting on the fate of the outgoing culture of Siberia in early works, dreaming of the possibility of the influence of the ancient East cultures on the historical choice of Russia and Europe in the 1920s, in the story “The Return of the Buddha”, the writer, by the end of the 1950s, obviously, comes to the conclusion that it is impossible for the forces of culture to resist the development of civilization.


2018 ◽  
Vol 35 (1-2) ◽  
pp. 161-187
Author(s):  
Peter Skilling

The article presents five fifteenth- to sixteenth-century Pali inscriptions from Sukhodaya, Thailand. Three of them are engraved in the Khom alphabet on large square stone slabs, with considerable attention to format; they seem to be unique in Thai epigraphy. Two of these carry extracts from the Abhidhamma; the third gives a syllabary followed by the recollection formulas of the Three Gems. The other two epigraphs are written not on stone slabs but are inscribed on small gold leaves; they contain the heart formulas of the books of the Tipi?aka and the qualities of the Buddha, Dhamma, and Sa?gha. The exact find-spots and functions of the slabs and gold leaves are not known. I suggest that they are the products of widespread and enduring Buddhist cultures of inscription, installation, and consecration, as well as of customs of condensation and abbreviation that have have been intrinsic to Thai liturgical and manuscript practices up to the present.


2013 ◽  
Vol 30 (1) ◽  
pp. 3-70 ◽  
Author(s):  
Peter Harvey

All Buddhists go to the Buddha, Dhamma and Sa?gha as the ‘three refuges’, but who exactly are the ‘the eight types of persons’ that are referred to in the standard passage on the nature and qualities of the third refuge? Four of these persons are clearly the stream-enterer, once-returner, non-returner, and Arahat, but who are the others, especially the lowest of them, the one practising for the realization of the stream-entry-fruit? This article aims to develop greater clarity on these eight persons and their relationship to each other, and especially to focus on the first, who comes in the forms of the faith-follower and Dhamma-follower. It aims to get at the original meaning of such terms, and trace how these changed. In particular, it questions the appropriateness of the developed Pali tradition’s mapping of him/her as existing only for one moment, immediately prior to stream-entry, and seeks to gauge, from the suttas, at what point in a person’s practice they become such a person, and hence a member of the s?vaka-Sa?gha. In the process, the practices of the person practising for stream-entry are explored and the sutta meaning of terms such as ariya, ariya-s?vaka, sekha and sappurisa are also examined.


Author(s):  
John Powers

The three turnings of the “wheel of doctrine” (dharma-cakra) is a Buddhist concept that has its origins in the Discourse Explaining the Thought (Saṃdhinirmocana-sūtra), a 3rd–4th century Indian Mahāyāna work. According to the schema described in this text, in the first turning the Buddha laid out fundamental precepts such as the four noble truths and dependent arising. The Buddha subsequently taught a second wheel, comprising the Perfection of Wisdom (Prajñā-pāramitā) discourses and related works, in which the teachings of the first wheel were subjected to the critique of emptiness (śūnyatā): the Buddha corrected the false impression some followers had developed that his words have a privileged truth status and transcend the limitations of mundane words and concepts. But in so doing he moved some followers toward an extreme of nihilism. And so in the third wheel he differentiated what is and is not being negated. This framework, only sketchily outlined in the Sūtra, was later extended and reinterpreted by Buddhist exegetes, most often as a polemical and sectarian strategy by which they valorized their own doctrines and preferred scriptures and relegated those of rivals to lower status while still acknowledging them as valid teachings of the Buddha delivered for the benefit of particular types of trainees with specific proclivities. In some tantric sources, Vajrayāna is characterized as part of the third wheel. As with the Discourse Explaining the Thought’s formulation, the tantric version of the three wheels presents them as sequential, with each requiring the others. Subsequent wheels build on and correct misconceptions in earlier ones, and the schema construes each successive dispensation as more profound than the preceding one(s) and as better representing the Buddha’s final thought.


1967 ◽  
Vol 31 ◽  
pp. 177-179
Author(s):  
W. W. Shane

In the course of several 21-cm observing programmes being carried out by the Leiden Observatory with the 25-meter telescope at Dwingeloo, a fairly complete, though inhomogeneous, survey of the regionl11= 0° to 66° at low galactic latitudes is becoming available. The essential data on this survey are presented in Table 1. Oort (1967) has given a preliminary report on the first and third investigations. The third is discussed briefly by Kerr in his introductory lecture on the galactic centre region (Paper 42). Burton (1966) has published provisional results of the fifth investigation, and I have discussed the sixth in Paper 19. All of the observations listed in the table have been completed, but we plan to extend investigation 3 to a much finer grid of positions.


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