American Cultural History: A Very Short Introduction

2018 ◽  
Author(s):  
Eric Avila
Keyword(s):  
National Identity ◽  
Cultural History ◽  
National Culture ◽  
American Culture ◽  
The Internet ◽  
Way Of Life ◽  
Short Introduction ◽  
The World ◽  
American Cultural History ◽  
Global Reach

American Cultural History: A Very Short Introduction provides a chronological look at American culture—the values, attitudes, beliefs, and myths of a particular society and the objects through which they are organized—addressing literature, music, art, architecture, theater, film, television, and the Internet. In doing so, it emphasizes culture’s role in the shaping of national identity and how previous generations of Americans have imagined themselves, their nation, and their relationship to rest of the world. Across the lines of race, class, gender, sexuality, religion, ethnicity, generation, and geography, diverse Americans have forged a national culture with a global reach, inventing stories to underscore the problems and possibilities of an American way of life.

ARTISTIC ASSIMILATION OF THE WORLD IN THE ESSAY PROSE OF M. G. ATAMANOV (BASED ON THE BOOK “I AM UDMURT. WHY DOES IT HURT?”)

2020 ◽  
Vol 14 (3) ◽  
pp. 459-464
Author(s):  
Alevtina Vasilevna Kamitova ◽  
Tatyana Ivanovna Zaitseva
Keyword(s):  
Ethnic Identity ◽  
National Identity ◽  
National Culture ◽  
Native Language ◽  
Topographic Features ◽  
Wide Range ◽  
The World ◽  
The Subject ◽  
Individual Style

The paper reflects the specificity of the fundamental ideas of the artistic world of M. G. Atamanov, which includes a wide range of literary facts from the content level of the text of the works to their poetics. A particularly important role in the works of M. G. Atamanov is played by cross-cutting themes and images that reflect the author's individual style and his idea of national-ethnic identity. The subject of the research is the book of essays “Mon - Udmurt. Maly mynym vös’?” (“I am Udmurt. Why does it hurt?”), which most vividly reflected the main spiritual and artistic searches of M. G. Atamanov, associated with his ideas about the Udmurt people. The main motives and plots of the works included in the book under consideration are accumulated around the concept of “Udmurtness”. The comprehension of “Udmurtness” is modeled in his essays through specific leit themes: native language, Udmurt people, national culture, mentality, geographic and topographic features of the Udmurt people’ places of residence, the Orthodox idea. The “Udmurt theme” is recognized and comprehended by the writer through the prism of national identity.

Modern domestic cinema and the legacy of shaken Aimanov

Keruen ◽  
2020 ◽  
Vol 4 (69) ◽  
Author(s):  
A.S. Jumadilov ◽  
Keyword(s):  
National Identity ◽  
Soviet Union ◽  
National Culture ◽  
Film Industry ◽  
National Cinema ◽  
Soviet State ◽  
The Soviet Union ◽  
The World ◽  
History Of ◽  
First Time

Following the collapse of the Soviet Union, the post-Soviet state of post-Soviet autonomous republics turned out to be the ideology for which cinematographers and screenwriters have to make a film epic of epoch - national cinema. In this article, the author can only use the ever-present cinematography, the unmerciful nationalistic culture, the ideological orientation of the film industry, the uniqueness or national identity. It's a good idea to have a world-renowned artisan who is doing all the same, seeking internationalization and gloss? Another - cinematic and astrophysical art of Shaken Aimanov, whose works live in volumes or polls, and others. For many years, many changes have taken place in the national cinema, such as national culture, a national emblem of national culture. For the first time in the history of national cinema, national cinema and the world of cinema, the future and future films have been transformed into a lot of changes. The Concept of distinguished singer Shaken Aimanova is embodied in the volume, which, unlike the researchers and artists all over the world of cinema Shaken Aimnayev, the director of which, as long as he is a filmmaker, creates a film studio as part of national culture.

Crime, Law and the Internet

2004 ◽  
Vol 26 (1) ◽  
Author(s):  
Eric Hilgendorf
Keyword(s):  
Criminal Law ◽  
Legal System ◽  
The Other ◽  
The Internet ◽  
Other Hand ◽  
The World ◽  
At Will ◽  
Global Reach

AbstractAfter some introductory remarks on the German legal system and German legal politics, the main forms of datanet crime on the Internet are sketched. After that, one of the most important Internet-cases of the last decade, the CompuServe case, is discussed in some detail. One of the main problems of datanet crime is its global reach. The world-spanning nature of the cyberspace significantly enlarges the ability of offenders to commit crimes that will affect people in a variety of other countries. On the other hand, the jurisdiction of national criminal law cannot be expanded at will by any single nation. A transnational criminal law for the Internet is possible but should be restricted to the defence of universally (or nearly universally) accepted interests and values. In effect, it seems that the problems of computer-related crime on the Internet cannot be solved by criminal law alone.

Big Data: A Very Short Introduction

2017 ◽  
Author(s):  
Dawn E. Holmes
Keyword(s):  
Social Media ◽  
Big Data ◽  
Online Shopping ◽  
The Internet ◽  
Gps Data ◽  
Security Risks ◽  
Short Introduction ◽  
Business World ◽  
The World ◽  
Diverse Cultures

Since long before computers were even thought of, data has been collected and organized by diverse cultures across the world. Once access to the Internet became a reality for large swathes of the world’s population, the amount of data generated each day became huge, and continues to grow exponentially. It includes all our uploaded documents, videos, and photos; all our social media traffic; our online shopping; even the GPS data from our cars. Big Data: A Very Short Introduction explains how big data works and is changing the world around us, the effect it has on our everyday lives and in the business world, and it considers the attendant security risks.

scholarly journals Branding Grenlandii formą ekspresji tożsamości narodowej?

2016 ◽  
pp. 207-213
Author(s):  
Dominika Bartnik-Światek
Keyword(s):  
Social Media ◽  
National Identity ◽  
Nation Branding ◽  
The Internet ◽  
Long Period ◽  
The World ◽  
The Times ◽  
Form Of Expression

Branding Greenland as a form of expression of national identity?In the times of globalisation there is a tendency for countries to differentiate from others. More and more governments decide to launch professional nation branding campaigns in order to communicate to a broad public what a particular country has to offer as well as what values and images it wants to be associated with. Greenland is an example of a country that after a long period of colonisation and establishing self-government, in 2009 began to redefine its identity and reveal it to the world. A branding campaign has been implemented to communicate a newly defined image of Greenland. This campaign has been carried out using mainly social media and the tools that the Internet has to offer. The aim of this paper is to explore the concept of nation branding and to define the relation between nation branding and national identity. The purpose is also to analyse what images of Greenland as a brand are presented by “Pioneering nation” campaign. Branding Grenlandii formą ekspresji tożsamości narodowej?W czasach globalizacji poszczególne państwa starają się wyróżnić na tle innych państw. Coraz więcej rządów decyduje się na przeprowadzenie profesjonalnych kampanii brandingowych, po to by podkreślić swoją wyjątkowość oraz to, że mają dużo do zaoferowania. Grenlandia to przykład państwa, które po długim okresie skolonizowania i po uzyskaniu autonomii w 2009 roku, zaczęło na nowo definiować swoją tożsamość i komunikować ją światu. W tym celu wdrożona została kampania, która wykorzystywała głównie media społecznościowe oraz inne narzędzia, które zapewnia internet. Celem niniejszego artykułu jest zbadanie zależności między brandingiem narodowym a tożsamością narodową, jak też analiza obrazu Grenlandii jako marki konstruowanej w kampanii „Pioneering nation”.

Occasions and Nations in Brahms's Fest- und Gedenkspruche

2006 ◽  
Vol 29 (3) ◽  
pp. 261-288 ◽  
Author(s):  
Ryan Minor
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
National Culture ◽  
Political Identity ◽  
Late Nineteenth Century ◽  
Historical Continuity ◽  
The World ◽  
German Nation ◽  
Late Nineteenth ◽  
Fathers And Sons

Brahms's Fest- und Gedenkspruche have long been discussed and sometimes dismissed as an occasional work. But although many scholars have debunked this designation, pointing out that Brahms wrote the motets with no particular occasion in mind, a more salient description of the composition deserves further investigation: the motets are a work for occasions, rather than an occasional work. This article looks at the repercussions of this distinction by focusing on the motets' orientation around the world of plurals (in Benedict Anderson's words) that was both presupposed and fostered by a national culture of festivity in late-nineteenth-century Germany. For one, the title of Brahms's motets--Spruche--references the contemporary collections of sayings that sought to capture and disseminate the multiplicity of the Volk in the new German Kaiserreich. This emphasis on national identity as a localized, participatory act was well suited to the flurry of commemorative festivities taking place throughout the newly unified Germany; it also finds musical expression in the motets. In particular, Brahms makes programmatic use of the double chorus to illustrate processes of unification, narration, and historical continuity, all of which were crucial strategies in the attempt to buttress Germany's new political identity with mnemonic supports. And by setting biblical texts that promote a contractual memory between fathers and sons, Brahms depicts a community in which collective participation in remembering the national past serves as an optimistic bulwark against the centrifugal antagonisms that would soon beset the young German nation.

scholarly journals The Influence of Social Networking on Lifestyle: A Higher Education Perspective

2013 ◽  
Vol 4 (4) ◽  
pp. 94-100
Author(s):  
D Veerasamy
Keyword(s):  
Higher Education ◽  
South Africa ◽  
Social Networks ◽  
Social Network ◽  
Social Networking ◽  
Social Networking Sites ◽  
The Internet ◽  
Way Of Life ◽  
University Of Technology ◽  
The World

Social networks have become a way of life for many people who use them to connect and communicate with the world at large. Social media is defined as any tool or service that uses the Internet to facilitate conversations. Facebook is one of the most popular social networking sites (SNSs) and has a total of 55 million active users worldwide with an average of 250000 new registrations per day. After Yahoo, MySpace and Google, Facebook is also the fourth most popular SNS in South Africa. The purpose of the paper was to determine whether social networks have an influence on higher education students’ lifestyles and behaviour. This research was descriptive and quantitative in nature. The sample comprised 386 students studying at the Durban University of Technology (DUT). The results indicated that the majority of the respondents preferred Facebook as their social network of choice. More than half of the respondents indicated that they access their preferred social network five times or more per day. The majority of the respondents agreed that social networks allow for global interaction and that maintaining relationships has become easier with social networking,

scholarly journals The shifting conception, construction and consumption of celebrity

2021 ◽  
Author(s):  
Rebecca Malka Adam Rosenberg
Keyword(s):  
North American ◽  
American Culture ◽  
New Technologies ◽  
The Internet ◽  
Star System ◽  
Ordinary People ◽  
The World ◽  
Do It Yourself ◽  
Digital Film ◽  
The Way

How have relatively new technologies changed the way in which the celebrity system and tabloid culture function in North American culture? With access to technologies, such as the internet and digital film and photography, and websites, such as Youtube.com, the average citizen is now able to actively participate in the world of celebrity and even turn themself into a celebrity figure. The world of celebrity (online, at least) has become do-it-yourself and has, in many ways, democratized the process of fame. Through the rise in online readership and recognition, even the creators of online tabloids have themselves become celebrities and active members in the star system they seek to critique. This thesis will demonstrate that the technologies used to demystify the celebrity through perpetual surveillance have, at the same time, succeeded in turning ordinary people into celebrities, thus placing them squarely within the star system they never intended to inhabit.

Sign in / Sign up

Export Citation Format

Share Document